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Soon and Very Soon
Author: Andraé Crouch, b. 1942 Meter: 12.12.12 with refrain Appears in 58 hymnals Scripture: Revelation 22:20 First Line: Soon and very soon we are goin' to see the King Refrain First Line: Hallelujh, hallelujah, We're goin' to see the King Topics: Christ the King/Reign of Christ; Christian Hope; Heaven, Eternal Life; Last Times; Advent Used With Tune: VERY SOON
Soon and Very Soon
Come, You Thankful People, Come
Author: Henry Alford Meter: 7.7.7.7 D Appears in 727 hymnals Scripture: Revelation 22:20 Lyrics: 1 Come, you thankful people, come,
raise the song of harvest home;
all is safely gathered in
ere the winter storms begin;
God, our Maker, does provide
for our needs to be supplied;
come, with all his people come,
raise the song of harvest home.
2 All the world is God's own field,
fruit unto his praise to yield;
wheat and weeds together sown,
unto joy or sorrow grown:
first the blade and then the ear,
then the full corn shall appear;
Lord of harvest, grant that we
wholesome grain and pure may be.
3 For the Lord our God shall come
and shall take his harvest home;
he himself in that great day
all offense shall take away,
give his angels charge at last
in the fire the weeds to cast,
but the fruitful ears to store
in his garner evermore.
4 Even so, Lord, quickly come
to your final harvest home;
gather all your people in,
free from sorrow, free from sin
there, forever purified,
in your presence to abide;
come, with all your angels come,
raise the glorious harvest home.
Topics: Return of Christ; Songs for Children Hymns; Church and Mission; Angels; Harvest; Missions; New Creation; Return of Christ; Thanksgiving & Gratitude Used With Tune: ST. GEORGE'S WINDSOR
Come, You Thankful People, Come
The King Shall Come When Morning Dawns
Author: John Brownlie Meter: 8.6.8.6 Appears in 94 hymnals Scripture: Revelation 22:20 Lyrics: 1 The King shall come when morning dawns
and light triumphant breaks,
when beauty gilds the eastern hills
and life to joy awakes
2 not, as of old, a little child,
to bear and fight and die,
but crowned with glory like the sun
that lights the morning sky.
3 Oh, brighter than the rising morn
when Christ, victorious, rose
and left the lonesome place of death,
despite the rage of foes
4 oh, brighter than that glorious morn
shall dawn upon our race
the day when Christ in splendor comes
and we shall see his face.
5 The King shall come when morning dawns
and light and beauty brings.
Hail, Christ the Lord! Your people pray:
come quickly, King of kings.
Topics: King, God/Christ as; Return of Christ; The New Creation; Advent; King, God/Christ as; Majesty of God; New Creation; Return of Christ Used With Tune: MORNING SONG Text Sources: Greek
The King Shall Come When Morning Dawns
ST. GEORGE'S WINDSOR
Meter: 7.7.7.7 D Appears in 647 hymnals Composer and/or Arranger: George J. Elvey; Craig S. Lang Scripture: Revelation 22:20 Tune Key: F Major Incipit: 33531 23335 31233 Used With Text: Come, You Thankful People, Come
ST. GEORGE'S WINDSOR
MORNING SONG
Meter: 8.6.8.6 Appears in 170 hymnals Composer and/or Arranger: Jack Grotenhuis Scripture: Revelation 22:20 Tune Sources: J. Wyeth's Repository of Sacred Music, Part II, 1813 Tune Key: f minor Incipit: 51234 32175 51234 Used With Text: The King Shall Come When Morning Dawns
MORNING SONG
Just as I Am, without One Plea
Author: Charlotte Elliott Hymnal: Psalter Hymnal (Gray) #263 (1987) Meter: 8.8.8.8 Scripture: Revelation 22 Lyrics: 1 Just as I am, without one plea,
but that thy blood was shed for me,
and that thou bidd'st me come to thee,
O Lamb of God, I come, I come.
2 Just as I am, and waiting not
to rid my soul of one dark blot,
to thee, whose blood can cleanse each spot,
O Lamb of God, I come, I come.
3 Just as I am, though tossed about
with many a conflict, many a doubt,
fightings and fears within, without,
O Lamb of God, I come, I come.
4 Just as I am, thou wilt receive,
wilt welcome, pardon, cleanse, relieve;
because thy promise I believe,
O Lamb of God, I come, I come.
Topics: Commitment & Dedication; Doubt; Confession and Forgiveness; Assurance; Blood of Christ; Commitment & Dedication; Confession of Sin; Doubt; Forgiveness; Lamb of God Languages: English Tune Title: WOODWORTH
Just as I Am, without One Plea
Reigning Forever with God
Hymnal: Seventh-day Adventist Hymnal #750 (1985) Scripture: Revelation 22 First Line: "I am the Alpha and the Omega, The beginning and the end. Topics: Scripture Readings
Reigning Forever with God
Day of Judgment
Hymnal: Seventh-day Adventist Hymnal #779 (1985) Scripture: Revelation 20-22 First Line: "Thrones were set in place and one of great age took his seat. Topics: Scripture Readings
Day of Judgment
Charles Wesley
1707 - 1788 Scripture: Revelation 22:20 Author of "Come, Thou Long-Expected Jesus" in The Worshiping Church Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Andraé Crouch
1942 - 2015 Person Name: Andraé Crouch, b. 1942 Scripture: Revelation 22:20 Author of "Soon and Very Soon" in With One Voice Born in San Francisco on July 1, 1942, and raised in Los Angeles, Andraé Edward Crouch was the son of bivocational-pastor parents Benjamin and Catherine Crouch. He has recounted that he received the gift of music as a child, when his father was called as a guest preacher and pastoral candidate to a small rural church that had no musicians. He began playing for them at the age of 11. He wrote his first gospel song at 14, and formed his first band, the COGICS, in 1960.
In 1965 he formed The Disciples, which lasted until 1979, and as a protegé of Audrey Mieir, Ralph Carmichael, and other leading Contemporary Christian Music artists of the time, went on to win a total of nine Grammies, and numerous other awards. He wrote his first well-known song, "The Blood Will Never Lose Its Power", at the age of 15, but most of his songs that have gained congregational currency flowed from the years when he was active with The Disciples. After The Disciples were disbanded, Crouch continued his recording and performing career, and also became more active in church ministries.
After his parents died (1993-94), with his twin sister Sandra he took over the pastorate at the church his parents had led, New Christ Memorial Church of God in Christ in Pacoima, California. In December, 2014, Crouch was hospitalized for treatment of pneumonia and congestive heart failure, and on January 3, 2015, he was readmitted to the hospital following a heart attack. He died there five days later, at the age of 72. His twin sister and co-pastor Sandra Crouch issued the following statement: "Today my twin brother, womb-mate and best friend went home to be with the Lord. Please keep me, my family and our church family in your prayers. I tried to keep him here but God loved him best."
Andraé Crouch
Henry Alford
1810 - 1871 Scripture: Revelation 22:20 Author of "Come, You Thankful People, Come" in Psalter Hymnal (Gray) Alford, Henry, D.D., son of the Rev. Henry Alford, Rector of Aston Sandford, b. at 25 Alfred Place, Bedford Row, London, Oct. 7, 1810, and educated at Trinity College, Cambridge, graduating in honours, in 1832. In 1833 he was ordained to the Curacy of Ampton. Subsequently he held the Vicarage of Wymeswold, 1835-1853,--the Incumbency of Quebec Chapel, London, 1853-1857; and the Deanery of Canterbury, 1857 to his death, which took. place at Canterbury, Jan. 12, 1871. In addition he held several important appointments, including that of a Fellow of Trinity, and the Hulsean Lectureship, 1841-2. His literary labours extended to every department of literature, but his noblest undertaking was his edition of the Greek Testament, the result of 20 years' labour. His hymnological and poetical works, given below, were numerous, and included the compiling of collections, the composition of original hymns, and translations from other languages. As a hymn-writer he added little to his literary reputation. The rhythm of his hymns is musical, but the poetry is neither striking, nor the thought original. They are evangelical in their teaching, but somewhat cold and conventional. They vary greatly in merit, the most popular being "Come, ye thankful people, come," "In token that thou shalt not fear," and "Forward be our watchword." His collections, the Psalms and Hymns of 1844, and the Year of Praise, 1867, have not achieved a marked success. His poetical and hymnological works include—
(1) Hymns in the Christian Observer and the Christian Guardian, 1830. (2) Poems and Poetical Fragments (no name), Cambridge, J. J. Deighton, 1833. (3) The School of the Heart, and other Poems, Cambridge, Pitt Press, 1835. (4) Hymns for the Sundays and Festivals throughout the Year, &c.,Lond., Longman ft Co., 1836. (5) Psalms and Hymns, adapted for the Sundays and Holidays throughout the year, &c, Lond., Rivington, 1844. (6) Poetical Works, 2 vols., Lond., Rivington, 1845. (7) Select Poetical Works, London, Rivington, 1851. (8) An American ed. of his Poems, Boston, Ticknor, Reed & Field, 1853(9) Passing away, and Life's Answer, poems in Macmillan's Magazine, 1863. (10) Evening Hexameters, in Good Words, 1864. (11) On Church Hymn Books, in the Contemporary Review, 1866. (12) Year of Praise, London, A. Strahan, 1867. (13) Poetical Works, 1868. (14) The Lord's Prayer, 1869. (15) Prose Hymns, 1844. (16) Abbot of Muchelnaye, 1841. (17) Hymns in British Magazine, 1832. (18) A translation of Cantemus cuncti, q.v.
-- John Julian, Dictionary of Hymnology (1907)
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Alford, Henry, p. 39, ii. The following additional hymns by Dean Alford are in common use:—
1. Herald in the wilderness. St. John Baptist. (1867.)
2. Let the Church of God rejoice. SS. Simon and Jude. (1844, but not in his Psalms & Hymns of that year.)
3. Not in anything we do. Sexagesima. (1867.)
4. O Thou at Whose divine command. Sexagesima. (1844.)
5. 0 why on death so bent? Lent. (1867.)
6. Of all the honours man may wear. St. Andrew's Day. (1867.)
7. Our year of grace is wearing to a close. Close of the Year. (1867.)
8. Saviour, Thy Father's promise send. Whit-sunday. (1844.)
9. Since we kept the Saviour's birth. 1st Sunday after Trinity. (1867.)
10. Thou that art the Father's Word. Epiphany. (1844.)
11. Thou who on that wondrous journey. Quinquagesima. (1867.)
12. Through Israel's coasts in times of old. 2nd Sunday after Epiphany. (1867.)
13. Thy blood, O Christ, hath made our peace. Circumcision . (1814.)
14. When in the Lord Jehovah's name. For Sunday Schools. (1844.)
All these hymns are in Dean Alford's Year of Praise, 1867, and the dates are those of their earliest publication, so far as we have been able to trace the same.
--Excerpts from John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Henry Alford
