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Be Still, My Soul
Author: Katharina A. von Schlegel; Jane L. Borthwick Meter: 10.10.10.10.10.10 Appears in 178 hymnals First Line: Be still, my soul! The Lord is on your side Lyrics: 1 Be still, my soul! the Lord is on your side:
bear patiently the cross of grief or pain;
leave to your God to order and provide;
in every change he faithful will remain.
Be still, my soul! Your best, your heavenly Friend
thro' thorny ways leads to a joyful end.
2 Be still, my soul! Your God will undertake
to guide the future as he has the past;
your hope, your confidence let nothing shake;
all now mysterious shall be bright at last.
Be still, my soul! The waves and winds still know
his voice who ruled them while he dwelt below.
3 Be still, my soul! The hour is hastening on
when we shall be forever with the Lord,
when disappointment, grief and fear are gone,
sorrow forgot, love’s purest joys restored.
Be still, my soul! When change and tears are past,
all safe and blessèd we shall meet at last.
Topics: Assurance; Calmness; Confidence; Cross of Believers; God Mystery; God Providence; Heaven Scripture: Psalm 42:5 Used With Tune: FINLANDIA
Be Still, My Soul
UNDE ET MEMORES
Meter: 10.10.10.10.10.10 Appears in 73 hymnals Composer and/or Arranger: William H. Monk Tune Key: D Major Incipit: 33112 33345 32344 Used With Text: Be still, my soul: the Lord is on thy side
UNDE ET MEMORES
Be Still, My Soul
Author: Katharina von Schlegel; Jane L. Borthwick Hymnal: Yes, Lord! #96 (1982) First Line: Be still, my soul! the Lord is on thy side Lyrics: 1 Be still, my soul! the Lord is on thy side;
Bear patiently the cross of grief or pain:
Leave to thy God to order and provide;
In every change He faithful will remain.
Be still, my soul! thy best, thy heavenly Friend
Through thorny ways leads to a joyful end.
2 Be still, my soul! thy God doth undertake
To guide the future as He has the past.
Thy hope, thy confidence let nothing shake;
All now mysterious shall be bright at last.
Be still, my soul! the waves and winds still know
His voice who ruled them while He dwelt below.
3 Be still, my soul! the hour is hastening on
When we shall be forever with the Lord,
When disappointment, grief, and fear are gone,
Sorrow forgot, love’s purest joys restored.
Be still, my soul! when change and tears are past,
All safe and blessed we shall meet at last. Topics: Assurance Languages: English Tune Title: [Be still, my soul! the Lord is on thy side]
Be Still, My Soul
Be Still, My Soul: the Lord Is on Thy Side
Author: Katharina von Schlegel; Jane L. Borthwick, 1813 - 1897 Hymnal: Sing Your Way Home #29 (1978) Topics: Christian Faith and Experience Tune Title: [Be still, my soul: the Lord is on thy side]
Be Still, My Soul: the Lord Is on Thy Side
Be Still, My Soul
Author: Katharina A. von Schlegel; Jane L. Borthwick Hymnal: Timeless Truths #68 Meter: 11.10.11.10.11.10 First Line: Be still, my soul: the Lord is on thy side. Lyrics: 1 Be still, my soul: the Lord is on thy side.
Bear patiently the cross of grief or pain.
Leave to thy God to order and provide;
In every change, He faithful will remain.
Be still, my soul: thy best, thy heav’nly Friend
Through thorny ways leads to a joyful end.
2 Be still, my soul: thy God doth undertake
To guide the future, as He has the past.
Thy hope, thy confidence let nothing shake;
All now mysterious shall be bright at last.
Be still, my soul: the waves and winds still know
His voice Who ruled them while He dwelt below.
3 Be still, my soul: when dearest friends depart,
And all is darkened in the vale of tears,
Then shalt thou better know His love, His heart,
Who comes to soothe thy sorrow and thy fears.
Be still, my soul: thy Jesus can repay
From His own fullness all He takes away.
4 Be still, my soul: the hour is hast’ning on
When we shall be forever with the Lord.
When disappointment, grief, and fear are gone,
Sorrow forgot, love’s purest joys restored.
Be still, my soul: when change and tears are past
All safe and blessed we shall meet at last.
5 Be still, my soul: begin the song of praise
On earth, believing, to Thy Lord on high;
Acknowledge Him in all thy words and ways,
So shall He view thee with a well-pleased eye.
Be still, my soul: the Sun of life divine
Through passing clouds shall but more brightly shine. Scripture: 2 Chronicles 14:11 Tune Title: FINLANDIA
Be Still, My Soul
Grant Colfax Tullar
1869 - 1950 Composer of "[Be still, my soul; the Lord is on thy side]" in The Bible School Hymnal Grant Colfax Tullar was born August 5, 1869, in Bolton, Connecticut. He was named after the American President Ulysses S. Grant and Vice President Schuyler Colfax. After the American Civil War, his father was disabled and unable to work, having been wounded in the Battle of Antietam. Tullar's mother died when he was just two years old so Grant had no settled home life until he became an adult. Yet from a life of sorrow and hardship he went on to bring joy to millions of Americans with his songs and poetry.
As a child, he received virtually no education or religious training. He worked in a woolen mill and as a shoe clerk. The last Methodist camp meeting in Bolton was in 1847. Tullar became a Methodist at age 19 at a camp meeting near Waterbury in 1888.
He then attended the Hackettstown Academy in New Jersey. He became an ordained Methodist minister and pastored for a short time in Dover, Delaware. For 10 years he was the song leader for evangelist Major George A. Hilton. Even so, in 1893 he also helped found the well-known Tullar-Meredith Publishing Company in New York, which produced church and Sunday school music. Tullar composed many popular hymns and hymnals.
His works include: Sunday School Hymns No. 1 (Chicago, Illinois: Tullar Meredith Co., 1903) and The Bible School Hymnal (New York: Tullar Meredith Co., 1907). One of Grant Tullar's most quoted poems is "The Weaver":
My Life is but a weaving
Between my Lord and me;
I cannot choose the colors
He worketh steadily.
Oft times He weaveth sorrow
And I, in foolish pride,
Forget He sees the upper,
And I the under side.
Not til the loom is silent
And the shuttles cease to fly,
Shall God unroll the canvas
And explain the reason why.
The dark threads are as needful
In the Weaver's skillful hand,
As the threads of gold and silver
In the pattern He has planned.
He knows, He loves, He cares,
Nothing this truth can dim.
He gives His very best to those
Who chose to walk with Him.
Grant Tullar
--http://www.boltoncthistory.org/granttullar.html, from Bolton Community News, August 2006.
Grant Colfax Tullar
William Henry Monk
1823 - 1889 Person Name: William H. Monk Composer of "UNDE ET MEMORES" in Trinity Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Jean Sibelius
1865 - 1957 Composer of "FINLANDIA" in Trinity Hymnal (Rev. ed.) Johann Julius Christian [Jean] Sibelius DM Finland 1865-1957. Born at Hameenlinna, Finland, the son of a Swedish-speaking medical doctor, he lost his father to typhoid in 1868, leaving the family in substantial debt. His mother, again pregnant, had to sell their property and move in with her widowed mother. His aunt Julia gave him piano lessons when he was seven on the family upright piano, wrapping him on the knuckles when he played a wrong note. He learned to improvise as he played. His uncle, Pehr Ferdinand Sibelius, was interested in music, especially the violin, and gave Jean a violin when he was 10. As his musical advisor his uncle encouraged him to play and compose music. He played music with sister on piano, brother on cello, and himself on violin. He attended a Finnish-speaking prep school in 1874 and continued his education at the Hameenlinna Normal Lyceum thereafter. Jean also showed a strong interest in nature, frequently walking around the countryside when the family moved to the Loviisa coast for the summer months. In 1881 he took violin lessons from the local bandmaster, and developed a strong interest in violin. He became an accomplished player, and thought of becoming a virtuoso, but realizing he began study too late in life for that, instead opted to compose. He often played music in quartets with neighboring families, adding to his chamber music experience. He took the French form of his name, Jean. He studied law at the Imperial Alexander University in Finland, but showed far more interest in music. He then studied music at the Helsinki Music Institute (now Sibelius Academy) from 1885-1889. The school’s founder, Martin Wegelius, did much to support education development in Finland and gave Sibelius his first lessons in composition. Another teacher,,Ferruccio Busoni, a pianist-composer, helped him as well and became a life-long friend. Other friends, pianist Adolf Paul, and conductor-to-be, Armas Jarnefelt, also helped him. In 1892 he married Armas ‘s sister, Aino Jarnefelt, daughter of General Alexander Jarnefelt, governor of Vaasa. They had six daughters, Eva, Ruth, Kirsti, Katarina, Margareta, and Heidi. He continued his musical studies in Berlin (1889-1890) with Albert Becker, and in Vienna (1890-1891) with Robert Fuchs and Karl Goldmark. In Berlin he had opportunity to attend concerts and operas. In Vienna he turned to orchestral composition and had much success, although he had gallstone surgery during that period. He also traveled to the UK, France, Germany, and the USA during this time in his life, composing, conducting, and socializing. In 1892 he took on teaching assignments at the Music Institute and at Kajanus’s conducting school, but this left him with little time for composing. Sibelius’ works were more and more appreciated in Helsinki concert halls as he composed and conducted symphonies in the mid-1890s. In 1898 he was awarded a substantial grant, initially for 10 years, and later extended for life, allowing him to concentrate on composition. Much of his music became popular in Finland and in Germany. In 1899 he began work on his first symphony. It went well, but other patriotic music hehad composed did even better, since Russia was trying to restrict the powers of the Grand Duchy of Finland. In 1900 Sibelius went on an international tour with Kajanus and his orchestra, presenting his recent works. In 1901 he wrote his second symphony, which received rave reviews. He continued to compose as he became popular and well-known. In 1903 he had a new home built near Lake Tuusula north of Helsinki, calleed Ainola (after his wife). He gave concerts in and around Finland, spending more and more time away from home, to the chagrin of his wife. After a time he returned home and composed from there. He spent much time wining and dining in Helsinki, and it had a disastrous effect on his wife, who finally entered a sanitorium. He resolved again to give up drinking and concentrate on composing his 3rd symphony. He met Gustav Mahler in Helsinki and they became friends. He performed his 3rd symphony in St Petersburg, Russia. In 1907 he underwent a serious operation for suspected throat cancer, and spent time in the hospital in 1908. His smoking and drinking had now become life-threatening. He cancelled concerts for Rome, Warsaw, and Berlin, but kept one in London. His health deteriorated further, And his brush with death inspired him to compose his 4th symphony. In 1909 his successful throat operation resulted in renewed happiness for him and his wife, Aino. He continued conducting concerts, and met Claude Debussy, who further encouraged his musical efforts. He began working on his 4th symphony in 1910, but had to write other music to compensate for dwindling funds. He finished his 4th symphony in Berlin and conducted concerts in Sweden in 1911. In 1912 he completed short orchestral works. Over the next several years he continued producing a variety of pieces of music, well-received, especially in America. He was given an honorary DM degree from Yale University and also another from the University of Helsinki about the same time. WW1 interrupted his music royalties in 1915, and he was forced to compose smaller works for publication to make ends meet. He completed his 5th symphony at age 50, but he was dissatisfied with it and reworked it three times In 1917 he starting drinking again, triggering arguments with his wife. The Russian Revolution in 1917 caused an improvement in their personal relationship, and he wrote his ‘Jager March’ to celebrate Finnish independence from Russia. The next year the Finnish Civil War began, putting a damper on his march. In 1919, after the war, he completed his 6th symphony. In 1920 George Eastman , of Eastman Kodak, asked him to teach for a year in New York, but he declined. He did enjoy a trip conducting several concerts in England in 1921. He premiered his 6th symphony in 1923. In 1924 he completed his 7th symphony. The next year he composed a number of small pieces. He began drinking again. He did write a few more major works, but for the last thirty years of his life he avoided publicly talking about his music. He tried to write an 8th symphony, but was unsatisfied with it and burned the scores. In fact, he burned a laundry basket full of music he had written, to the chagrin of his wife. But, afterward, he became calmer and gradually had a lighter mood. In 1935 he was awarded the Goethe-Metal, with a certificate signed by Adolf Hitler. A Soviet invasion of Finland in 1939 was repelled, but Finland gave up territory to Russia as a result. In 1941 Sibelius and his wife returned to their Finland home, Ainola, after a long absence. He did not compose much the last few years, and died at Ainola. His wife outlived him by 12 years.
John Perry
Jean Sibelius
