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Text Identifier:"^as_the_hart_with_eager_yearning$"

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As the hart with eager yearning

Author: Christine Turner Curtis Appears in 6 hymnals

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FREU' DICH SEHR (Comme un cerf)

Appears in 327 hymnals Composer and/or Arranger: Louis Bourgeois Incipit: 12321 76512 34321 Used With Text: As the hart with eager yearning

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As the hart with eager yearning

Author: Christine Turner Curtis Hymnal: The Mennonite Hymnal #284 (1969) Topics: Life in Christ Hope and Aspiration Scripture: Psalm 42 Tune Title: GENEVA 42 (FREU DICH SEHR)

As the hart with eager yearning

Author: Christine T. Curtis Hymnal: Hymnal #500 (1992) Scripture: Psalm 42 Languages: English Tune Title: GENEVA 42 (FREU DICH SEHR, O MEINE SEELE)

As the hart with eager yearning

Author: Christine Turner Curtis Hymnal: Hymnal for Colleges and Schools. 3rd ed. #d18 (1958) Languages: English

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Louis Bourgeois

1510 - 1561 Composer of "FREU' DICH SEHR (Comme un cerf)" in The Hymnal Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholar­ly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty­ four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciat­ed by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman

Claude Goudimel

1514 - 1572 Harmony adapted from of "GENEVA 42 (FREU DICH SEHR)" in The Mennonite Hymnal The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which oc­curred throughout France. Bert Polman

Christine Turner Curtis

b. 1891 Author of "As the hart with eager yearning" in The Mennonite Hymnal Born: 1891, North Ab­ing­ton, Mas­sa­chu­setts. Daughter of Fred and An­nie Tur­ner Curtis, Chris­tine grad­u­at­ed from Well­es­ley Col­lege in 1913. She worked in the ad­ver­tis­ing de­part­ment of Mac­mil­lan Com­pa­ny, New York; F. A. Stokes Com­pa­ny, New York; and did ed­i­tor­ial work for Ginn & Com­pa­ny in Bo­ston, Mass­a­chu­setts. Her works in­clude: Amarilis (Gar­den Ci­ty, New York: Dou­ble­day, Page & Com­pa­ny, 1927) Nip and Tuck, 1931 Fragile Lin­e­age (Pe­ter Pau­per Press, 1955) --www.hymntime.com/tch
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