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Scripture:Luke 8

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Eternal Father, Strong to Save

Author: William Whiting Meter: 8.8.8.8.8.8 Appears in 424 hymnals Scripture: Luke 8:25 Topics: God Eternity and Power; God Protection Used With Tune: MELITA
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How Firm a Foundation

Meter: 11.11.11.11 Appears in 2,121 hymnals Scripture: Luke 8:22-25 Lyrics: 1 How firm a foundation, you saints of the Lord, Is laid for your faith in this excellent Word! What more can God say than to you has been said, To you who for refuge to Jesus have fled? 2 "Fear not, I am with you, O be not dismayed, For I am your God and will still give you aid; I’ll strengthen you, help you, and cause you to stand, Upheld by my righteous, omnipotent hand. 3 "When through the deep waters I call you to go, The rivers of woe shall not you overflow; For I will be with you, your troubles to bless, And sanctify to you, your deepest distress. 4 "The soul that on Jesus still leans for repose, I will not, I will not desert to its foes; That soul, though all hell should endeavor to shake, I’ll never, no never, no never forsake!" Used With Tune: FOUNDATION Text Sources: Rippon's A Selection of Hymns, 1787 ("K")
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Be Still, My Soul

Author: Jane L. Borthwick, 1813-1897; Katherina von Schlegel, 18th c. . Meter: 10.10.10.10.10.10 Appears in 177 hymnals Scripture: Luke 8:22-25 First Line: Be still, my soul, the Lord is on your side Lyrics: 1 Be still, my soul: the Lord is on your side! Bear patiently the cross of grief or pain; leave to your God to order and provide-- in every change he faithful will remain. Be still, my soul: your best, your heavenly friend through thorny ways leads to a joyful end. 2 Be still, my soul: your God will undertake to guide the future as he has the past; your hope, your confidence let nothing shake-- all now mysterious shall be bright at last. Be still, my soul: The waves and winds still know his voice who ruled them while he dwelt below. 3 Be still, my soul: The hour is hastening on when we shall be forever with the Lord, when disappointment, grief, and fear are gone, sorrow forgot, love’s purest joys restored. Be still, my soul: when change and tears are past, all safe and blessèd we shall meet at last. Used With Tune: FINLANDIA

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MELITA

Meter: 8.8.8.8.8.8 Appears in 457 hymnals Composer and/or Arranger: J. B. Dykes Scripture: Luke 8:25 Tune Key: C Major Incipit: 13355 66551 27554 Used With Text: Eternal Father, Strong to Save
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FOUNDATION

Meter: 11.11.11.11 Appears in 405 hymnals Composer and/or Arranger: Richard Proulx, b. 1937 Scripture: Luke 8:22-25 Tune Sources: Funk's Compilation of Genuine Church Music, 1832 Tune Key: F Major Incipit: 56161 51131 35561 Used With Text: How Firm a Foundation
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ABERYSTWYTH

Meter: 7.7.7.7 D Appears in 252 hymnals Composer and/or Arranger: Joseph Parry Scripture: Luke 8:25 Tune Key: e minor Incipit: 11234 53213 21712 Used With Text: Jesus, Lover of My Soul

Instances

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Jesus, Lover of My Soul

Author: Charles Wesley, 1707-1788 Hymnal: Worship and Rejoice #439 (2003) Meter: 7.7.7.7 D Scripture: Luke 8:24 Lyrics: 1 Jesus, lover of my soul, let me to thy bosom fly, while the nearer waters roll, while the tempest still is high; hide me, O my Savior, hide till the storm of life is past; safe into the haven guide, O receive my soul at last. 2 Other refuge have I none; hangs my helpless soul on thee; leave, ah! leave me not alone, still support and comfort me. All my trust on thee is stayed, all my help from thee I bring; cover my defenseless head with the shadow of thy wing. 3 Plenteous grace with thee is found, grace to cover all my sin; let the healing streams abound, make and keep me pure within. Thou of life the fountain art, freely let me take of thee; spring thou up within my heart, rise to all eternity. Languages: English Tune Title: ABERYSTWYTH
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Jesus, Lover of My Soul

Author: Charles Wesley Hymnal: The United Methodist Hymnal #479 (1989) Meter: 7.7.7.7 D Scripture: Luke 8:25 Lyrics: 1. Jesus, lover of my soul, let me to thy bosom fly, while the nearer waters roll, while the tempest still is high. Hide me, O my Savior, hide, till the storm of life is past; safe into the haven guide; O receive my soul at last. 2. Other refuge have I none, hangs my helpless soul on thee; leave, ah! leave me not alone, still support and comfort me. All my trust on thee is stayed, all my help from thee I bring; cover my defenseless head with the shadow of thy wing. 3. Thou, O Christ, art all I want, more than all in thee I find; raise the fallen, cheer the faint, heal the sick, and lead the blind. Just and holy is thy name, I am all unrighteousness; false and full of sin I am; thou art full of truth and grace. 4. Plenteous grace with thee is found, grace to cover all my sin; let the healing streams abound, make and keep me pure within. Thou of life the fountain art, freely let me take of thee; spring thou up within my heart; rise to all eternity. Topics: Sanctifiying and Perfecting Grace Prayer, Trust, Hope; Sanctifiying and Perfecting Grace Strength in Triublation; Comfort; Confession; Grace; Hope; Jesus Christ Presence; Service Music Confession and Pardon Prayer Languages: English Tune Title: ABERYSTWYTH
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Jesus, Lover of My Soul

Author: Charles Wesley, 1707-1788 Hymnal: Common Praise (1998) #533 (1998) Meter: 7.7.7.7 D Scripture: Luke 8:22-25 Topics: Healing; Salvation/Redemption; Trust Languages: English Tune Title: ABERYSTWYTH

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Scripture: Luke 8:25 Composer of "MELITA" in Rejoice in the Lord As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

William Whiting

1825 - 1878 Scripture: Luke 8:25 Author of "Eternal Father, Strong to Save" in Rejoice in the Lord William Whiting was born in Kensington, November 1, 1825, and was educated at Clapham and Winchester Colleges. He was later master of Winchester College Choristers' School, where he wrote Rural Thoughts and Other Poems, 1851. He died at Winchester. --The Hymnal 1940 Companion =============== Whiting, William, was born in Kensington, London, Nov. 1, 1825, and educated at Clapham. He was for several years Master of the Winchester College Choristers' School. His Rural Thoughts and other poems were published in 1851; but contained no hymns. His reputation as a hymnwriter is almost exclusively confined to his “Eternal Father, strong to save". Other hymns by him were contributed to the following collections:— i. To the 1869 Appendix to the Society for Promoting Christian Knowledge Psalms & Hymns 1. O Lord the heaven Thy power displays. Evening. 2. Onward through life Thy children stray. Changing Scenes of Life. ii. To an Appendix to Hymns Ancient & Modern issued by the Clergy of St. Philip's, Clerkenwell, 1868. 3. Jesus, Lord, our childhood's Pattern. Jesus the Example to the Young. 4. Lord God Almighty, Everlasting Father. Holy Trinity. 5. Now the harvest toil is over. Harvest. 6. 0 Father of abounding grace. Consecration of a Church. 7. We thank Thee, Lord, for all. All Saints Day. iii. To The Hymnary, 1872. 8. Amen, the deed in faith is done. Holy Baptism. 9. Jesus Christ our Saviour. For the Young. 10. Now the billows, strong and dark. For Use at Sea. 11. 0 Father, Who the traveller's way. For Travellers by Land. 12. When Jesus Christ was crucified. Holy Baptism. Mr. Whiting's hymns, with the exception of his “Eternal Father," &c, have not a wide acceptance. He died in 1878. -- John Julian, Dictionary of Hymnology (1907)

John L. Bell

b. 1949 Person Name: John L. Bell (b. 1949) Scripture: Luke 8:22-25 Author of "Inspired by love and anger" in Church Hymnary (4th ed.) John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink