Please give today to support Hymnary.org during one of only two fund drives we run each year. Each month, Hymnary serves more than 1 million users from around the globe, thanks to the generous support of people like you, and we are so grateful. 

Tax-deductible donations can be made securely online using this link.

Alternatively, you may write a check to CCEL and mail it to:
Christian Classics Ethereal Library, 3201 Burton SE, Grand Rapids, MI 49546

Search Results

Scripture:Isaiah 62:1-5

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
TextFlexScoreFlexPresent

All Hail the Power of Jesus' Name

Author: Edward Perronet, 1726-1792; John Rippon, 1751-1836 Meter: 8.6.8.6 Appears in 3,436 hymnals Scripture: Isaiah 62:3 Lyrics: 1 All hail the power of Jesus' name! Let angels prostrate fall; Bring forth the royal diadem And crown him Lord of all; And crown him Lord of all; And crown him Lord of all; Bring forth the royal diadem And crown him Lord of all. 2 Crown him, ye martyrs of our God, Who from his altar call; Extol the stem of Jesse's rod, And crown him Lord of all; And crown him Lord of all; And crown him Lord of all; Extol the stem of Jesse's rod, And crown him Lord of all. 3 Ye chosen seed of Israel's race, A remnant weak and small, Hail him who saved you by his grace, And crown him Lord of all; And crown him Lord of all; And crown him Lord of all; Hail him who saved you by his gace, And crown him Lord of all. 4 O that with yonder sacred throng We at his feet may fall, Join in the everlasting song, And crown him Lord of all; And crown him Lord of all; And crown him Lord of all; Join in the everlasting song, And crown him Lord of all. Topics: Seasons and Feasts Ascension; Seasons and Feasts Christ the King; Holy Name; Holy Name Used With Tune: DIADEM
TextAudio

Is Not This the Land of Beulah?

Author: William Hunter Meter: 8.7.8.7 D with refrain Appears in 203 hymnals Scripture: Isaiah 62:4 First Line: I am dwelling on the mountain Lyrics: 1 I am dwelling on the mountain, Where the golden sunlight gleams O’er a land whose wondrous beauty Far exceeds my fondest dreams; Where the air is pure, ethereal, Laden with the breath of flow’rs, They are blooming by the fountain, ’Neath the amaranthine bow’rs. Refrain: Is not this the land of Beulah? Blessed, blessed land of light, Where the flowers bloom forever, And the sun is always bright! 2 I can see far down the mountain, Where I wandered weary years, Often hindered in my journey By the ghosts of doubts and fears; Broken vows and disappointments Thickly sprinkled all the way, But the Spirit led, unerring, To the land I hold today. [Refrain] 3 I am drinking at the fountain, Where I ever would abide; For I’ve tasted life’s pure river, And my soul is satisfied; There’s no thirsting for life’s pleasures, Nor adorning, rich and gay, For I’ve found a richer treasure, One that fadeth not away. [Refrain] 4 Tell me not of heavy crosses, Nor of burdens hard to bear, For I’ve found this great salvation Makes each burden light appear; And I love to follow Jesus, Gladly counting all but dross, Worldly honors all forsaking For the glory of the cross. [Refrain] 5 Oh, the cross has wondrous glory! Oft I’ve proved this to be true; When I’m in the way so narrow, I can see a pathway through; And how sweetly Jesus whispers: “Take the cross, thou need’st not fear, For I’ve tried the way before thee,” And the glory lingers near. [Refrain] Used With Tune: WATCHMAN
TextFlexScoreFlexPresent

Wake, Awake, for Night is Flying

Author: Philipp Nicolai, 1556-1608; Catherine Winkworth, 1827-1878 Appears in 217 hymnals Scripture: Isaiah 62:5-12 First Line: "Wake, awake, for night is flying" Lyrics: 1 "Wake, awake, for night is flying," The watchmen on the heights are crying; "Awake, Jerusalem, arise!" Midnight hears the welcome voices And at the thrilling cry rejoices; "Oh, where are ye, ye virgins wise? The Bridegroom comes, awake! Your lamps with gladness take! Allelujah! With bridal care Yourselves prepare To meet the Bridegroom, who is near." 2 Zion hears the watchmen singing, And all her heart with joy is springing; She wakes, she rises from her gloom. For her Lord comes down all-glorious, The strong in grace, in truth victorious; Her star is ris'n, her light is come. Now come, Thou Blessed One, Lord Jesus, God's own Son, Hail! Hosanna! We enter all The wedding hall To eat the Supper at Thy call. 3 Now let all the heav'ns adore Thee, Let saints and angels sing before Thee With harp and cymbals' clearest tone. Of one pearl each shining portal, Where, joining with the choir immortal, We gather round Thy radiant throne. No eye has seen the light, No ear has heard the might Of Thy glory; Therefore will we Eternally Sing hymns of praise and joy to Thee! Topics: End Times Used With Tune: WACHET AUF

Tunes

tune icon
Tune authorities
Audio

WATCHMAN

Meter: 8.7.8.7 D with refrain Appears in 147 hymnals Composer and/or Arranger: William B. Bradbury Scripture: Isaiah 62:4 Tune Key: G Major Incipit: 51312 11616 55611 Used With Text: Is Not This the Land of Beulah?
Page scansFlexScoreAudio

CORONATION

Meter: 8.6.8.6 Appears in 1,269 hymnals Scripture: Isaiah 62:3 Tune Key: G Major or modal Incipit: 51133 21232 13212 Used With Text: Crown him Lord of all
FlexScoreAudio

WACHET AUF

Appears in 329 hymnals Composer and/or Arranger: Philipp Nicolai, 1556-1608 Scripture: Isaiah 62:5-12 Tune Sources: Württembergishes Neues Choralbuch, 1956 (Setting) Tune Key: C Major Incipit: 13555 56551 51232 Used With Text: Wake, Awake, for Night is Flying

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scan

Crown him Lord of all

Hymnal: New Hymn and Tune Book #7b (1889) Meter: 8.6.8.6 Scripture: Isaiah 62:3 First Line: All hail the power of Jesus' name! Topics: Jesus Christ Priesthood and Intercession Languages: English Tune Title: CORONATION
TextPage scan

All Hail the Power of Jesus' Name

Author: Edward Perronet, 1726-1792; John Rippon, 1751-1836 Hymnal: One Lord, One Faith, One Baptism #36 (2018) Meter: 8.6.8.6.8.6 Scripture: Isaiah 62:3 First Line: All hail the pow'r of Jesus' name! Lyrics: 1 All hail the pow'r of Jesus' name! Let angels prostrate fall. Bring forth the royal diadem, And crown Him Lord of all. Bring forth the royal diadem, And crown Him Lord of all. 2 Ye chosen seed of Israel's race, Ye ransomed from the fall, Hail Him who saves you by His grace, And crown Him Lord of all. Hail Him who saves you by His grace, And crown Him Lord of all! 3 Let ev'ry kindred, ev'ry tribe, On this terrestrial ball, To Him all majesty ascribe, And crown Him Lord of all; To Him all majesty ascribe, And crown Him Lord of all! 4 Oh, that with yonder sacred throng We at His feet may fall, We'll join the everlasting song And crown Him Lord of all. We'll join the everlasting song And crown Him Lord of all! Topics: The Assembly at Worship Adoration and Praise; Adoration; Holy name of Jesus Christ; Jesus Christ Redemptive work; Praise Languages: English Tune Title: CORONATION
TextPage scan

All hail the power of Jesus' name!

Author: Peronett Hymnal: The Voice of Praise #246 (1873) Meter: 8.6.8.6 Scripture: Isaiah 62:3 Lyrics: 1 All hail the power of Jesus' name! Let angels prostrate fall; Bring forth the royal diadem, And crown him Lord of all. 2 Ye chosen seed of Israel's race, A remnant weak and small, Hail him who saves you by his grace, And crown him Lord of all. 3 Ye Gentile sinners, ne'er forget The wormwood and the gall; Go, spread your trophies at his feet, And crown him Lord of all. 4 Let every kindred, every tribe, On this terrestrial ball, To him all majesty ascribe, And crown him Lord of all. 5 Oh, that with yonder sacred throng We at his feet may fall! We'll join the everlasting song, And crown him Lord of all. Topics: Christ Intercession and Reign; The Coronation

People

person icon
Authors, composers, editors, etc.

Edward Perronet

1721 - 1792 Person Name: Edward Perronet, 1726-1792 Scripture: Isaiah 62:3 Author of "All Hail the Power of Jesus' Name" in Gather Comprehensive Edward Perronet was the son of the Rev. Vincent Perronet, Vicar of Shoreham, Kent. For some time he was an intimate associate of the Wesleys, at Canterbury and Norwich. He afterwards became pastor of a dissenting congregation. He died in 1792. In 1784, he published a small volume, entitled "Occasional Verses, Moral and Social;" a book now extremely rare. At his death he is said to have left a large sum of money to Shrubsole, who was organist at Spafield's Chapel, London, and who had composed the tune "Miles Lane" for "All hail the power of Jesus' Name!" --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ------ Perronet, Edward. The Perronets of England, grandfather, father, and son, were French emigres. David Perronet came to England about 1680. He was son of the refugee Pasteur Perronet, who had chosen Switzerland as his adopted country, where he ministered to a Protestant congregation at Chateau D'Oex. His son, Vincent Perronet, M.A., was a graduate of Queen's College, Oxford, though his name is not found in either Anthony Woods's Athenae Oxonienses nor his Fasti, nor in Bliss's apparatus of additional notes. He became, in 1728, Vicar of Shoreham, Kent. He is imperishably associated with the Evangelical Revival under the Wesleys and Whitefield. He cordially cooperated with the movement, and many are the notices of him scattered up and down the biographies and Journals of John Wesley and of Selina, Countess of Huntingdon. He lived to the venerable age of ninety-one; and pathetic and beautiful is the account of John Wesley's later visits to the white-haired saint (b. 1693, d. May 9, 1785).* His son Edward was born in 1726. He was first educated at home under a tutor, but whether he proceeded to the University (Oxford) is uncertain. Born, baptized, and brought up in the Church of England, he had originally no other thought than to be one of her clergy. But, though strongly evangelical, he had a keen and searching eye for defects. A characteristic note to The Mitre, in referring to a book called The Dissenting Gentleman's answer to the Rev. Mr. White, thus runs:—"I was born, and am like to die, in the tottering communion of the Church of England; but I despise her nonsense; and thank God that I have once read a book that no fool can answer, and that no honest man will". The publication of The Mitre is really the first prominent event in his life. A copy is preserved in the British Museum, with title in the author's holograph, and manuscript notes; and on the fly-leaf this:— "Capt. Boisragon, from his oblig'd and most respectful humble servt. The Author. London, March 29th, 1757." The title is as follows:— The Mitre; a Sacred Poem (1 Samuel ii. 30). London: printed in the year 1757. This strangely overlooked satire is priceless as a reflex of contemporary ecclesiastical opinion and sentiment. It is pungent, salted with wit, gleams with humour, hits off vividly the well-known celebrities in Church and State, and is well wrought in picked and packed words. But it is a curious production to have come from a "true son" of the Church of England. It roused John Wesley's hottest anger. He demanded its instant suppression; and it was suppressed (Atmore's Methodist Memorial, p. 300, and Tyerman, ii. 240-44, 264, 265); and yet it was at this period the author threw himself into the Wesleys' great work. But evidences abound in the letters and journals of John Wesley that he was intermittently rebellious and vehement to even his revered leader's authority. Earlier, Edward Perronet dared all obloquy as a Methodist. In 1749 Wesley enters in his diary: "From Rochdale went to Bolton, and soon found that the Rochdale lions were lambs in comparison with those of Bolton. Edward Perronet was thrown down and rolled in mud and mire. Stones were hurled and windows broken" (Tyerman's Life and Times of the Rev. John Wesley, M.A., 3 vols., 1870 ; vol. ii. 57). In 1750 John Wesley writes: ”Charles and you [Edward Perronet] behave as I want you to do; but you cannot, or will not, preach where I desire. Others can and will preach where I desire, but they do not behave as I want them to do. I have a fine time between the one and the other. I think Charles and you have in the general a right sense of what it is to serve as sons in the gospel; and if all our helpers had had the same, the work of God would have prospered better both in England and Ireland. I have not one preacher with me, and not six in England, whose wills are broken to serve me" (ibid. ii. 85, and Whitehead's Life of Wesley, ii. 259). In 1755 arrangements to meet the emergency created by its own success had to be made for Methodism. As one result, both Edward and Charles Perronet broke loose from John Wesley's law that none of his preachers or "helpers" were to dispense the Sacraments, but were still with their flocks to attend the parish churches. Edward Perronet asserted his right to administer the Sacraments as a divinely-called preacher ibid. ii. 200). At that time he was resident at Canterbury, "in a part of the archbishop's old palace" (ibid. ii. 230. In season and out of season he "evangelized." Onward, he became one of the Countess of Huntingdon's "ministers" in a chapel in Watling Street, Canterbury. Throughout he was passionate, impulsive, strong-willed; but always lived near his divine Master. The student-reader of Lives of the Wesleys will be "taken captive" by those passages that ever and anon introduce him. He bursts in full of fire and enthusiasm, yet ebullient and volatile. In the close of his life he is found as an Independent or Congregational pastor of a small church in Canterbury. He must have been in easy worldly circumstances, as his will shows. He died Jan. 2, 1792, and was buried in the cloisters of the great cathedral, Jan. 8. His Hymns were published anonymously in successive small volumes. First of all came Select Passages of the Old and New Testament versified; London: Printed by H. Cock, mdcclvi. … A second similar volume is entitled A Small Collection of Hymns, &c, Canterbury: printed in the year dcclxxxii. His most important volume was the following:— Occasional Verses, moral and sacred. Published for the instruction and amusement of the Candidly Serious and Religious. London, printed for the Editor: And Sold by J. Buckland in Paternoster Row; and T. Scollick, in the City Road, Moorfields, mdcclxxxv. pp. 216 (12°). [The British Museum copy has the two earlier volumes bound up with this.] The third hymn in this scarce book is headed, “On the Resurrection," and is, ”All hail the power of Jesus' name". But there are others of almost equal power and of more thorough workmanship. In my judgment, "The Lord is King" (Psalm xcvi. 16) is a great and noble hymn. It commences:— “Hail, holy, holy, holy Loud! Let Pow'rs immortal sing; Adore the co-eternal Word, And shout, the Lord is King." Very fine also is "The Master's Yoke—the Scholar's Lesson," Matthew xi. 29, which thus opens:— O Grant me, Lord, that sweet content That sweetens every state; Which no internal fears can rent, Nor outward foes abate." A sacred poem is named "The Wayfaring Man: a Parody"; and another, "The Goldfish: a Parody." The latter has one splendid line on the Cross, "I long to share the glorious shame." "The Tempest" is striking, and ought to be introduced into our hymnals; and also "The Conflict or Conquest over the Conqueror, Genesis xxxii. 24". Still finer is "Thoughts on Hebrews xii.," opening:— "Awake my soul—arise! And run the heavenly race; Look up to Him who holds the prize, And offers thee His grace." "A Prayer for Mercy on Psalm cxix. 94," is very striking. On Isaiah lxv. 19, is strong and unmistakable. "The Sinner's Resolution," and "Thoughts on Matthew viii. 2," and on Mark x. 51, more than worthy of being reclaimed for use. Perronet is a poet as well as a pre-eminently successful hymnwriter. He always sings as well as prays. It may be added that the brief paraphrase after Ovid given below, seems to echo the well-known lines in Gray's immortal elegy:— "How many a gem unseen of human eyes, Entomb'd in earth, a sparkling embryo lies; How many a rose, neglected as the gem, Scatters its sweets and rots upon its stem: So many a mind, that might a meteor shone, Had or its genius or its friend been known; Whose want of aid from some maternal hand, Still haunts the shade, or quits its native land." [Rev. A. B. Grosart, D.D., LL.D.] * Agnew's Protestant Exiles from France in the Reign of Louis XIV. confounds Vincent the father with Edward his son. -- John Julian, Dictionary of Hymnology (1907)

John Rippon

1751 - 1836 Person Name: John Rippon, 1751-1836 Scripture: Isaiah 62:3 Alterer of "All Hail the Power of Jesus' Name" in Gather Comprehensive Rippon, John, D.D., was born at Tiverton, Devon, April 29, 1751, and was educated for the ministry at the Baptist College, Bristol. In 1773 he became Pastor of the Baptist church in Carter Lane, Tooley Street (afterwards removed to New Park Street), London, and over this church he continued to preside until his death, on Dec. 17, 1836. The degree of D.D. was conferred on him in 1792 by the Baptist College, Providence, Rhode Island. Dr. Rippon was one of the most popular and influential Dissenting ministers of his time. From 1790 to 1802 he issued the Baptist Annual Register, a periodical containing an account of the most important events in the history of the Baptist Denomination in Great Britain and America during that period, and very valuable now as a book of reference. But his most famous work is his Selection of hymns for public worship, which appeared in 1787. The full title of the first edition is A selection of Hymns from the best authors, intended as an Appendix to Dr. Watts's Psalms and Hymns. In 1791 he published a Selection of Psalm and Hymn Tunes from the Best Authors, adapted to Dr. Watts's Psalms and Hymns, and to his own Selection, and from that time the names of tunes were prefixed to the hymns in the successive editions of his hymn-book. In 1800 he published the 10th ed. of his Selections, containing more than sixty additional hymns. In 1827 it was still further enlarged, and in 1844, after his death, appeared The Comprehensive Edition, commonly known as The Comprehensive Rippon, containing most of the additional hymns, with about 400 then first added, making in all upwards of 1170, in 100 metres. A rival to the Comprehensive was also afterwards published under the old title, somewhat enlarged. In the preparation of the original book, and its subsequent improvement, Dr. Rippon performed an important service to Baptist Hymnody, and also, it is said, gained for himself "an estate" through its immense sale. In the preface to the tenth edition lie claims for himself the authorship of some of the hymns, but as he refrained from affixing his name to any of the hymns it is impossible now to say with certainty which ought to be ascribed to him. There can, however, be no reasonable doubt that hymn 535, 3rd part, "The day has dawned, Jehovah comes" (q.v.), is one of his compositions. Other hymns, probably by him, are, "Amid the splendours of Thy state" (Love of God), 1800; and "There is joy in heaven, and joy on earth" (Joy over the Repenting Sinner), 1787. He also altered the texts of and made additions to several of the older hymns. Some of these altered texts are still in common use. In 1830 the additions given in the 27th ed., 1827, of Rippon's Selections were reprinted, with notes by Dr. Slater, as:— Hymns Original and Selected; interspersed in the Twenty-seventh edition of the Selection, with Numerous Doxologies, in the Usual, the Peculiar, and in the less Common metres. By John Rippon, D.D. A second edition of this pamphlet of 82 hymns and doxologies appeared in 1832. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

Oliver Holden

1765 - 1844 Scripture: Isaiah 62:3 Composer of "CORONATION" in Glory to God Holden, Oliver, one of the pioneers of American psalmody, was born in 1765, and was brought up as a carpenter. Subsequently he became a teacher and music-seller. He died at Charlestown, Massachusetts, 1844. His published works are American Harmony, 1793; the Worcester Collection, 1797; and other Tune books. One of his most popular tunes is "Coronation." It is thought that he edited a small hymn-book, published at Boston before 1808, in which are 21 of his hymns with the signature "H." A single copy only of this book is known, and that is without title-page. Of his hymns the following are in common use:— 1. All those who seek a throne of grace. [God present where prayer is offered.] Was given in Peabody's Springfield Collection, 1835, No. 92, in a recast form as, “They who seek the throne of grace." This form is in extensive use in America, and is also in a few collections in Great Britain. 2. With conscious guilt, and bleeding heart. [Lent.] This, although one of the best of Holden's hymns, has passed out of use. It appeared, with two others, each bearing bis signature, in the Boston Collection (Baptist), 1808. 3. Within these doors assembled now. [Divine Worship.] [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology