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Scripture:Psalm 76

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Psalm 76

Author: Isaac Watts Meter: 8.6.8.6 Appears in 41 hymnals Scripture: Psalm 76 First Line: In Judah God of old was known Lyrics: In Judah God of old was known; His name in Isr'el great; In Salem stood his holy throne, And Zion was his seat. Among the praises of his saints His dwelling there he chose; There he received their just complaints Against their haughty foes. From Zion went his dreadful word, And broke the threat'ning spear, The bow, the arrows, and the sword, And crushed th' Assyrian war. What are the earth's wide kingdoms else But mighty hills of prey? The hill on which Jehovah dwells Is glorious more than they. 'Twas Zion's King that stopped the breath Of captains and their bands; The men of might slept fast in death, And never found their hands. At thy rebuke, O Jacob's God, Both horse and chariot fell: Who knows the terrors of thy rod? Thy vengeance who can tell? What power can stand before thy sight, When once thy wrath appears? When heav'n shines round with dreadful light, The earth lies still and fears. When God in his own sovereign ways Comes down to save th' oppressed, The wrath of man shall work his praise, And he'll restrain the rest. [Vow to the Lord, and tribute bring, Ye princes, fear his frown; His terror shakes the proudest king, And cuts an army down. The thunder of his sharp rebuke Our haughty foes shall feel; For Jacob's God hath not forsook But dwells in Zion still.] Topics: Enemies destroyed; National deliverance; Church destruction of enemies proceeds from thence; Church wrath against enemies proceeds thence; Israel saved from the Assyrians; Vengeance against the enemies of the church
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God Is Known among His People

Appears in 12 hymnals Scripture: Psalm 76 Topics: Return of Christ; Judgment; Return of Christ Used With Tune: TEMPLE BORO Text Sources: Psalter, 1912; Psalter Hymnal, 1987, rev.
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Mine Eyes have Seen the Glory

Author: Julia Ward Howe Meter: 15.15.15.6 ith refrain Appears in 555 hymnals Scripture: Psalm 76:12 First Line: Mine eyes have seen the glory of the coming of the Lord Refrain First Line: Glory, glory, hallelujah Lyrics: 1 Mine eyes have seen the glory of the coming of the Lord; he is trampling out the vintage where the grapes of wrath are stored; he hath loosed the fateful lightning of his terrible swift sword; his truth is marching on. Refrain: Glory! glory, hallelujah! Glory! glory, hallelujah! Glory! glory, hallelujah! Our God is marching on. 2 I have seen him in the watchfires of a hundred circling camps; they have builded him an altar in the evening dews and damps; I can read his righteous sentence by the dim and flaring lamps; his day is marching on. [Refrain] 3 He has sounded forth the trumpet that shall never call retreat; he is sifting out the hearts of men before his judgment seat; O be swift, my soul, to answer him! Be jubilant, my feet! Our God is marching on. [Refrain] 4 In the beauty of the lilies Christ was born across the sea, with a glory in his bosom that transfigures you and me; as he died to make men holy, let us live to make men free, while God is marching on. [Refrain] Topics: God in Society National Life; Worship (About); War; God Final Victory; National Life; Resolve; War Used With Tune: BATTLE HYMN

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BATTLE HYMN

Meter: 15.15.15.6 ith refrain Appears in 453 hymnals Scripture: Psalm 76:12 Tune Sources: Traditional American melody, 19th C. Tune Key: B Flat Major Incipit: 55554 35123 33211 Used With Text: Mine Eyes have Seen the Glory
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LAUDA ANIMA

Meter: 8.7.8.7.8.7 Appears in 272 hymnals Composer and/or Arranger: John Goss Scripture: Psalm 76 Tune Key: D Major Incipit: 55551 76543 65342 Used With Text: God Is Known among His People
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TEMPLE BORO

Appears in 7 hymnals Composer and/or Arranger: F. Pinder Scripture: Psalm 76 Tune Key: C Major Incipit: 51171 66535 42343 Used With Text: God Is Known among His People

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Published text-tune combinations (hymns) from specific hymnals
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Mine Eyes Have Seen the Glory

Author: Julia W. Howe Hymnal: Glory to God #354 (2013) Meter: 15.15.15.6 with refrain Scripture: Psalm 76:11-12 First Line: Mine eyes have seen the glory of the coming of the Lord Refrain First Line: Glory, glory hallelujah! Lyrics: 1 Mine eyes have seen the glory of the coming of the Lord; he is trampling out the vintage where the grapes of wrath are stored; he has loosed the fateful lightning of his terrible swift sword. God’s truth is marching on. Refrain: Glory, glory hallelujah! Glory, glory hallelujah! Glory, glory hallelujah! God’s truth is marching on. 2 God has sounded forth the trumpet that shall never call retreat and is sifting out all human hearts before the judgment seat; O be swift, my soul, to answer; O be jubilant my feet! Our God is marching on. [Refrain] 3 In the beauty of the lilies Christ was born across the sea, with a glory in his bosom that transfigures you and me; as he died to make us holy, let us live to make all free, while God is marching on. [Refrain] Topics: Christ's Return and Judgment; Jesus Christ Advent; A New Heaven and a New Earth Languages: English Tune Title: BATTLE HYMN
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Mine Eyes have Seen the Glory

Author: Julia Ward Howe Hymnal: The Worshiping Church #416 (1990) Meter: 15.15.15.6 ith refrain Scripture: Psalm 76:12 First Line: Mine eyes have seen the glory of the coming of the Lord Refrain First Line: Glory, glory, hallelujah Lyrics: 1 Mine eyes have seen the glory of the coming of the Lord; he is trampling out the vintage where the grapes of wrath are stored; he hath loosed the fateful lightning of his terrible swift sword; his truth is marching on. Refrain: Glory! glory, hallelujah! Glory! glory, hallelujah! Glory! glory, hallelujah! Our God is marching on. 2 I have seen him in the watchfires of a hundred circling camps; they have builded him an altar in the evening dews and damps; I can read his righteous sentence by the dim and flaring lamps; his day is marching on. [Refrain] 3 He has sounded forth the trumpet that shall never call retreat; he is sifting out the hearts of men before his judgment seat; O be swift, my soul, to answer him! Be jubilant, my feet! Our God is marching on. [Refrain] 4 In the beauty of the lilies Christ was born across the sea, with a glory in his bosom that transfigures you and me; as he died to make men holy, let us live to make men free, while God is marching on. [Refrain] Topics: God in Society National Life; Worship (About); War; God Final Victory; National Life; Resolve; War Languages: English Tune Title: BATTLE HYMN
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Mine Eyes Have Seen the Glory

Author: Julia W. Howe Hymnal: Hymns for the Living Church #522 (1974) Meter: 15.15.15.6 with refrain Scripture: Psalm 76:12 First Line: Mine eyes have seen the glory of the coming of the Lord Refrain First Line: Glory, glory, hallelujah! Lyrics: 1 Mine eyes have seen the glory of the coming of the Lord; He is trampling out the vintage where the grapes of wrath are stored; He hath loosed the fateful lightning of His terrible swift sword; His truth is marching on. Refrain: Glory! glory, hallelujah! Glory! glory, hallelujah! Glory! glory, hallelujah! Our God is marching on. 2 I have seen Him in the watch-fires of a hundred circling camps; They have builded Him an altar in the evening dews and damps; I can read His righteous sentence by the dim and flaring lamps; His day is marching on. (Refrain) 3 He has sounded forth the trumpet that shall never sound retreat; He is sifting out the hearts of men before His judgment seat; O be swift, my soul, to answer Him! be jubilant, my feet! Our God is marching on. (Refrain) 4 In the beauty of the lilies, Christ was born across the sea, With a glory in His bosom that transfigures you and me; As He died to make men holy, let us live to make men free, While God is marching on. (Refrain) Topics: God the Father Majesty and Power Languages: English Tune Title: BATTLE HYMN

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Julia Ward Howe

1819 - 1910 Scripture: Psalm 76:12 Author of "Mine Eyes have Seen the Glory" in The Worshiping Church Born: May 27, 1819, New York City. Died: October 17, 1910, Middletown, Rhode Island. Buried: Mount Auburn Cemetery, Cambridge, Massachusetts. Howe, Julia, née Ward, born in New York City in 1819, and married in 1843 the American philanthropist S. G. Howe. She has taken great interest in political matters, and is well known through her prose and poetical works. Of the latter there are Passion Flower, 1854; Words of the Hour, 1856; Later Lyrics, 1866; and From Sunset Ridge, 1896. Her Battle Hymn of the Republic, "eyes have seen the glory of the coming of the Lord," was written in 1861 at the outbreak of the Civil War, and was called forth by the sight of troops for the seat of war, and published in her Later Lyrics, 1806, p. 41. It is found in several American collections, including The Pilgrim Hymnal, 1904, and others. [M. C. Hazard, Ph.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ============================ Howe, Julia Ward. (New York, New York, May 27, 1819--October 17, 1910). Married Samuel Gridley Howe on April 26, 1843. She was a woman with a distinguished personality and intellect; an abolitionist and active in social reforms; author of several book in prose and verse. The latter include Passion Flower, 1854; Words of the Hours, 1856; Later Lyrics, 1866; and From a Sunset Ridge, 1896. She became famous as the author of the poem entitled "Battle Hymn of the Republic," which, in spite of its title, was written as a patriotic song and not as a hymn for use in public worship, but which has been included in many American hymn books. It was written on November 19, 1861, while she and her husband, accompanied by their pastor, Rev. James Freeman Clarke, minister of the (Unitarian) Church of the Disciples, Boston, were visiting Washington soon after the outbreak of the Civil War. She had seen the troops gathered there and had heard them singing "John Brown's body lies a-mouldering in the grave" to a popular tune called "Glory, Hallelujah" composed a few years earlier by William Steffe of Charleston, South Carolina, for Sunday School use. Dr. Clarke asked Julie Howe if she could not write more uplifting words for the tune and as she woke early the next morning she found the verses forming in her mind as fast as she could write them down, so completely that later she re-wrote only a line or two in the last stanza and changed only four words in other stanzas. She sent the poem to The Atlantic Monthly, which paid her $4 and published it in its issue for February, 1862. It attracted little attention until it caught the eye of Chaplain C. C. McCable (later a Methodist bishop) who had a fine singing voice and who taught it first to the 122nd Ohio Volunteer Infantry regiment to which he was attached, then to other troops, and to prisoners in Libby Prison after he was made a prisoner of war. Thereafter it quickly came into use throughout the North as an expression of the patriotic emotion of the period. --Henry Wilder Foote, DNAH Archives

Isaac Watts

1674 - 1748 Scripture: Psalm 76 Author of "Psalm 76" in Psalms and Hymns of Isaac Watts, The Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

John Goss

1800 - 1880 Scripture: Psalm 76 Composer of "LAUDA ANIMA" in Trinity Hymnal (Rev. ed.) John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman