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Search Results

Hymnal, Number:jhsj1927

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Hymnals

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Published hymn books and other collections
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Junior Hymns and Songs

Publication Date: 1927 Publisher: Judson Press Publication Place: Philadelphia Editors: Elizabeth McE. Shields; Judson Press; Christian Board of Publication

Texts

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God of Our Fathers, Whose Almighty Hand

Author: Daniel C. Roberts Appears in 424 hymnals Used With Tune: NATIONAL HYMN
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This Is My Father's World

Author: Maltbie Babcock Appears in 322 hymnals Used With Tune: TERRA BEATA
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What Child Is This?

Appears in 208 hymnals First Line: What Child is this, who, laid to rest Used With Tune: [What Child is this, who, laid to rest]

Tunes

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[What Child is this, who, laid to rest]

Appears in 175 hymnals Tune Sources: Old English Incipit: 13456 54271 23117 Used With Text: What Child Is This?
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NICAEA

Appears in 1,083 hymnals Composer and/or Arranger: Rev. John B. Dykes Incipit: 11335 56666 53555 Used With Text: Holy, Holy, Holy!
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ST. LOUIS

Appears in 461 hymnals Composer and/or Arranger: Lewis H. Redner Incipit: 33323 54621 712 Used With Text: O Little Town of Bethlehem

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Praise God From Whom All Blessings Flow

Author: Thomas Ken Hymnal: JHSJ1927 #1 (1927) Languages: English Tune Title: OLD HUNDREDTH
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Glory Be to the Father

Hymnal: JHSJ1927 #2 (1927) First Line: Glory be to the Father, and to the Son Languages: English Tune Title: GLORIA PATRI
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The Earth Is the Lord's

Hymnal: JHSJ1927 #3 (1927) Scripture: Psalm 24 Languages: English Tune Title: [The earth is the Lord's]

People

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Authors, composers, editors, etc.

Anonymous

Person Name: Anon. Hymnal Number: 17 Author of "Fairest Lord Jesus, Ruler of All Nations" in Junior Hymns and Songs In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Nahum Tate

1652 - 1715 Hymnal Number: 60 Author of "While Shepherds Watched Their Flocks" in Junior Hymns and Songs Nahum Tate was born in Dublin and graduated from Trinity College, Dublin, B.A. 1672. He lacked great talent but wrote much for the stage, adapting other men's work, really successful only in a version of King Lear. Although he collaborated with Dryden on several occasions, he was never fully in step with the intellectual life of his times, and spent most of his life in a futile pursuit of popular favor. Nonetheless, he was appointed poet laureate in 1692 and royal historiographer in 1702. He is now known only for the New Version of the Psalms of David, 1696, which he produced in collaboration with Nicholas Brady. Poverty stricken throughout much of his life, he died in the Mint at Southwark, where he had taken refuge from his creditors, on August 12, 1715. --The Hymnal 1940 Companion See also in: Hymn Writers of the Church

St. John of Damascus

675 - 787 Person Name: John of Damascus Hymnal Number: 71 Author of "The Day of Resurrection" in Junior Hymns and Songs Eighth-century Greek poet John of Damascus (b. Damascus, c. 675; d. St. Sabas, near Jerusalem, c. 754) is especially known for his writing of six canons for the major festivals of the church year. John's father, a Christian, was an important official at the court of the Muslim caliph in Damascus. After his father's death, John assumed that position and lived in wealth and honor. At about the age of forty, however, he became dissatisfied with his life, gave away his possessions, freed his slaves, and entered the monastery of St. Sabas in the desert near Jerusalem. One of the last of the Greek fathers, John became a great theologian in the Eastern church. He defended the church's use of icons, codified the practices of Byzantine chant, and wrote about science, philosophy, and theology. Bert Polman ======================== John of Damascus, St. The last but one of the Fathers of the Greek Church, and the greatest of her poets (Neale). He was of a good family in Damascus, and educated by the elder Cosmas in company with his foster-brother Cosmas the Melodist (q. v.). He held some office under the Caliph. He afterwards retired to the laura of St. Sabas, near Jerusalem, along with his foster-brother. There he composed his theological works and his hymns. He was ordained priest of the church of Jerusalem late in life. He lived to extreme old age, dying on the 4th December, the day on which he is commemorated in the Greek calendar, either in his 84th or 100th year (circa 780). He was called, for some unknown reason, Mansur, by his enemies. His fame as a theologian rests on his work, the first part of which consists of philosophical summaries, the second dealing with heresies, and the third giving an account of the orthodox faith. His three orations in favour of the Icons, from which he obtained the name of Chrysorrhous and The Doctor of Christian Art, are very celebrated. The arrangement of the Octoechusin accordance with the Eight Tones was his work, and it originally contained no other Canons than his. His Canons on the great Festivals are his highest achievements. In addition to his influence on the form and music, Cardinal Pitra attributes to him the doctrinal character of the later Greek hymnody. He calls him the Thomas Aquinas of the East. The great subject round which his hymns are grouped is The Incarnation, developed in the whole earthly career of the Saviour. In the legendary life of the saint the Blessed Virgin Mary is introduced as predicting this work: the hymns of John of Damascus should eclipse the Song of Moses, rival the cherubim, and range all the churches, as maidens beating their tambours, round their mother Jerusalem (Pitra, Hymn. Grecque, p. 33). The legend illustrates not only the dogmatic cast of the hymns, but the introduction of the Theotokion and Staurotheotokion, which becomes the prevalent close of the Odes from the days of St. John of Damascus: the Virgin Mother presides over all. The Canons found under the name of John Arklas (one of which is the Iambic Canon at Pentecost) are usually attributed to St. John of Damascus, and also those under the name of John the Monk. Some doubt, however, attaches to the latter, because they are founded on older rhythmical models which is not the case with those bearing the name of the Damascene, and they are not mentioned in the ancient Greek commentaries on his hymns. One of these is the Iambic Canon for Christmas. His numerous works, both in prose and verse, were published by Le Quien, 1712; and a reprint of the same with additions by Migne, Paris, 1864. Most of his poetical writings are contained in the latter, vol. iii. pp. 817-856, containing those under the title Carmina; and vol. iii. pp. 1364-1408, the Hymni. His Canon of SS. Peter & Paul is in Hymnographie Grecque, by Cardinal Pitra, 1867. They are also found scattered throughout the Service Books of the Greek Church, and include Iambic Canons on the Birth of Christ, the Epiphany, and on Pentecost; Canons on Easter, Ascension, the Transfiguration, the Annunciation, and SS. Peter & Paul: and numerous Idiomela. In addition, Cardinal Mai found a manuscript in the Vatican and published the same in his Spicilegium Romanum, which contained six additional Canons, viz.: In St. Basilium; In St. Chrysostomum; In St. Nicolaum; In St. Petrum; In St. Georgium, and In St. Blasium. But M. Christ has urged grave objections to the ascription of these to St. John of Damascus (Anthologia Graeca Carminum Christorium, p. xlvii.). Daniel's extracts in his Thesaurus Hymnologicus, vol. iii. pp. 80, 97, extend to six pieces. Dr. Neale's translations of portions of these works are well known. [Rev. H. Leigh Bennett, M.A.] -- John Julian, Dictionary of Hymnology (1907)
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