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Trinity Psalter Hymnal

Publication Date: 2018 Publisher: Trinity Psalter Hymnal Joint Venture Publication Place: Willow Grove, PA Editors: Trinity Psalter Hymnal Joint Venture; Alan D. Strange; Derrick J. Vander Meulen

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In Christ There Is No East or West

Author: Michael A. Perry Meter: 8.6.8.6 Appears in 7 hymnals Lyrics: 1 In Christ there is no east or west, in him no pride of birth; the chosen fam'ly God has blessed now spans the whole wide earth. 2 For God in Christ has made us one from ev'ry land and race; he reconciled us through his Son and met us with his grace. 3 It is by grace we are assured that we belong to him; the love we share in Christ our Lord, the Spirit works within. 4 So, brothers, sisters, praise his name who died to set us free from sin, division, hate, and shame, from spite and enmity. 5 In Christ there is no east or west-- he breaks all barriers down; by Christ redeemed, by Christ possessed, in Christ we live as one. Topics: Church As Communion of Saints; Church As Kingdom of God; Church Unity of Scripture: Luke 13:29 Used With Tune: McKEE
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O God, great Father, Lord and King!

Author: E. Embree Hoss, 1849-1919 Meter: 8.8.8.8 Appears in 7 hymnals Lyrics: 1 O God, great Father, Lord and King! Our children unto thee we bring; and strong in faith and hope and love, we dare thy steadfast Word to prove. 2 Thy cov'nant kindness did of old our fathers and their seed enfold; that ancient promise standeth sure, and shall while heav'n and earth endure. 3 Look down upon us while we pray and visit us in grace today; these little ones thou didst receive, thy precious promise we believe. 4 They now the outward sign receive; wilt thou thy Holy Spirit give, and keep and help them by thy pow'r in ev'ry hard and trying hour. 5 Guide thou their feet in holy ways, shine on them thro' darkest days; uphold them 'til their life be past and bring them all to heav'n at last. Topics: Baptism; Covenant of Grace; Faith Confession of; God Fatherhodd of Scripture: Genesis 17:7 Used With Tune: MELCOMBE
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Blessed Jesus, at Your Word

Author: Tobias Clausnitzer; Anon.; Catherine Winkworth; Anon. Meter: 7.8.7.8.8.8 Appears in 146 hymnals Lyrics: 1 Blessed Jesus, at your word we are gathered all to hear you; let our hearts and souls be stirred now to seek and love and fear you, by your teachings sweet and holy, drawn from earth to love you solely. 2 All our knowledge, sense, and sight lie in deepest darkness shrouded, 'til your Spirit breaks our night with the beams of truth unclouded. You alone to God can win us; you must work all good within us. 3 Glorious Lord, yourself impart, Light of light, from God proceeding; open now our ears and heart, help us by your Spirit's pleading; hear the cry your people raises, hear and bless our prayers and praises. 4 Father, Son, and Holy Ghost, praise to you and adoration! Grant that we your Word may trust and obtain true consolation, while we here below must wander, 'til we sing your praises yonder. Topics: Christ As Prophet; Church As the Lord's House; God's Word and Law; Holy Spirit As Illuminator; Humanity Depravity of; Praise Scripture: John 6:68 Used With Tune: LIEBSTER JESU

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MARYTON

Meter: 8.8.8.8 Appears in 408 hymnals Composer and/or Arranger: H. Percy Smith Tune Key: D Major Incipit: 33343 22255 43117 Used With Text: My Song Forever Shall Record
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LLANGLOFFAN

Appears in 181 hymnals Tune Sources: Welsh hymn melody; David Evans, Hymnau a Thonau,, 1865 Tune Key: g minor Incipit: 51122 32114 43325 Used With Text: Come unto Me, Ye Weary
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NICAEA

Meter: 11.12.12.10 Appears in 1,058 hymnals Composer and/or Arranger: John B. Dykes Tune Key: D Major Incipit: 11335 56666 53555 Used With Text: Holy, Holy, Holy!

Instances

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That Man Is Blest

Hymnal: TPH2018 #1A (2018) Meter: 8.6.8.6 First Line: That man is blest who, fearing God Lyrics: 1 That man is blest who, fearing God, from sin restrains his feet, who will not stand with wicked men, who shuns the scorners' seat. 2 Yea, blest is he who makes God's law his portion and delight, and meditates upon that law with gladness day and night. 3 That man is nourished like a tree set by the river's side; its leaf is green, its fruit is sure, and thus his works abide. 4 The wicked, like the driven chaff, are swept from off the land; they shall not gather with the just, nor in the judgment stand. 5 The Lord will guard the righteous well, their way to him is known; the way of sinners, far from God, shall surely be o'erthrown. Topics: Christians Blessedness of; Law of God; Sanctification Scripture: Psalm 1 Languages: English Tune Title: MEDITATION
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How Blest the Man

Hymnal: TPH2018 #1B (2018) Meter: 8.8.8.8.8.8 First Line: How blest the man who does not walk Scripture: Psalm 1 Languages: English Tune Title: ST. PETERSBURG

Why Do Heathen Nations Rage?

Hymnal: TPH2018 #2A (2018) Meter: 7.7.7.7 D Topics: Danger of Delay; Fear of God; Nations; Prosperity; Punishment of Wicked; Wrath Of God Scripture: Psalm 2 Languages: English Tune Title: MONSEY CHAPEL

People

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Authors, composers, editors, etc.

Thomas Jarman

1776 - 1861 Hymnal Number: 358 Composer of "LYNGHAM" in Trinity Psalter Hymnal Thomas Jarman was born on 21st December 1776 in Clipston, a small village near the northern border of the County of Northampton. His father was not only a Baptist lay preacher, but also a tailor, and Thomas was brought up in the same trade, although his brother, John, followed his father’s calling to become a minister. His natural taste for music, however, considerably interfered with his work, and he was frequently reduced to dire straits, from which only the extreme liberality of his publishers relieved him. He was a man of fine, commanding presence, but self-willed, and endowed with a considerable gift of irony, as choirs frequently found to their cost. Weston quotes from Kant that Jarman neglected his work and ‘this kept him poor and soured his temper’. He joined the choir of the Baptist chapel in his native village when quite a youth, and soon became the choirmaster there. He adopted music as a profession (with occasional returns to his old trade), and was engaged as teacher of harmony and singing in many of the neighbouring villages. He was a successful choir-trainer, spending several years at Leamington, and conducted concerts as well as services, for which he was ‘constantly composing works’. The village choir festival held under his direction at Naseby, in 1837, is said to have been the talk of the district for long after. He spent some six or seven years at Leamington, during which time he enjoyed the friendship of C. Rider, a wealthy Methodist who did much good for the psalmody of Lancashire and elsewhere some fifty or sixty years ago. Jarman published an enormous quantity of music, including over six hundred hymn-tunes, besides anthems, services, and similar pieces. Amongst his many anthems written for special occasions there is one for the opening of the new Baptist chapel at Clipston. Another is a MAGNIFICAT for Dr Marsh's Episcopal chapel at Leamington, where Thomas Jarman was called to assist the quire in their study and performance of psalmody. Thomas Jarman lived to the good old age of eighty-five, dying in 1861, and lies buried in the graveyard attached to the Baptist chapel at Clipston in Northants. --immanuelsground.com/composers/ (excerpts)

George Duffield

1818 - 1888 Hymnal Number: 542 Author of "Stand Up, Stand Up for Jesus" in Trinity Psalter Hymnal Duffield, George, Jr., D.D., son of the Rev. Dr. Duffield, a Presbyterian Minister, was born at Carlisle, Pennsylvania, Sept. 12, 1818, and graduated at Yale College, and at the Union Theological Seminary, New York. From 1840 to 1847 he was a Presbyterian Pastor at Brooklyn; 1847 to 1852, at Bloomfield, New Jersey; 1852 to 1861, at Philadelphia; 1861 to 1865, at Adrian, Michigan; 1865 to 1869, at Galesburg, Illinois; 1869, at Saginaw City, Michigan; and from 1869 at Ann Arbor and Lansing, Michigan. His hymns include;— 1. Blessed Saviour, Thee I love. Jesus only. One of four hymns contributed by him to Darius E. Jones's Temple Melodies, 1851. It is in 6 stanzas of 6 lines. In Dr. Hatfield's Church Hymnbook it is given in 3 stanzas. The remaining three hymns of the same date are:— 2. Parted for some anxious days. Family Hymn. 3. Praise to our heavenly Father, God. Family Union. 4. Slowly in sadness and in tears. Burial. 5. Stand up, stand up for Jesus. Soldiers of the Cross. The origin of this hymn is given in Lyra Sac. Americana, 1868, p. 298, as follows:— "I caught its inspiration from the dying words of that noble young clergyman, Rev. Dudley Atkins Tyng, rector of the Epiphany Church, Philadelphia, who died about 1854. His last words were, ‘Tell them to stand up for Jesus: now let us sing a hymn.' As he had been much persecuted in those pro-slavery days for his persistent course in pleading the cause of the oppressed, it was thought that these words had a peculiar significance in his mind; as if he had said, ‘Stand up for Jesus in the person of the downtrodden slave.' (Luke v. 18.)" Dr. Duffield gave it, in 1858, in manuscript to his Sunday School Superintendent, who published it on a small handbill for the children. In 1858 it was included in The Psalmist, in 6 stanzas of 8 lines. It was repeated in several collections and in Lyra Sac. Amer., 1868, from whence it passed, sometimes in an abbreviated form, into many English collections. [Rev. F. M. Bird, M.A.] - John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church

W. H. Havergal

1793 - 1870 Person Name: William Havergal Hymnal Number: 23B Composer of "EVAN " in Trinity Psalter Hymnal Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:— 1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883. 2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c. 3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund. 4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory, 5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c. 8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c. 9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c. 11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883. 12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer." 13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883. 15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. 16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872. 17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872. 18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child. 19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869. --John Julian, Dictionary of Hymnology (1907) ===================== Havergal, W. H., p. 498, i. Other hymns are: — 1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c. 2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.) It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)