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The Comforter Has Come
Author: Rev. F. Bottome, D. D. Appears in 236 hymnals Scripture: John 14:16 First Line: O spread the tidings 'round Used With Tune: [O spread the tidings 'round]
The Comforter Has Come
Come Down, O Love Divine!
Author: Richard F. Littledale Meter: 6.6.11.6.6.11 Appears in 109 hymnals Scripture: John 14:16-17 First Line: Come down, O Love divine Lyrics: 1 Come down, O love divine! Seek out this soul of mine
and visit it with your own ardor glowing:
O Comforter, draw near, within my heart appear,
and kindle it, your holy flame bestowing.
2 O let it freely burn, till earthly passions turn
to dust and ashes in its heat consuming;
and let your glorious light shine ever on my sight,
and make my pathway clear, by your illuming.
3 Let holy charity my outward vesture be,
and lowliness become my inner clothing;
true lowliness of heart which takes the humbler part,
and for its own shortcomings weeps with loathing.
4 And so the yearning strong with which the soul will long
shall far surpass the power of human telling;
for none can guess its grace till we become the place
in which the Holy Spirit makes his dwelling.
Topics: Holy Spirit Comforter; Holy Spirit Indweller; Aspiration; Confession; Holy Spirit Comforter; Holy Spirit Images of; Holy Spirit Images of; Holy Spirit Indweller; Humility; Love Our Love of Others Used With Tune: DOWN AMPNEY Text Sources: After Bianco da Siena, 15th C.; rev. Hymns for Today's Church, 1982
Come Down, O Love Divine!
Blessed Quietness
Author: Manie P. Ferguson Meter: 8.7.8.7.10.7.10.7 Appears in 164 hymnals Scripture: John 14:16 First Line: Joys are flowing like a river Refrain First Line: Blessed quietness, holy quietness Lyrics: 1 Joys are flowing like a river,
Since the Comforter has come;
He abides with us forever,
Makes the trusting heart His home.
Refrain:
Blessed quietness, holy quietness,
Blest assurance in my soul!
On the stormy sea Jesus speaks to me,
And the billows cease to roll.
2 Everything is turned to gladness,
All around this glorious Guest;
Banished unbelief and sadness,
All is perfect peace and rest. [Refrain]
3 Like the rain that falls from heaven,
Like the sunlight from the sky,
So the Holy Spirit given,
Falls upon us from on high. [Refrain]
4 What a wonderful salvation,
Where we always see His face!
What a peaceful habitation!
What a quiet resting-place! [Refrain]
Used With Tune: [Joys are flowing like a river] Text Sources: Timeless Truths (http://library.timelesstruths.org/music/Blessed_Quietness); Faith Publishing House, Evening Light Songs, 1949, edited 1987 (161); The Gospel Trumpet Company, Select Hymns, 1911 (287)
Blessed Quietness
[O spread the tidings 'round]
Appears in 192 hymnals Composer and/or Arranger: Wm. J. Kirkpatrick Scripture: John 14:16 Incipit: 55653 51121 61656 Used With Text: The Comforter Has Come
[O spread the tidings 'round]
DOWN AMPNEY
Meter: 6.6.11.6.6.11 Appears in 87 hymnals Composer and/or Arranger: Ralph Vaughan Williams Scripture: John 14:16-17 Tune Key: D Major Incipit: 12356 55657 16556 Used With Text: Come Down, O Love Divine!
DOWN AMPNEY
El divino Consolador
Hymnal: Celebremos Su Gloria #250 (1992) Scripture: John 14:16-17 First Line: Yo rogaré al Padre Topics: Espíritu Santo; Holy Spirit Languages: Spanish
El divino Consolador
Christ's Second Coming
Hymnal: Seventh-day Adventist Hymnal #747 (1985) Scripture: John 14 First Line: Let not your heart be troubled: ye believe in God, believe also in me. Topics: Scripture Readings
Christ's Second Coming
The Holy Spirit
Hymnal: Seventh-day Adventist Hymnal #752 (1985) Scripture: John 14-16 First Line: "I will pray the Father, and he will give you another Counselor, Topics: Scripture Readings
The Holy Spirit
William J. Kirkpatrick
1838 - 1921 Scripture: John 14:16 Composer of "[O spread the tidings 'round wherever man is found]" in Hymns of Faith William J. Kirkpatrick (b. Duncannon, PA, 1838; d. Philadelphia, PA, 1921) received his musical training from his father and several other private teachers. A carpenter by trade, he engaged in the furniture business from 1862 to 1878. He left that profession to dedicate his life to music, serving as music director at Grace Methodist Church in Philadelphia. Kirkpatrick compiled some one hundred gospel song collections; his first, Devotional Melodies (1859), was published when he was only twenty-one years old. Many of these collections were first published by the John Hood Company and later by Kirkpatrick's own Praise Publishing Company, both in Philadelphia.
Bert Polman
William J. Kirkpatrick
Charles Wesley
1707 - 1788 Scripture: John 14:15-21 Author of "Love Divine, All Loves Excelling" in The Presbyterian Hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Francis Bottome
1823 - 1894 Person Name: Rev. F. Bottome, D. D. Scripture: John 14:16 Author of "The Comforter Has Come" in Songs of Revival Power Bottome, F., S.T.D., was born in Derbyshire, England, May 26, 1823. In 1850, having removed to America, he entered the ministry of the Methodist Episcopalian Church; and in 1872 he received the degree of S.T.D. from Dickinson's College, Carlisle, Penn. In addition to assisting in the compilation of B. P. Smith's Gospel Hymns, London, 1872: Centenary Singer, 1869; Hound Lake, 1872, he has written:—
1. Come, Holy Ghost, all sacred fire. Invocation of the Holy Spirit. Appeared in R. P. Smith's Gospel Hymns, 1872. It is in several collections, including the Ohio Hymn Book of the Evangelical Association, 1881, No. 364.
2. Full salvation, full salvation. Joy of full Salvation. Written in 1871, and published in a collection by Dr. Cullis of Boston, 1873. Also in the Ohio Hymn Book, 1881, No. 384.
3. Love of Jesus, all divine. Love of Jesus. Written in 1872, and published in his Hound Lake, 1872. It is in several collections.
4. O bliss of the purified, bliss of the free. Sanctification. Written in 1869, and published in the Revivalist, and numerous hymn-books in America, including the Ohio Hymn Book as above, 1881, No. 477, &c.
His hymns, "Sweet rest in Jesus"; and "Oneness in Jesus," are also found in several collections for evangelistic services.
-- John Julian, Dictionary of Hymnology (1907)
Francis Bottome
