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Search Results

Hymnal, Number:nsss1891

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Hymnals

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Published hymn books and other collections
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The New Song

Publication Date: 1891 Publisher: George F. Rosche & Co. Publication Place: Chicago Editors: Geo. F. Rosche; George F. Rosche & Co.

Texts

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Text authorities
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In the Cross of Christ

Author: Sir John Bowring Appears in 1,519 hymnals First Line: In the cross of Christ I glory Used With Tune: [In the cross of Christ I glory]
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All Hail the Power

Author: E. Perronet; Edward Perronet Appears in 3,465 hymnals First Line: All hail the power of Jesus' name Used With Tune: [All hail the power of Jesus' name]
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Sitting at the Feet of Jesus

Appears in 107 hymnals Used With Tune: [Sitting at the feet of Jesus]

Tunes

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Tune authorities
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[All hail the power of Jesus' name]

Appears in 1,296 hymnals Composer and/or Arranger: Oliver Holden Incipit: 51133 21232 13212 Used With Text: All Hail the Power
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[What a fellowship, what a joy divine]

Appears in 424 hymnals Composer and/or Arranger: A. J. Showalter Incipit: 33321 22216 55171 Used With Text: Leaning On the Everlasting Arms
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[My faith looks up to thee]

Appears in 1,089 hymnals Composer and/or Arranger: Lowell Mason Incipit: 13554 32244 32326 Used With Text: My Faith Looks Up to Thee

Instances

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Published text-tune combinations (hymns) from specific hymnals
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The New Song

Author: Laura E. Newell Hymnal: NSSS1891 #1 (1891) First Line: There is a blissful home above Languages: English Tune Title: [There is a blissful home above]
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Singing for Jesus

Author: F. M. D. Hymnal: NSSS1891 #2 (1891) First Line: Singing for Jesus, Savior and King Refrain First Line: "Glory be to Jesus," angels sweetly sing Languages: English Tune Title: [Singing for Jesus, Savior and King]
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Lord, Teach Our Hands to War

Author: Rev. W. J. Herbert Hogan Hymnal: NSSS1891 #3 (1891) Refrain First Line: March on, march on! Languages: English Tune Title: [Lord, teach our hands to war]

People

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Authors, composers, editors, etc.

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Mendelssohn Hymnal Number: 148 Composer of "[Hark! the herald angels sing]" in The New Song Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman

George Frideric Handel

1685 - 1759 Person Name: Handel Hymnal Number: 151 Composer of "[Joy to the world, the Lord is come]" in The New Song George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Lewis Hartsough

1828 - 1919 Person Name: Rev. L. Hartsough Hymnal Number: 159 Composer of "[I hear Thy welcome voice]" in The New Song Hartsough, Lewis, was born at Ithaca, New York, Aug. 31, 1823. Of his hymns the following are in common use:—- 1. I hear Thy welcome voice. The Divine Invitation. 2. In the rifted Rock I'm resting. Safety in Jesus. 3. Lead me to the Rock that's higher. Safety in Jesus. 4. O who'll stand up for Jesus? All for Jesus Nos. 1-3 are in I. D. Sankey's Sacred Songs & Solos, 1878 (1 and 3 with music by Hartsough). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Hartsough, Lewis, p. 1569, ii. Mr. Hartsough entered the ministry of the Methodist Episcopal Church in 1851, and is now (1905) residing in Mount Vernon, Indiana. He was musical editor of J. Hillman's Revivalist, Troy, 1868, and co-editor of The Sacred Harmonist, Boston, 1864, and Beulah Songs, Phila., 1879. In addition to the hymns named on p. 1569, ii., "Let me go where saints are going" [Heav'n desired] (1861) has come into common use. It appeared in W. B. Bradbury's Clarion, 1867, p. 83. Concerning his hymn, "I hear Thy welcome voice," Mr. Sankey says in his My Life and Sacred Songs, 1906, p. 11(3:— The words and music of this beautiful hymn were first published in a monthly, entitled, Guide to Holiness, a copy of which was sent to me in England. I immediately adopted it, and had it published in Sacred Songs and Solos. It proved to be one of the most helpful of the revival hymns, and was often used as an invitation hymn in England and America." [Rev. L. F. Benson, D.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ================ Hartsough, Lewis. (August 31, 1823--January 1, 1919). Details of his early life are lacking. After being admitted to the Oneida, New York, Conference of the Methodist Episcopal Church in 1851 and serving several pastorates in that state, his health failed and he went to Utah where he was influential in establishing the Utah Mission, later becoming its superintendent. Upon relinquishing that position he moved to Mt. Vernon, Iowa, where he spent the remainder of his life. Bird's statement that he lived in Indiana is erroneous. He was minister of the South Street Methodist Episcopal Church, Utica, New York, when he first became associated with Joseph Hillman, who chose him to act as musical editor of The Revivalist, a gospel hymn book which went through eleven editions in five years, 1868-1872. This book had a remarkable sale and was doubtless used in more churches during the 1870s than any other of similar character. To it the Reverend Hartsough contributed, in one edition, twelve texts, fourteen tunes, and thirty arrangements of tunes, several of the latter being of the religio-folk variety which had been so popular in the early camp meetings. It is a valuable source work. "I love to think of the heavenly land" (p.1573) is by Hartsough. "I hear thy welcome voice (p.1569), originally in six four-line stanzas, with Refrain, in full S/1931; with the first three stanzas, slightly emended, Brethren/1951; with stanzas 1, 2, 3, and 5, also emended, in Hymns of the Living Faith, 1951. Writeen in 1872 with musical settings by the author, it is the only one of his many songs which has continued in use. Source: Metcalf, Frank J. American Writers and Compilers of Sacred Music; several editions of The Revivalist. --Robert G. McCutchan, DNAH Archives
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