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Guide Me, O Thou Great Jehovah
Author: William Williams Meter: 8.7.8.7.8.7.7 Appears in 1,822 hymnals Scripture: Isaiah 58:11 Lyrics: 1. Guide me, O Thou great Jehovah,
Pilgrim through this barren land;
I am weak but Thou art mighty;
Hold me with Thy pow'rful hand;
Bread of heaven, Bread of heaven,
Feed me till I want no more,
Feed me till I want no more.
2. Open now the crystal fountain,
Whence the healing stream doth flow;
Let the fire and cloudy pillar
Lead me all my journey through;
Strong Deliverer, strong Deliverer,
Be Thou still my strength and shield,
Be Thou still my strength and shield.
3. When I tread the verge of Jordan,
Bid my anxious fears subside;
Bear me thro' the swelling current,
Land me safe on Canaan's side;
Songs of praises, songs of praises
I will ever give to Thee,
I will ever give to Thee. Used With Tune: CWM RHONDDA
Guide Me, O Thou Great Jehovah
O Day of Rest and Gladness
Author: Christopher Wordsworth Meter: 7.6.7.6 D Appears in 813 hymnals Scripture: Isaiah 58:13-14 Lyrics: 1 O day of rest and gladness,
O day of joy and light,
O balm of care and sadness,
most beautiful, most bright;
on you the high and lowly,
through ages joined in tune,
sing "Holy, holy, holy,"
to the great God triune,
2 On you, at the creation,
the light first had its birth;
on you, for our salvation,
Christ rose from depths of earth;
on you our Lord, victorious,
the Spirit sent from heav'n;
and thus on you, most glorious,
a triple light was giv'n.
3 You are a port protected
from storms that round us rise;
a garden intersected
with streams of paradise;
you are a cooling fountain
in life's dry, dreary sand;
from you, like Pisgah's mountain,
we view the promised land.
4 Today on weary nations
the heav'nly manna falls;
to holy convocations
the silver trumpet calls,
where gospel light is glowing
with pure and radiant beams,
and living water flowing
with soul-refreshing streams.
5 New graces ever gaining
from this our day of rest,
we reach the rest remaining
to spirits of the blest.
To Holy Ghost be praises,
to Father and to Son;
the church her voice upraises
to you, blest Three in One.
Topics: The Church The Lord's Day Used With Tune: MENDEBRAS
O Day of Rest and Gladness
The Morning Light is Breaking
Author: Samuel F. Smith Meter: 7.6.7.6 D Appears in 1,171 hymnals Scripture: Isaiah 58:8 First Line: The morning light is breaking, The darkness disappears Topics: Activity Missions Used With Tune: WEBB
The Morning Light is Breaking
CWM RHONDDA
Meter: 8.7.8.7.8.7.7 Appears in 306 hymnals Composer and/or Arranger: John Hughes Scripture: Isaiah 58:11 Tune Key: F Major Incipit: 56511 71232 31643 Used With Text: Guide Me, O Thou Great Jehovah
CWM RHONDDA
Bless Our Fast, We Pray
Author: John Sears Tanner, b. 1950 Hymnal: Hymns of the Church of Jesus Christ of Latter-day Saints #138 (1985) Scripture: Isaiah 58:6-11 First Line: On bended knees, with broken hearts Topics: Fasting; Gratitude; Love; Prayer and Supplication; Service; Testimony Languages: English Tune Title: FASTING
Bless Our Fast, We Pray
In Fasting We Approach Thee
Author: Paul L. Anderson, b. 1946 Hymnal: Hymns of the Church of Jesus Christ of Latter-day Saints #139 (1985) Scripture: Isaiah 58:6-11 First Line: In fasting we approach thee here Topics: Fasting; Gratitude; Holy Ghost; Love; Prayer and Supplication; Sacrifice; Service; Testimony Languages: English Tune Title: FRANCOM
In Fasting We Approach Thee
My Faith Looks Up to Thee
Author: Ray Palmer Hymnal: Glory to God #829 (2013) Meter: 6.6.4.6.6.6.4 Scripture: Isaiah 58:10 Lyrics: 1 My faith looks up to thee,
thou Lamb of Calvary,
Savior divine!
Now hear me while I pray;
take all my guilt away;
O let me from this day
be wholly thine!
2 May thy rich grace impart
strength to my fainting heart,
my zeal inspire;
as thou hast died for me,
O may my love to thee
pure, warm, and changeless be,
a living fire!
3 While life's dark maze I tread
and griefs around me spread,
be thou my guide;
bid darkness turn to day;
wipe sorrow's tears away;
nor let me ever stray
from thee aside.
4 When ends life's transient dream,
when death's cold, sullen stream
shall o'er me roll;
blest Savior, then, in love,
fear and distrust remove;
O bear me safe above,
a ransomed soul! Topics: Faith; Forgiveness; Funeral; Grace; Guidance; Living and Dying in Christ Languages: English Tune Title: OLIVET
My Faith Looks Up to Thee
William Williams
1717 - 1791 Scripture: Isaiah 58:11 Author of "Guide Me, O Thou Great Jehovah" in Baptist Hymnal 1991 William Williams, called the "Watts of Wales," was born in 1717, at Cefn-y-coed, near Llandovery, Carmarthenshire. He originally studied medicine, but abandoned it for theology. He was ordained Deacon in the Church of England, but was refused Priest's Orders, and subsequently attached himself to the Calvinistic Methodists. For half a century he travelled in Wales, preaching the Gospel. He died in 1791. Williams composed his hymns chiefly in the Welsh language; they are still largely used by various religious bodies in the principality. Many of his hymns have appeared in English, and have been collected and published by Sedgwick. His two principal poetical works are "Hosannah to the Son of David," and "Gloria in Excelsis."
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
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Williams, William, of Pantycelyn, was the Sweet Singer of Wales. He was born at Cefn-y-Coed, in the Parish of Llanfair-y-bryn, near Llandovery, in 1717. He was ordained a deacon of the Established Church in 1740, by Dr. Claget, Bishop of St. Davids, and for three years he served the Curacies of Llan-wrtyd and Llanddewi-Abergwesyn. He never received Priest's Orders. He became early acquainted with the revivalist Daniel Rowlands, and for thirty-five years he preached once a month at Llanllian and Caio and Llansawel, besides the preaching journeys he took in North and South Wales. He was held in great esteem as a preacher. In 1744 his first book of hymns appeared under the title of Halleluiah, and soon ran through three editions. In1762, he published another book under the title of Y Môr o Wydr, which soon went through five editions. His son John published an excellent edition of his hymns in the year 181lines In addition to his Welsh hymns Williams also published several in English as:—
(1.) Hosannah to the Son of David; or, Hymns of Praise to God, For our glorious Redemption by Christ. Some few translated from the Welsh Hymn-Book, but mostly composed on new Subjects. By William Williams. Bristol: Printed by John Grabham, in Narrow-Wine Street, 1759. This contains 51 hymns of which 11 are translated from his Welsh hymns. This little book was reprinted by D. Sedgwick in 1859.
(2.) Gloria in Excelsis: or, Hymns of Praise to God and the Lamb. By W. Williams . . . Carmarthen. Printed for the Author by John Ross, removed to Priory Street, near the Church, M.DCC.LXXI. This contains 70 hymns, not including parts.
From these volumes the following hymns are in common use:—
i. From the Hosannah, 1759:—
1. Jesus, my Saviour is enough. Jesus, All in All.
2. My God, my God, Who art my all. Communion with God desired.
3. The enormous load of human guilt. God's love unspeakable.
ii. From the Gloria in Excelsis, 1772.
4. Awake, my soul, and rise. Passiontide.
5. Beneath Thy Cross I lay me down. Passiontide.
6. Hark! the voice of my Beloved. The Voice of Jesus.
7. Jesus, lead us with Thy power. Divine Guidance Desired. Sometimes given as "Father, lead us with Thy power."
8. Jesus, Whose Almighty sceptre. Jesus as King.
9. Saviour, look on Thy beloved. The Help of Jesus desired.
10. White and ruddy is my Beloved. Beauties of Jesus.
Williams is most widely known through his two hymns, "Guide me, O Thou great Jehovah," and "O'er those gloomy hills of darkness." Williams died at Pantycelyn, Jan. 11, 1791. [Rev. W. Glanffrwd Thomas]
-- John Julian, Dictionary of Hymnology (1907)
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Hymn Writers of the Church
William Williams
Lowell Mason
1792 - 1872 Scripture: Isaiah 58:13-14 Arranger of "MENDEBRAS" in Trinity Hymnal (Rev. ed.) Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 19G9. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
Marty Haugen
b. 1950 Person Name: Marty Haugen, b. 1950 Scripture: Isaiah 58:9-14 Author of "Return to God" in Gather Comprehensive Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world.
Emily Brink
Marty Haugen
