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Meter:7.7.7.7.7.7

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Christ, Whose glory fills the skies

Author: Charles Wesley Meter: 7.7.7.7.7.7 Appears in 483 hymnals
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Jesus, Savior, Pilot Me

Author: Edward Hopper Meter: 7.7.7.7.7.7 Appears in 1,217 hymnals Used With Tune: PILOT
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Weary Souls, That Wander Wide

Author: Charles Wesley Meter: 7.7.7.7.7.7 Appears in 119 hymnals First Line: Weary souls, who wander wide Lyrics: 1. Weary souls, who wander wide From the central point of bliss, Turn to Jesus crucified, Fly to those dear wounds of His: Sink into the purple flood; Rise into the life of God. 2. Find in Christ the way of peace, Peace unspeakable, unknown; By His pain He gives you ease, Life by His expiring groan: Rise, exalted by His fall, Find in Christ your all in all. 3. O believe the record true, God to you His Son hath given; Ye may now be happy, too, Find on earth the life of Heaven: Live the life of Heaven above, All the life of glorious love. 4. This the universal bliss, Bliss for every soul designed; God’s primeval promise this, God’s great gift to all mankind: Blest in Christ this moment be, Blest to all eternity! Used With Tune: ROSEFIELD Text Sources: Hymns for Those That Seek and Those That Have Redemption, 1747

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TOPLADY

Meter: 7.7.7.7.7.7 Appears in 1,210 hymnals Composer and/or Arranger: Thomas Hastings Tune Key: B Flat Major Incipit: 56531 65123 21717 Used With Text: Rock of Ages, Cleft for Me
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DIX

Meter: 7.7.7.7.7.7 Appears in 920 hymnals Composer and/or Arranger: Conrad Kocher; W. H. Monk Tune Key: G Major Incipit: 17121 44367 16555 Used With Text: For the Beauty of the Earth
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LUX PRIMA

Meter: 7.7.7.7.7.7 Appears in 161 hymnals Composer and/or Arranger: Charles F. Gounod Tune Key: F Major Incipit: 11132 17153 33543 Used With Text: Christ, Whose Glory Fills the Skies

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Klippa, du, som brast för mig

Author: A. M. Toplady Hymnal: Lutherförbundets Sångbok #S45 (1913) Meter: 7.7.7.7.7.7 Lyrics: 1 Klippa, du, som brast för mig, Låt mig gömma mig i dig! Vattnet, blodet, hvilket går Från din stungna sidas sår, Tvage i sin himlasaft Mig från syndens skuld och kraft! 2 Med min svett och möda jag Aldrig hyller upp din lag. Om mitt hit blef aldrig matt, Om jag grät båd' dag och natt, Syndens fläckar stå dock kvar, Du, blott du, min frälsning har 3 Intet kan jag gifva dig, Till ditt kors jag sluter mig, Naken, dig om kläder ber, Hjälplös, upp till nåden ser. I din lifsvåg låt mig tvås, Herre, annars jag förgås. 4 Vid hvart flyktigt andedrag, Och när jag skall dö en dag, När till okändt land jag går, När inför din dom jag står, Klippa, du, som brast för mig, Låt mig gömma mig i dig! Topics: Jesu Lidande; Suffering of Jesus; Sinnesändring och Tro; Conversion and Faith Languages: Swedish Tune Title: TOPLADY
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O, hvad världen nu är skön!

Hymnal: Lutherförbundets Sångbok #S43 (1913) Meter: 7.7.7.7.7.7 First Line: O, hvad världen nu är skön Lyrics: 1 O, hvad världen nu är skön, Klädd i sommardräkten; Känn i skog, på äng, på sjön Milda, friska fläkten, Ljufva dofter, fågelsång: Mänska, höj och du din sång! 2 Jorden, smyckad som en brud, Högt lofsjunger Herran; Jubla, lund i vårlig skrud, Ängder när och fjärran! Allt hans Ande skapar nytt, Vinterns tunga välde flytt. 3 Skulle ej min själ, min mun Honom offer bringa, Helig sång af hjärtats grund Till Guds ära klinga? Är vår jord så rik på fröjd, O, hur blir då himlens höjd? Topics: Fosterländska Sånger Languages: Swedish Tune Title: DIX
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O min Frälsare, mig led

Hymnal: Lutherförbundets Sångbok #S44 (1913) Meter: 7.7.7.7.7.7 Lyrics: 1 O min Frälsare, mig led Öfver lifvets bölja vred. Okänd farled för mig är, Bränningar och dolda skär. Dyre Jesus, led mig fram, För min farkost in i hamn. 2 Likt ett barn vid moders bröst Stillas hafvet vid din röst. Stormig bölja lägger sig, När hon hør ditt "Ssilla, tig." Gud allsvåldig är ditt namn; För min farkost in i hamn. 3 När jag slutar färden svår – Dödens bränning mot mig slår – Ingif då mitthjärta trøst, Låt mig høra få din röst, Där jag hvilar i din famn: "Jag skall föra dig i hamn." Topics: Bön; Prayer Languages: Swedish Tune Title: [O min Frälsare, mig led]

People

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Authors, composers, editors, etc.

Cecil Frances Alexander

1818 - 1895 Meter: 7.7.7.7.7.7 Author of "Pain and Toil are Over Now" in Hymns and Devotions for Daily Worship As a small girl, Cecil Frances Humphries (b. Redcross, County Wicklow, Ireland, 1818; Londonderry, Ireland, 1895) wrote poetry in her school's journal. In 1850 she married Rev. William Alexander, who later became the Anglican primate (chief bishop) of Ireland. She showed her concern for disadvantaged people by traveling many miles each day to visit the sick and the poor, providing food, warm clothes, and medical supplies. She and her sister also founded a school for the deaf. Alexander was strongly influenced by the Oxford Movement and by John Keble's Christian Year. Her first book of poetry, Verses for Seasons, was a "Christian Year" for children. She wrote hymns based on the Apostles' Creed, baptism, the Lord's Supper, the Ten Commandments, and prayer, writing in simple language for children. Her more than four hundred hymn texts were published in Verses from the Holy Scripture (1846), Hymns for Little Children (1848), and Hymns Descriptive and Devotional ( 1858). Bert Polman ================== Alexander, Cecil Frances, née Humphreys, second daughter of the late Major John Humphreys, Miltown House, co. Tyrone, Ireland, b. 1823, and married in 1850 to the Rt. Rev. W. Alexander, D.D., Bishop of Derry and Raphoe. Mrs. Alexander's hymns and poems number nearly 400. They are mostly for children, and were published in her Verses for Holy Seasons, with Preface by Dr. Hook, 1846; Poems on Subjects in the Old Testament, pt. i. 1854, pt. ii. 1857; Narrative Hymns for Village Schools, 1853; Hymns for Little Children, 1848; Hymns Descriptive and Devotional, 1858; The Legend of the Golden Prayers 1859; Moral Songs, N.B.; The Lord of the Forest and his Vassals, an Allegory, &c.; or contributed to the Lyra Anglicana, the S.P.C.K. Psalms and Hymns, Hymns Ancient & Modern, and other collections. Some of the narrative hymns are rather heavy, and not a few of the descriptive are dull, but a large number remain which have won their way to the hearts of the young, and found a home there. Such hymns as "In Nazareth in olden time," "All things bright and beautiful," "Once in Royal David's city," "There is a green hill far away," "Jesus calls us o'er the tumult," "The roseate hues of early dawn," and others that might be named, are deservedly popular and are in most extensive use. Mrs. Alexander has also written hymns of a more elaborate character; but it is as a writer for children that she has excelled. - John Julian, Dictionary of Hymnology (1907) =============== Alexander, Cecil F., née Humphreys, p. 38, ii. Additional hymns to those already noted in this Dictionary are in common use:— 1. Christ has ascended up again. (1853.) Ascension. 2. His are the thousand sparkling rills. (1875.) Seven Words on the Cross (Fifth Word). 3. How good is the Almighty God. (1S48.) God, the Father. 4. In [a] the rich man's garden. (1853.) Easter Eve. 5. It was early in the morning. (1853.) Easter Day. 6. So be it, Lord; the prayers are prayed. (1848.) Trust in God. 7. Saw you never in the twilight? (1853.) Epiphany. 8. Still bright and blue doth Jordan flow. (1853.) Baptism of Our Lord. 9. The angels stand around Thy throne. (1848.) Submission to the Will of God. 10. The saints of God are holy men. (1848.) Communion of Saints. 11. There is one Way and only one. (1875.) SS. Philip and James. 12. Up in heaven, up in heaven. (1848.) Ascension. 13. We are little Christian children. (1848.) Holy Trinity. 14. We were washed in holy water. (1848.) Holy Baptism. 15. When of old the Jewish mothers. (1853.) Christ's Invitation to Children. 16. Within the Churchyard side by side. (1848.) Burial. Of the above hymns those dated 1848 are from Mrs. Alexander's Hymns for Little Children; those dated 1853, from Narrative Hymns, and those dated 1875 from the 1875 edition of Hymns Ancient & Modern. Several new hymns by Mrs. Alexander are included in the 1891 Draft Appendix to the Irish Church Hymnal. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============= Alexander, Cecil F. , p. 38, ii. Mrs. Alexander died at Londonderry, Oct. 12, 1895. A number of her later hymns are in her Poems, 1896, which were edited by Archbishop Alexander. --John Julian, Dictionary of Hymnology, New Supplement (1907) See also in:Hymn Writers of the Church

Shirley Erena Murray

1931 - 2020 Person Name: Shirley Erena Murray, 1931- Meter: 7.7.7.7.7.7 Author of "Let My Spirit Always Sing" in Community of Christ Sings Shirley Erena Murray (b. Invercargill, New Zealand, 1931) studied music as an undergraduate but received a master’s degree (with honors) in classics and French from Otago University. Her upbringing was Methodist, but she became a Presbyterian when she married the Reverend John Stewart Murray, who was a moderator of the Presbyterian Church of New Zealand. Shirley began her career as a teacher of languages, but she became more active in Amnesty International, and for eight years she served the Labor Party Research Unit of Parliament. Her involvement in these organizations has enriched her writing of hymns, which address human rights, women’s concerns, justice, peace, the integrity of creation, and the unity of the church. Many of her hymns have been performed in CCA and WCC assemblies. In recognition for her service as a writer of hymns, the New Zealand government honored her as a Member of the New Zealand Order of Merit on the Queen’s birthday on 3 June 2001. Through Hope Publishing House, Murray has published three collections of her hymns: In Every Corner Sing (eighty-four hymns, 1992), Everyday in Your Spirit (forty-one hymns, 1996), and Faith Makes the Song (fifty hymns, 2002). The New Zealand Hymnbook Trust, for which she worked for a long time, has also published many of her texts (cf. back cover, Faith Makes the Song). In 2009, Otaga University conferred on her an honorary doctorate in literature for her contribution to the art of hymn writing. I-to Loh, Hymnal Companion to “Sound the Bamboo”: Asian Hymns in Their Cultural and Liturgical Context, p. 468, ©2011 GIA Publications, Inc., Chicago

Timothy R. Matthews

1826 - 1910 Person Name: Timothy Richard Matthews, 1826-1910 Meter: 7.7.7.7.7.7 Composer of "REYNOLDSTONE" in The Hymnary of the United Church of Canada Timothy Richard Matthews MusB United Kingdom 1826-1910. Born at Colmworth, England, son of the Colmworth rector, he attended the Bedford and Gonville Schools and Caius College, Cambridge. In 1853 he became a private tutor to the family of Rev Lord Wriothesley Russell, a canon of St. George’s Chapel, Windsor Castle, where he studied under organist, George Elvey, subsequently a lifelong friend. He married Margaret Mary Thompson, and they had 11 children: Norton, Mary, George, Cecil, Evelyn, Eleanor, Anne, Arthur, Wilfred, Stephen, and John. Matthews served as Curate and Curate-in-Charge of St Mary’s Church, Nottingham (1853-1869). While there, he founded the Nottingham Working Men’s Institute. He became Rector at North Coates, Lincolnshire (1869-1907). He retired in 1907 to live with his eldest son, Norton, at Tetney vicarage. He edited the “North Coates supplemental tune book” and “Village organist”. An author, arranger, and editor, he composed morning and evening services, chants, and responses, earning a reputation for simple but effective hymn tunes, writing 100+. On a request he wrote six tunes for a children’s hymnal in one day. He composed a Christmas carol and a few songs. His sons, Norton, and Arthur, were also known as hymn tune composers. He died at Tetney, Lincolnshire, England. John Perry

Hymnals

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Published hymn books and other collections

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 7.7.7.7.7.7

Small Church Music

Meter: 7.7.7.7.7.7 Editors: Thomas T. Lynch Description: History The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. About the Recordings All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Mobile App We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff. LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  

The National Baptist Hymnal

Publication Date: 1904 Publisher: National Baptist Pub. Board Meter: 7.7.7.7.7.7 Publication Place: Nashville
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