My Starred Hymns
My FlexScores
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
El Himnario Presbiteriano
Publication Date: 1999 Publisher: Geneva Press Publication Place: Louisville Editors: Raquel Gutiérrez-Achón
El Himnario Presbiteriano
Que mi vida entera esté
Author: F. R. Havergal; Vicente Mendoza Meter: 7.7.7.7.7 Appears in 36 hymnals Lyrics: 1 Que mi vida entera esté
consagrada a ti, Señor;
que a mis manos pueda guiar
el impulso de tu amor.
Que mis pies tan solo en pas
de lo santo puedan ir:
que a ti, Sen1or, mi voz
se complazca en bendecit.
2 Que mi labios puedan dar
testimonio de tu amor;
y mis bienes ofrendar
sepa siempre a ti, Señor;
que mi tiempo todo esté
dedicado a tu loor,
y mi mente y su poder
se consagren a tu honor.
3 Toma ¡oh Dios!, mi voluntad:
hazla tuya nada más;
toma, sí, mi corazón
y tu trono en él tendrás.
Toma Tú mi amor, que hoy
a tus pies vengo a poner;
toma todo lo que soy;
todo tuyo quiero ser. Topics: Consagración; Consagración; Mayordomía Scripture: Romans 12:1 Used With Tune: HOLLINGSIDE
Que mi vida entera esté
Quien cree y bautiszado es
Author: Thomas Kingo; Juan Burghi Meter: 8.7.8.7.8.8.7 Appears in 3 hymnals Lyrics: 1 Quien cree y bautizado es,
será por Cristo salvo;
el que en su muerte
por la fe bautizase, renace.
Tendrá por esa redención,
de toda tribu y nación,
gloriosa compañia.
2 Tu Santo Espíritu, oh Dios,
unidos imploramos:
por Cristo nuestro
Salvador perdona los pecados;
que crezca en gracia nuestro ser
y en tu bautismo pueda ver
señal de vida eterna. Topics: Bautismo Scripture: Acts 2:37-39 Used With Tune: ALLEIN GOTT IN DER HÖH
Quien cree y bautiszado es
Nos hemos reunido en tu nombre de Cristo
Author: J. R. de Balloch Meter: 12.11.12.12 Appears in 6 hymnals Lyrics: 1 Nos hemos reunido en el nombre de Cristo
para agradecer tus bondades, oh Dios.
Con muchos cuidados nos has socorrido,
¡Bendito seas siempre, loado tu amor!
2 Nos has protegido en nuestro sendero,
nos has circundado de bienes y honor;
por eso, Dios santo, tu pueblo reunido,
a ti eleva himnos de gloria y loor.
3 Tu nombre alabamos, Señor victorioso;
en todas las luchas concédenos paz;
tu amor nos ampare, tu reino nos venga;
y a ti la gloria por siempre jamás. Topics: Acción de Gracias; Acción de Gracias Scripture: Psalm 90 Used With Tune: KREMSER Text Sources: Del holandés
Nos hemos reunido en tu nombre de Cristo
HOLLINGSIDE
Meter: 7.7.7.7.7 Appears in 286 hymnals Composer and/or Arranger: John B. Dykes Incipit: 35655 43176 53123 Used With Text: Que mi vida entera esté
HOLLINGSIDE
EIN' FESTE BURG
Meter: 8.7.8.7.6.6.6.6.7 Appears in 657 hymnals Composer and/or Arranger: Martín Lutero Incipit: 11156 71765 17656 Used With Text: Castillo fuerte es nuestro Dios
EIN' FESTE BURG
Cantad al Señor
Author: Felipe Blycker J. Hymnal: EHP1999 #1 (1999) Meter: 11.10.11.10 First Line: Cantad al Señor un cántico nuevo Lyrics: 1 Cantad al Señor un cántico nuevo,
cantad al Señor un cántico nuevo,
cantad al Señor un cántico nuevo,
cantad al Señor, cantad al Señor.
2 El es creador y dueño de todo,
El es creador y dueño de todo,
El es creador y dueño de todo;
cantad al Señor, cantad al Señor.
3 Cantad a Jesús porque Él es digno,
cantad a Jesús porque Él es digno,
cantad a Jesús porque Él es digno;
cantad al Señor, cantad al Señor.
4 Es Él quien nos dio su Espíritu Santo,
Es Él quien nos dio su Espíritu Santo,
Es Él quien nos dio su Espíritu Santo;
cantad al Señor, cantad al Señor.
5 Cantad al Señor, “¡Amén, aleluya!”
Cantad al Señor, “¡Amén, aleluya!”
Cantad al Señor, “¡Amén, aleluya!”
Cantad al Señor, cantad al Señor. Topics: Dios Su Naturaleza y Alabanza; Dios Su Alabanza; Dios Su Alabanza Scripture: Psalm 98:1-3 Languages: Spanish Tune Title: CANTAI AO SENHOR
Cantad al Señor
Es tiempo de que alabemos de Dios
Author: Ramón Díaz Hymnal: EHP1999 #2 (1999) Meter: Irregular Refrain First Line: Amén! Amén! Amén! resuene nuestra voz Lyrics: 1 Es tiempo de que alabemos de Dios,
es tiempo de alabanza,
pues los justos y los fieles
ya de Dios la gloria ven.
Cantemos todos con vibrante voz,
cantemos al Dios del bien
y digamos: "Bendito el nombre de Dios"
y entonemos a coro un "¡Amén!"
Estribillo:
¡Amén! Amén! Amén! resuene nuestra voz.
¡Amén! los fieles digan
y alaben el nombre de Dios.
¡Amén! Amén! Amén!
¡Ha llegado la gran bendición!
Alabemos con gozo Eterno
y un grito del alma exhalen en ¡Amen!
Alabemos con gozo Eterno
y un grito del alma exhalen en ¡Amen!
2 Esta es la hora precisa en que aqui
los fieles nos congregamos
y alabanzas entonamos
al gran Dios de todo bien.
Y comprendemos que sólo en Dios
encontraremos sostén; y no puede,
por tanto, vencernos el mal
cuando a coro cantamos: ¡Amén!" [Estribillo]
3 Este es el bello momento de otar
por todos los pecadores;
de la gloria los fulgores
ya los justos todos ven.
Allá en la excelsa mansión celestial
cerca del gran Dios del bien,
cantan ángeles con my dulcísima voz
y en su cántico dicen: ¡Amén! [Estribillo]
Topics: Dios Su Naturaleza y Alabanza; Dios Su Alabanza Scripture: Psalm 41:13 Languages: Spanish Tune Title: AVIVAMIENTO
Es tiempo de que alabemos de Dios
Al despuntar en la loma el día
Author: Heber Romero Hymnal: EHP1999 #3 (1999) Meter: Irregular Topics: Dios Su Naturaleza y Alabanza; Dios Su Alabanza; Matutina, Oración Scripture: Psalm 8 Languages: Spanish Tune Title: AL DESPUNTAR EL DIA
Al despuntar en la loma el día
Phoebe Palmer Knapp
1839 - 1908 Person Name: Phoebe Knapp Hymnal Number: 342 Composer of "ASSURANCE" in El Himnario Presbiteriano As a young girl Phoebe Palmer Knapp (b. New York, NY, 1839; d. Poland Springs, ME, 1908) displayed great musical talent; she composed and sang children’s song at an early age. The daughter of the Methodist evangelist Walter C. Palmer, she was married to John Fairfield Knapp at the age of sixteen. Her husband was a founder of the Metropolitan Life Insurance Company, and after his death, she shared her considerable inherited wealth with various charitable organizations. She composed over five hundred gospel songs, of which the tunes for “Blessed Assurance” and “Open the Gates of the Temple” are still popular today.
Bert Polman
Phoebe Palmer Knapp
Reginald Heber
1783 - 1826 Hymnal Number: 24 Author of "¡Santo! ¡Santo! ¡Santo!" in El Himnario Presbiteriano Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today.
-- Greg Scheer, 1995
====================
Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service
”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437.
Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.]
Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:—
1. Beneath our feet, and o'er our head. Burial.
2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity.
3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity.
4. 0 God, by Whom the seed is given. Sexagesima.
6. 0 God, my sins are manifold. Forgiveness, or,
Gospel for 22nd S. after Trinity.
6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany.
7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent.
8. 0 more than merciful, Whose bounty gave. Good Friday.
9. 0 most merciful! 0 most bountiful. Introit Holy Communion.
10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent.
11. 0 weep not o'er thy children's tomb. Innocents Day.
12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity.
13. Sit thou on my right hand, my Son, saith the Lord. Ascension.
14. Spirit of truth, on this thy day. Whit-Sunday.
15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity.
16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace.
17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity.
18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent.
19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity.
20. Though sorrows rise and dangers roll. St. James's Day.
21. To conquer and to save, the Son of God. Christ the Conqueror.
22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent.
23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity.
24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany.
25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany.
26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity.
This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work.
--John Julian, Dictionary of Hymnology (1907)
Reginald Heber
Anonymous
Person Name: Anónimo Hymnal Number: 220 Translator of "Sagrado es el amor" in El Himnario Presbiteriano In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
