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Isaiah 2:2-6: Behold! the mountain of the Lord
Meter: 8.6.8.6 Appears in 182 hymnals Scripture: Isaiah 2:2-6 First Line: Behold! the mountain of the Lord Lyrics:
Behold! the mountain of the Lord
in latter days shall rise
On mountain tops above the hills,
and draw the wond’ring eyes.
To this the joyful nations round,
all tribes and tongues shall flow;
Up to the hill of God, they’ll say,
and to his house we’ll go.
The beam that shines from Sion hill
shall lighten ev’ry land;
The King who reigns in Salem’s tow’rs
shall all the world command.
Among the nations he shall judge;
his judgments truth shall guide;
His sceptre shall protect the just,
and quell the sinner’s pride.
No strife shall rage, nor hostile feuds
disturb those peaceful years;
To ploughshares men shall beat their swords,
to pruning-hooks their spears.
130
No longer hosts encount’ring hosts
shall crowds of slain deplore:
They hang the trumpet in the hall,
and study war no more.
Come then, O house of Jacob! come
to worship at his Shrine;
And, walking in the light of God,
with holy beauties shine,
Isaiah 2:2-6: Behold! the mountain of the Lord
O God of Every Nation
Author: William W. Reid, Jr. Meter: 7.6.7.6.7.6.7.6 Appears in 32 hymnals Scripture: Isaiah 2:4 Lyrics: 1 O God of every nation,
of every race and land,
redeem the whole creation
with your almighty hand.
Where hate and fear divide us
and bitter threats are hurled,
in love and mercy guide us,
and heal our strife-torn world.
2 From search for wealth and power
and scorn of truth and right,
from trust in bombs that shower
destruction through the night,
from pride of race and nation
and blindness to your way,
deliver every nation,
eternal God, we pray!
3 Lord, strengthen all who labor
that we may find release
from fear of rattling saber,
from dread of war's increase.
When hope and courage falter,
Lord, let your voice be heard;
with faith that none can alter,
your servants undergird.
4 Keep bright in us the vision
of days when war shall cease,
when hatred and division
give way to love and peace,
till dawns the morning glorious
when truth and justice reign,
and Christ shall rule victorious
o'er all the world's domain.
Topics: Industry & Labor; King, God/Christ as; Society/Social Concerns; War & Revolution; Industry & Labor; King, God/Christ as; Nation; New Creation; Peace; Society/Social Concerns; War & Revolution Used With Tune: LLANGLOFFAN
O God of Every Nation
Holy, Holy, Holy! Lord God Almighty
Author: Reginald Heber, 1783-1826 Meter: 11.12.12.10 Appears in 1,640 hymnals Scripture: Isaiah 2:2-3 Lyrics: 1 Holy, Holy, Holy! Lord God Almighty!
Early in the morning our song shall rise to thee;
Holy, Holy, Holy! Merciful and mighty!
God in three Persons, blessed Trinity!
2 Holy, Holy, Holy! all the saints adore thee,
Casting down their golden crowns around the glassy sea;
Cherubim and seraphim falling down before thee,
God everlasting through eternity.
3 Holy, Holy, Holy! though the darkness hide thee,
Though the eye made blind by sin thy glory may not see,
Only thou art holy; there is none beside thee
Perfect in power, in love, and purity.
4 Holy, Holy, Holy! Lord God Almighty!
All thy works shall praise thy Name in earth, and sky, and sea;
Holy, Holy, Holy! merciful and mighty,
God in three Persons, blessed Trinity!
Used With Tune: NICEA
Holy, Holy, Holy! Lord God Almighty
Jesus Shall Reign Where'er the Sun
Author: Isaac Watts (1674-1748) Hymnal: Common Praise (1998) #383 (1998) Meter: 8.8.8.8 Scripture: Isaiah 2:1-5 Lyrics: 1 Jesus shall reign where e'er the sun
doth its successive journeys run;
his kingdom stretch from shore to shore,
till moons shall wax and wane no more.
2 People and realms of every tongue
dwell on his love with sweetest song;
and infant voices shall proclaim
their early blessings on his name.
3 Blessings abound where e'er he reigns:
the prisoners leap to lose their chains,
the weary find eternal rest,
and all who suffer want are blest.
4 Let every creature rise and bring
peculiar honours to our King;
angels descend with songs again,
and earth repeat the loud Amen. Topics: Gathering of the Community; Kingdom; Mission; Offertory; Praise of God; Reign of Christ Languages: English Tune Title: DUKE STREET
Jesus Shall Reign Where'er the Sun
Holy, Holy, Holy! Lord God Almighty!
Author: Reginald Heber, 1783-1826 Hymnal: Lead Me, Guide Me (2nd ed.) #335 (2012) Meter: 11.12.12.10 Scripture: Isaiah 2:2-3 Lyrics: 1 Holy, Holy, Holy! Lord God Almighty!
Early in the morning our song shall rise to thee.
Holy, Holy, Holy, merciful and mighty!
God in three Persons, blessed Trinity.
2 Holy, Holy, Holy! All the saints adore thee,
Casting down their golden crowns around the glassy sea;
Cherubim and seraphim falling down before thee,
God everlasting through eternity.
3 Holy, Holy, Holy! Though the darkness hide thee,
Though the eye made blind by sin thy glory may not see,
Only thou art holy; there is none beside thee,
Perfect in pow'r, in love, and purity.
4 Holy, Holy, Holy! Lord God Almighty!
All thy works shall praise thy Name in earth and sky and sea.
Holy, Holy, Holy, merciful and mighty!
God in three Persons, blessed Trinity. Topics: Most Holy Trinity; Funeral Sacraments; Angels; Communion of Saints; Eternal Life; Holiness; Morning; Music; Mystery of God; Praise; Song; Trinity; Worship and Adoration Languages: English Tune Title: NICAEA
Holy, Holy, Holy! Lord God Almighty!
Holy, Holy, Holy! Lord God Almighty!
Author: Reginald Heber, 1783-1826 Hymnal: One Lord, One Faith, One Baptism #357 (2018) Meter: 11.12.12.10 Scripture: Isaiah 2:2-3 Topics: The Celebration of the Gospel Story The Trinity; Adoration; Praise; Trinity Languages: English Tune Title: NICAEA
Holy, Holy, Holy! Lord God Almighty!
William Watkins Reid
1923 - 2007 Person Name: William W. Reid, Jr. Scripture: Isaiah 2:4 Author of "O God of Every Nation" in Psalter Hymnal (Gray) William W. Reid, Jr. (1923-2007), after graduating from Oberlin College and Seminary and Yale Divinity School served for more than fifty years as pastor in the Wyoming Conference in rural and inner-city Methodist churches. He served on the Executive Committee of The Hymn Society of America. He was involved in social issues, serving as a councilman and county commissioner. His hymns are widely published in hymnals of many denominations.
Mary Louise VanDyke
===============================
William W. Reid, Jr. is pastor of the Methodist Church Circuit at Carverton, Pennsylvania. He previously served in a similar capacity at Camptown in the same State. He is a graduate of the Yale Divinity School and Oberlin College. He served during World War II in the Medical Corps and was held prisoner by the Germans for eight months. He is the author of several hymns including those in "Fourteen New Rural Hymns" and "Twelve New World Order Hymns" published by the Hymn Society.
----Fifteen New Christian Education Hymns, 1959. Used by permission.
================================
William Watkins Reid, Jr., is currently pastor of Central United Methodist Church, Wilkes-Barre, Pennsylvania. He is a member of the Wyoming Annual Conference and has been active on its Social Concerns, Town and Country, and Evangelism boards, and on the Pennsylvania Council of Churches.
----Twelve New Lord’s Day Hymns, 1968. Used by permission.
================================
[Reid] is an executive committee member of the Hymn Society of America, and is the author of a number of hymns that have been published in hymnals in the United States, Canada, England, and in South Africa. As a council man he is concern with the ecology of Wyoming Valley (Penn. and N.Y.) and with the rebuilding of Wilkes-Barre after the disastrous flood of 1972.
--16 New Hymns on the Stewardship of the Environment [Ecology] , 1973. Used by permission.
William Watkins Reid
C. Hubert H. Parry
1848 - 1918 Person Name: C. Hubert H. Parry, 1848-1918 Scripture: Isaiah 2:2-5 Composer of "JERUSALEM" in With One Voice Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”.
John Perry
C. Hubert H. Parry
Reginald Heber
1783 - 1826 Person Name: Reginald Heber, 1783-1826 Scripture: Isaiah 2:2-3 Author of "Holy, Holy, Holy! Lord God Almighty" in Gather Comprehensive Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today.
-- Greg Scheer, 1995
====================
Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service
”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437.
Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.]
Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:—
1. Beneath our feet, and o'er our head. Burial.
2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity.
3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity.
4. 0 God, by Whom the seed is given. Sexagesima.
6. 0 God, my sins are manifold. Forgiveness, or,
Gospel for 22nd S. after Trinity.
6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany.
7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent.
8. 0 more than merciful, Whose bounty gave. Good Friday.
9. 0 most merciful! 0 most bountiful. Introit Holy Communion.
10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent.
11. 0 weep not o'er thy children's tomb. Innocents Day.
12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity.
13. Sit thou on my right hand, my Son, saith the Lord. Ascension.
14. Spirit of truth, on this thy day. Whit-Sunday.
15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity.
16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace.
17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity.
18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent.
19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity.
20. Though sorrows rise and dangers roll. St. James's Day.
21. To conquer and to save, the Son of God. Christ the Conqueror.
22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent.
23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity.
24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany.
25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany.
26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity.
This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work.
--John Julian, Dictionary of Hymnology (1907)
Reginald Heber
