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Meter:8.7.8.7.8.8.7.7

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Break Forth, O Beauteous Heavenly Light

Author: Johann von Rist; John Troutbeck Meter: 8.7.8.7.8.8.7.7 Appears in 60 hymnals
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Jesus, Joy of Our Desiring

Author: Martin Janus; Robert Seymour Bridges Meter: 8.7.8.7.8.8.7.7 Appears in 28 hymnals First Line: Jesu, joy of man's desiring Lyrics: 1 Jesus, joy of our desiring, holy wisdom, love most bright; drawn by thee, our souls aspiring soar to uncreated light. Word of God, our flesh that fashioned, with the fire of life impassioned, striving still to truth unknown, soaring, dying round thy throne. 2 Through the way where hope is guiding, hark, what peaceful music rings; where the flock, in thee confiding, drink of joy from deathless springs. Theirs is beauty's fairest pleasure; theirs is wisdom's holiest treasure. Thou dost ever lead thine own in the love of joys unknown. United Methodist Hymnal, 1989 Topics: liturgical Songs of Response
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Can You Count the Stars?

Author: Wilhelm Hey (1789-1854); H. W. Dulcken; Anon. Meter: 8.7.8.7.8.8.7.7 Appears in 36 hymnals First Line: Can you count the stars that brightly Lyrics: 1 Can you count the stars that brightly Twinkle in the midnight sky? Can you count the clouds, so lightly O’er the meadows floating by? God, the Lord, doth mark their number With His eyes that never slumber; He hath made them every one, He hath made them every one. 2 Can you count the wings now flashing In the sunshine’s golden light? Can you count the fishes splashing In the cooling waters bright? God, the Lord, a name hath given, To all creatures under heaven; He hath named them every one, He hath named them every one. 3 Do you know how many children Rise each morning blithe and gay? Can you count their jolly voices, Singing sweetly day by day? God hears all the happy voices, In their merry songs rejoices; And He loves them, every one, And He loves them, every one. Topics: God the Father Power of God in Nature Used With Tune: [Can you count the stars that brightly]

Tunes

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W ZLOBIE LEZY

Meter: 8.7.8.7.8.8.7.7 Appears in 116 hymnals Tune Sources: Polish; harm. Psalter Hymnal, 1987 Tune Key: F Major Incipit: 55117 12234 54321 Used With Text: Infant Holy, Infant Lowly
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JESU, MEINES LEBENS LEBEN

Meter: 8.7.8.7.8.8.7.7 Appears in 92 hymnals Tune Sources: Das Grosse Cantional, Darmstadt, 1687; The Lutheran Hymnal, 1941 (Setting) Tune Key: G Major Incipit: 11765 67113 34433 Used With Text: Christ, the Life of All the Living
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BACHOFEN

Meter: 8.7.8.7.8.8.7.7 Appears in 8 hymnals Composer and/or Arranger: Johann Caspar Bachofen, 1695-1755 Tune Key: F Major Incipit: 17123 45432 17512 Used With Text: God's Own Child, I Gladly Say It

Instances

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Published text-tune combinations (hymns) from specific hymnals

Breath of God that Ordered Chaos

Author: Patricia B. Clark Hymnal: A Taste of Heaven's Joys #9 (2005) Meter: 8.7.8.7.8.8.7.7 Topics: Disipleship; Repentance Scripture: Genesis 1:1-2 Languages: English Tune Title: WHEATLEY

Lift Your Voice Rejoicing, Mary (Let Your Alleluias Rise!)

Author: Elizabeth Rundle Charles, 1828-96 Hymnal: Rejoice in God #18 (2000) Meter: 8.7.8.7.8.8.7.7 First Line: Lift your voice rejoicing, Mary Refrain First Line: Let your alleluias rise Tune Title: PATERSON

Break forth, O beauteous heav'nly light

Author: Johann Rist Hymnal: The Hymnal of the Protestant Episcopal Church in the United States of America 1940 #25 (1940) Meter: 8.7.8.7.8.8.7.7 Topics: Christmas; Christmas Eve The Holy Communion Sequence Tune Title: SCHOP

People

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Authors, composers, editors, etc.

Johann Schop

1590 - 1667 Meter: 8.7.8.7.8.8.7.7 Composer of "JESU, JOY OF MAN'S DESIRING" in The United Methodist Hymnal Johann Schop Germany 1590-1667. Born at lower Saxony, Germany, he became a Lutheran composer and violinist, much admired for his virtuoso and technical ability. In 1614 Duke Friedrich Ulrich made him a probationary musician in the Hofkapelle at Wolfenbuttel. He performed playing various instruments, but excelled as a violinist. He was engaged permanently in 1615, but the same year he responded to a summons to join the flourishing musical establishment of King Christian IV of Denmark in Copenhagen. There he met English viol player, William Brade, who had earlier been in service to Hamburg, Germany (and may have taught Schop there). Schops compositions for the violin set impressive demands for that area at that time. He also played other instruments, including the violi, lute, cornet, trombon, trumpet, zinke, and violin (virtuoso). In 1619 Schop and Brade left Copenhagen to escape the plague. He then went to Iburg, where he worked at the courtof the Osnabruck bishop, Philipp Sigismund. Schop had such a reputation that he soon acquired a post as Kapellmeister at an establishment in Hamburg and was the first member of the council music. In 1621 he was its director and the leading municipal violinist in that city, which offered him a substantial income for his participation in the church music program. He also was organist at the Jacobikirche. In 1634 he again traveled to Copenhagen with Heinrich Schutz and Heinrich Albert for the wedding of Crown Prince Christian. He won a violin contest there. Few German violinists were of his caliber musically. He returned to Hamburg, and the Danish king tried several times to woo him back to Denmark, but he stayed in Hamburg, becoming a director of music. He published books of violin music in 4 to 6 parts. He wrote two books of well-loved dance pieces and sacred concertos. He co-founded a school of song writing there in Hamburg with Thomas Selle. Many of his tunes were writtten for fellow townsmen and friend Johann Rist. Some of his music was performed at the Peace of Westphalia celebrations. Some of his tunes were used by chants in a cantata. Schop was married (wife’s name not found) and they had two sons, Johann II, and Albert, who also became musicians. He died in Hamburg. John Perry

David Hugh Jones

1900 - 1983 Person Name: David Hugh Jones (1900-1983) Meter: 8.7.8.7.8.8.7.7 Harmonizer of "POLISH CAROL (W ZLOBIE LEZY)" in Common Praise (1998) David Hugh Jones (1900-1983) Born: 1900, Jackson, Ohio. Jones at­tend­ed the Guil­ford Or­gan School, New York Ci­ty (grad­u­at­ed 1920), and the Amer­i­can Con­ser­va­to­ry, Fon­taine­bleau, France, and re­ceived hon­or­a­ry de­grees from Washing­ton and Jeff­er­son, and Bea­ver Col­leg­es. In 1924, he be­came a Fel­low of the Amer­i­can Guild of Or­gan­ists. He played the or­gan at church­es in Ports­mouth and Day­ton, Ohio; and in New York Ci­ty, Rome, and Brook­lyn, New York. From 1934 un­til re­tir­ing in 1979, he was the Mil­ler Cha­pel or­gan­ist and choir di­rect­or at Prince­ton The­o­lo­gi­cal Sem­in­ary, New Jer­sey. In 1937, he found­ed the sem­in­a­ry’s tour­ing choir, which sang at thou­sands of church­es in Amer­i­ca, Ca­na­da, Cu­ba, Mex­i­co, Co­lom­bia, Ve­ne­zue­la, the Car­ib­be­an is­lands, Ja­pan, and Ko­rea. --www.hymntime.com/tch/

Elizabeth Rundle Charles

1828 - 1896 Person Name: Elizabeth Rundle Charles, 1828-96 Meter: 8.7.8.7.8.8.7.7 Translator of "Lift Your Voice Rejoicing, Mary (Let Your Alleluias Rise!)" in Rejoice in God Charles, Elizabeth, née Rundle, is the author of numerous and very popular works intended to popularize the history of early Christian life in Great Britain; of Luther and his times; of Wesley and his work; the struggles of English civil wars; and kindred subjects as embodied in the Chronicles of the Schönherg-Cotta Family, the Diary of Kitty Trevelyan, &c, was born at Tavistock, Devonshire, Her father was John Rundle, M.P., and her husband, Andrew Paton Charles, Barrister-at-Law. Mrs. Charles has made some valuable contributions to hymnology, including original hymns and translations from the Latin and German. These were given in her:— (1) The Voice of Christian Life in Song; or, Hymns and Hymn-writers of Many Lands and Ages, 1858; (2) The Three Wakings, and other Poems, 1859; and (3) The Chronicles of the Schönberg-Cotta Family; (4) Poems, New York, 1867. This has some additional pieces. Her hymn on the Annunciation, "Age after age shall call thee [her] blessed," appeared in her Three Wakings, &c., 1859. --John Julian, Dictionary of Hymnology (1907) ========================= Charles, Elizabeth, née Rundle. Mrs. Charles has assumed the name of "Rundle-Charles," as given in the 1890 edition of the Hymnal Companion. Other hymns in common use are:— 1. Around a Table, not a tomb. Holy Communion. Dated Oct. 1862. In her Poems, 1868, in 6 stanzas of 4 lines. 2. Come, and rejoice with me. Joy in Christ. Some-times dated 1846. From her Three Wakings, 1859, p. 146, in 7 stanzas of 4 lines, and headed "Eureka." 3. Jesus, what once Thou wast. Jesus the Unchangeable One. In Mrs. Brock's Children's Hymn Book, 1881. 4. Never further than Thy Cross. Passiontide. In The Family Treasury, Feb. 1860. 5. What marks the dawning of the Year? New Year. From her Three Wakings, 1859, p. 155. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ====================== Charles, Elizabeth, née Rundle, pp. 218, ii.; 1556, i. Mrs. Rundle-Charles was born Jan. 2, 1828, married in 1851, and died March 28, 1896. Her hymn, "The little birds fill all the air with their glee" (Thankfulness), was published in her Three Waitings, 1859, p. 165, as a "Song for an Infant School." It is found in The Sunday School Hymnary, 1905, and others. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Hymnals

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Published hymn books and other collections

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 8.7.8.7.8.8.7.7

Small Church Music

Meter: 8.7.8.7.8.8.7.7 Editors: Ernst C. Homburg Description: History The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. About the Recordings All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Mobile App We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff. LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  
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