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Search Results

Text Identifier:"^all_praise_to_thee_o_lord_who_by$"

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All praise to Thee, O Lord

Author: Hyde W. Beadon Appears in 15 hymnals

Tunes

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CARLISLE

Meter: 6.6.8.6 Appears in 146 hymnals Composer and/or Arranger: Charles Lockhart, 1745-1815 Tune Key: E Flat Major Incipit: 15132 17114 56514 Used With Text: All praise to you, O Lord

GARELOCHSIDE

Meter: 6.6.8.6 Appears in 12 hymnals Composer and/or Arranger: Kenneth G. Finlay, 1882-1974 Tune Key: C Major Incipit: 53212 31235 1716 Used With Text: All Praise to You, O Lord
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ST. ETHELWALD

Appears in 75 hymnals Composer and/or Arranger: William Henry Monk, 1823-1889 Tune Key: f sharp minor Incipit: 54323 43325 66556 Used With Text: All praise to you, O Lord

Instances

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Published text-tune combinations (hymns) from specific hymnals
Text

All Praise to Thee, O Lord

Author: Hyde W. Beadon Hymnal: The Hymnal and Order of Service #74 (1937) Lyrics: 1 All praise to Thee, O Lord, Who by Thy mighty power Didst manifest Thy glory forth In Cana's marriage hour. 2 Thou speakest, it is done: Obedient to Thy word, The water reddening into wine Proclaims the present Lord. 3 Blest were the eyes which saw That wondrous mystery, The great beginning of Thy works, That kindled faith in Thee. 4 And blessèd they who know Thine unseen presence true, When in the kingdom of Thy grace Thou makest all things new. 5 For by thy loving hand Thy people still are fed; Thou art the cup of blessing, Lord, And Thou the heavenly bread. 6 O may this grace be ours, In Thee for aye to live, And drink of those refreshing streams Which Thou alone canst give. 7 So, led from strength to strength, Grant us, O Lord, to see The marriage supper of the Lamb, Thy great Epiphany. Amen.
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All Praise to Thee, O Lord

Author: Hyde Wyndham Beadon Hymnal: The Hymnal and Order of Service #74 (1926) Meter: 6.6.8.6 Lyrics: 1 All praise to Thee, O Lord, Who by Thy mighty power Didst manifest Thy glory forth In Cana's marriage hour. 2 Thou speakest, it is done: Obedient to Thy word, The water reddening into wine Proclaims the present Lord. 3 Blest were the eyes which saw That wondrous mystery, The great beginning of Thy works, That kindled faith in Thee. 4 And blessèd they who know Thine unseen presence true, When in the kingdom of Thy grace Thou makest all things new. 5 For by thy loving hand Thy people still are fed; Thou art the cup of blessing, Lord, And Thou the heavenly bread. 6 O may this grace be ours, In Thee for aye to live, And drink of those refreshing streams Which Thou alone canst give. 7 So, led from strength to strength, Grant us, O Lord, to see The marriage supper of the Lamb, Thy great Epiphany. Amen. Topics: Church Year Epiphany; Epiphany, Second Sunday; Christ Longing for; Names and Office of Christ Lamb; Lord's Supper; Marriage Supper Scripture: John 2:1-11 Languages: English Tune Title: SCHUMANN
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All praise to Thee, O Lord

Author: H. W. Beadon Hymnal: The Lutheran Hymnary #232 (1913) Meter: 6.6.8.6 Lyrics: 1 All praise to Thee, O Lord, Who by Thy mighty power Didst manifest Thy glory forth In Cana's marriage hour. 2 Thou speakest, it is done; Obedient to Thy word, The water reddening into wine Proclaims the present Lord. 3 Blest were the eyes which saw That wondrous mystery, The great beginning of Thy works, That kindled faith in Thee. 4 And blessed they who know Thine unseen presence true, When in the kingdom of Thy grace Thou makest all things new. 5 For by thy loving hand Thy people still are fed; Thou art the cup of blessing, Lord, And Thou the heavenly bread. 6 O may this grace be ours, In Thee for aye to live, And drink of those refreshing streams Which Thou alone canst give. 7 So, led from strength to strength Grant us, O Lord, to see The marriage supper of the Lamb, The great Epiphany. Topics: The Church Year Second Sunday after Epiphany; The Church Year Second Sunday after Epiphany Tune Title: [All praise to Thee]

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Authors, composers, editors, etc.

Robert Schumann

1810 - 1856 Person Name: Robert Schumann, (1810-1856) Composer of "SCHUMANN" in The Hymnal and Order of Service Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry

William Henry Monk

1823 - 1889 Person Name: William Henry Monk, 1823-1889 Composer of "ST. ETHELWALD" in The Book of Praise William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Charles Lockhart

1745 - 1815 Person Name: Charles Lockhart, 1745-1815 Composer of "CARLISLE" in The Hymnal 1982 Born: 1745, London, England. Died: February 9, 1815, London, England. Lockhart was first organist of the Lock Hospital, and was for some years associated with Martin Madan in the musical arrangements there. Though blind from infancy, Lockhart had a distinct musical gift, and was especially known for training children’s choirs. His earliest tunes were printed on separate sheets. He published a set of hymn tunes about 1810. Sources: Frost, p. 680 Lightwood, p. 155 Nutter, p. 460 Music: CARLISLE TAMWORTH http://www.hymntime.com/tch/bio/l/o/c/lockhart_c.htm ================ http://en.wikipedia.org/wiki/Charles_Lockhart_%28musician%29
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