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Blest Trinity, From Mortal Sight

Author: Jean B. de Santeüil; Henry W. Baker Meter: 8.8.8.8 Appears in 23 hymnals First Line: Blest Trinity! from mortal sight Lyrics: 1 Blest Trinity! from mortal sight Veiled in Thine own eternal Light! We Thee confess, in Thee believe; To Thee with loving hearts we cleave. 2 O Father! Thou Most Holy One! O God of God! Eternal Son! O Holy Ghost! Thou Love divine! To join Them both is ever Thine. 3 The Father is in God the Son, And with the Father He is One; In both the Spirit doth abide, And with Them both is glorified. 4 Eternal Father! Thee we praise; To Thee, O Son! our hymns we raise; O Holy Ghost! we Thee adore! One mighty God, for evermore! Used With Tune: WOODWORTH Text Sources: Prais Breviary, 1680; Tr.: Hymns Ancient and Modern, 1861

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WOODWORTH

Meter: 8.8.8.8 Appears in 1,175 hymnals Composer and/or Arranger: William Batchelder Bradbury Tune Key: D Major Incipit: 12335 43234 355 Used With Text: Blest Trinity, From Mortal Sight

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Blest Trinity, From Mortal Sight

Author: Jean B. de Santeüil; Henry W. Baker Hymnal: The Cyber Hymnal #12079 Meter: 8.8.8.8 First Line: Blest Trinity! from mortal sight Lyrics: 1 Blest Trinity! from mortal sight Veiled in Thine own eternal Light! We Thee confess, in Thee believe; To Thee with loving hearts we cleave. 2 O Father! Thou Most Holy One! O God of God! Eternal Son! O Holy Ghost! Thou Love divine! To join Them both is ever Thine. 3 The Father is in God the Son, And with the Father He is One; In both the Spirit doth abide, And with Them both is glorified. 4 Eternal Father! Thee we praise; To Thee, O Son! our hymns we raise; O Holy Ghost! we Thee adore! One mighty God, for evermore! Languages: English Tune Title: WOODWORTH
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Blest Trinity! from mortal sight

Hymnal: The Voice of Praise #282 (1873) Meter: 8.8.8.8 Lyrics: 1 Blest Trinity! from mortal sight Veiled in thine own eternal Light! We thee confess, in thee believe; To thee with loving hearts we cleave. 2 O Father! thou Most Holy One! O God of God! Eternal Son! O Holy Ghost! thou Love divine! To join them both is ever thine. 3 The Father is in God the Son, And with the Father he is One; In both the Spirit doth abide, And with them both is glorified. 4 Eternal Father! thee we praise; To thee, O Son! our hymns we raise; O Holy Ghost! we thee adore! One mighty God, for evermore! Topics: The Trinity; The Godhead Infinite

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H. W. Baker

1821 - 1877 Person Name: Henry W. Baker Translator of "Blest Trinity, From Mortal Sight" in The Cyber Hymnal Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

William B. Bradbury

1816 - 1868 Person Name: William Batchelder Bradbury Composer of "WOODWORTH" in The Cyber Hymnal William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Jean-Baptiste de Santeul

1630 - 1697 Person Name: Jean B. de Santeüil Author of "Blest Trinity, From Mortal Sight" in The Cyber Hymnal Santeüil, Jean-Baptiste de, was born in Paris of a good family on May 12, 1630. He was one of the regular Canons of St. Victor, at Paris, and, under the name of Santolius Victorinus, was distinguished as a writer of Latin poetry. Many of his hymns appeared in the Cluniac Breviary 1686, and the Paris Breviaries 1680 and 1736, and several have been translated into English, and are in common use in Great Britain and America. He was very jocose in disposition and singular in his habits. When on a journey he died at Dijon, Aug. 5, 1697. His Hymni Sacri et Novi were published at Paris in 1689, and again, enlarged, in 1698. [George Arthur Crawford, M.A.] --John Julian, Dictionary of Hymnology (1907)
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