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Hymnal, Number:gp1884

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Hymnals

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Published hymn books and other collections
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Grateful Praise

Publication Date: 1884 Publisher: Fillmore Brothers Publication Place: Cincinnati Editors: J. H. Fillmore; Fillmore Brothers

Texts

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O Come, Let Us Sing!

Appears in 453 hymnals First Line: O come, let us sing unto the Lord: Let us heartily rejoice in the strength of our salvation Used With Tune: [O come, let us sing unto the Lord: Let us heartily rejoice in the strength of our salvation]
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While Blossoms Wear Their Dew

Author: Jessie H. Brown Appears in 1 hymnal First Line: Do you mean to follow Jesus? Refrain First Line: Come, then, in the early morning Used With Tune: [Do you mean to follow Jesus?]
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God Be With You

Author: J. E. Rankin Appears in 1,179 hymnals First Line: God be with you till we meet again Refrain First Line: Till we meet, till we meet Used With Tune: [God be with you till we meet again]

Tunes

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[From all that dwell below the skies]

Appears in 1,952 hymnals Incipit: 11765 12333 32143 Used With Text: From All That Dwell Below the Skies
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[When little Samuel 'woke]

Appears in 178 hymnals Composer and/or Arranger: Arthur Sullivan Incipit: 33543 46545 11716 Used With Text: When Little Samuel
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[Savior, again to thy dear name we raise]

Appears in 624 hymnals Composer and/or Arranger: E. J. Hopkins Incipit: 55651 17123 11213 Used With Text: Savior, Again to Thy Dear Name

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O Praise the Lord!

Author: Benj. Skene Hymnal: GP1884 #3 (1884) First Line: Praise the Lord! let all adore him Languages: English Tune Title: [Praise the Lord! let all adore him]
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Singing With the Heart

Author: E. R. Latta Hymnal: GP1884 #4 (1884) First Line: When with happy faces Languages: English Tune Title: [When with happy faces]
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The Old Pathway

Author: H. R. Trickett Hymnal: GP1884 #5 (1884) First Line: There is a way, a blessed way Refrain First Line: Let us walk in the path, in the old, old path Languages: English Tune Title: [There is a way, a blessed way]

People

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Authors, composers, editors, etc.

E. J. Hopkins

1818 - 1901 Hymnal Number: 127 Composer of "[Savior, again to thy dear name we raise]" in Grateful Praise Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

Abner P. Cobb

1853 - 1923 Person Name: A. P. Cobb Hymnal Number: 116 Author of "When the Harvest Is Past" in Grateful Praise Born: October 27, 1853, Woos­ter, Ohio. Died: Feb­ru­a­ry 11, 1923. Buried: Fairlawn Cemetery, Decatur, Illinois. Cobb’s fam­i­ly moved to De­ca­tur, Il­li­nois, when he was about 13 years old. As a young man, he worked as a ma­chin­ist. He grad­u­at­ed from Eu­re­ka Coll­ege, Eu­re­ka, Il­li­nois, in 1878, and pas­tored in Nor­mal, Wash­burn, Pe­ter­sburg and Spring­field, Il­li­nois; Des Moines, Io­wa; Cov­ing­ton, Ken­tucky; and San Antonio, Tex­as. He was al­so an ac­tive evan­gel­ist, at­tend­ing meet­ings in Bos­ton, New York Ci­ty, Min­ne­ap­o­lis, and other ma­jor ci­ties. --www.hymntime.com/tch/

Arthur Sullivan

1842 - 1900 Hymnal Number: 121 Composer of "[When little Samuel 'woke]" in Grateful Praise Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman