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Text Identifier:"^come_let_us_sing_of_jesus_while_hearts_a$"

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Come, let us Sing of Jesus

Author: George Washington Bethune, 1805-1862 Meter: 7.6.7.6 D Appears in 124 hymnals Lyrics: 1 Come, let us sing of Jesus, While hearts and accents blend; Come, let us sing of Jesus, The sinner’s only Friend; His holy soul rejoices Amid the choirs above, To hear our youthful voices Exulting in His love. 2 We love to sing of Jesus, Who wept our path along: We love to sing of Jesus, The tempted and the strong; None who besought His healing, He passed unheeded by: And still retains His feeling For us above the sky. 3 We love to sing of Jesus, Who died our souls to save; We love to sing of Jesus, Triumphant o’er the grave; And in our hour of danger, We’ll trust His love alone, Who once slept in a manger, And now sits on a throne. 4 Then let us sing of Jesus, While yet on earth we stay, And hope to sing of Jesus, Throughout eternal day. For those who here confess Him He will in heaven confess, And faithful hearts that bless Him, He will forever bless. Amen. Topics: Worship Used With Tune: LANCASHIRE

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BISHOPTHORPE

Appears in 51 hymnals Incipit: 11135 65531 72111 Used With Text: Come, let us sing of Jesus
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LAUSANNE

Appears in 208 hymnals Tune Sources: Lausanne Psalter Incipit: 35555 13322 44323 Used With Text: Come, let us sing of Jesus
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SING OF JESUS

Appears in 10 hymnals Tune Key: B Flat Major Incipit: 53216 56516 15324 Used With Text: Sing of Jesus

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Come, let us sing of Jesus

Hymnal: Linden Harp #54 (1855) Refrain First Line: We love Jesus Lyrics: 1 Come, let us sing of Jesus, While hearts and accents blend; Come, let us sing of Jesus, The only sinner's friend. Chorus: We love Jesus, We love Jesus, We love Jesus, Because he first loved us. 2 His holy soul rejoices Amid the choirs above, To hear our youthful voices Exulting in his love. [Chorus] 3 We love to sing of Jesus Who wept our path along; We love to sing of Jesus, The tempted and the strong. [Chorus] 4 None who besought his healing, He pass'd unheeded by, And still retains his feeling For us above the sky. [Chorus] 5 We love to sing of Jesus Who died our souls to save, We love to sing of Jesus, Triumphant o'er the grave. [Chorus] 6 And in our hour of danger We'll trust his love alone, Who once slept in a manger, And now sits on the throne. [Chorus] 7 Then let us sing of Jesus, While yet on earth we stay, And hope to sing of Jesus Throughout eternal day. [Chorus] 8 For those who here confess him, He will in heaven confess, And faithful ones that bless him, He will forever bless. [Chorus] Languages: English Tune Title: [Come, let us sing of Jesus]
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Come, let us Sing of Jesus

Author: George Washington Bethune, 1805-1862 Hymnal: Hymnal and Order of Service #135 (1901) Meter: 7.6.7.6 D Lyrics: 1 Come, let us sing of Jesus, While hearts and accents blend; Come, let us sing of Jesus, The sinner’s only Friend; His holy soul rejoices Amid the choirs above, To hear our youthful voices Exulting in His love. 2 We love to sing of Jesus, Who wept our path along: We love to sing of Jesus, The tempted and the strong; None who besought His healing, He passed unheeded by: And still retains His feeling For us above the sky. 3 We love to sing of Jesus, Who died our souls to save; We love to sing of Jesus, Triumphant o’er the grave; And in our hour of danger, We’ll trust His love alone, Who once slept in a manger, And now sits on a throne. 4 Then let us sing of Jesus, While yet on earth we stay, And hope to sing of Jesus, Throughout eternal day. For those who here confess Him He will in heaven confess, And faithful hearts that bless Him, He will forever bless. Amen. Topics: Worship Languages: English Tune Title: LANCASHIRE
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Come, let us sing of Jesus

Hymnal: Christian Hymns #306 (1898) Meter: 7.6 Lyrics: 1 Come, let us sing of Jesus, While hearts and accents blend; Come, let us sing of Jesus, The sinners’ only friend; His holy soul rejoices Amid the choirs above, To hear our youthful voices Exulting in His love. 2 We love to sing of Jesus, Who wept our path along; We love to sing of Jesus, The tempted and the strong; None who besought His healing, He passed unheeded by, And still retains His feeling For us above the sky. 3 We love to sing of Jesus, Who died our souls to save; We love to sing of Jesus, Triumphant o’er the grave; And in the hour of danger We’ll trust His love alone, Who once slept in a manger, And now sits on the throne. 4 Then let us sing of Jesus, While yet on earth we stay, And hope to sing of Jesus Throughout eternal day; For those who here confess Him, He will in heaven confess, And faithful hearts that bless Him He will forever bless. Languages: English Tune Title: PRAISE

People

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Authors, composers, editors, etc.

John Baptiste Calkin

1827 - 1905 Person Name: John Baptiste Calkin (1827- ) Composer of "SAVOY CHAPEL" in Carmina for the Sunday School and Social Worship John Baptiste Calkin United Kingdom 1827-1905. Born in London, he was reared in a musical atmosphere. Studying music under his father, and with three brothers, he became a composer, organist, and music teacher. At 19, he was appointed organist, precenter, and choirmaster at St. Columbia's College, Dublin, Ireland, 1846 to 1853. From 1853 to 1863 we was organist and choirmaster at Woburn Chapel, London. From 1863 to 1868, he was organist of Camden Road Chapel. From 1870 to 1884 he was organist at St. Thomas's Church, Camden Town. In 1883 he became professor at Guildhall School of Music and concentrated on teaching and composing. He was also a professor of music and on the council of Trinity College, London, and a member of the Philharmonic Society (1862). In 1893 he was a fellow of the College of Organists. John and wife, Victoire, had four sons, each following a musical carer. He wrote much music for organ and scored string arrangements, sonatas, duos, etc. He died at Hornsey Rise Gardens. John Perry

Charles C. Converse

1832 - 1918 Person Name: C. C. Converse Composer of "[Come, let us sing of Jesus]" in Imperial Songs Pseudonyms: Clare, Lester Vesé, Nevers, Karl Re­den, Revons ================================= Charles Crozat Converse LLD USA 1832-1918. Born in Warren, MA, he went to Leipzig, Germany to study law and philosophy, as well as music theory and composition under Moritz Hauptmann, Friedrich Richter, and Louis Plaidy at the Leipzig Conservatory. He also met Franz Liszt and Louis Spohr. He became an author, composer, arranger and editor. He returned to the states in 1859 and graduated from the Albany, NY, Law School two years later. He married Lida Lewis. From 1875 he practiced law in Erie, PA, and also was put in charge of the Burdetta Organ Company. He composed hymn tunes and other works. He was offered a DM degree for his Psalm 126 cantata, but he declined the offer. In 1895 Rutherford College honored him with a LLD degree. He spent his last years in Highwood, NJ, where he died. He published “New method for the guitar”, “Musical bouquet”, “The 126th Psalm”, “Sweet singer”, “Church singer”, “Sayings of Sages” between 1855 and 1863. he also wrote the “Turkish battle polka” and “Rock beside the sea” ballad, and “The anthem book of the Episcopal Methodist Church”. John Perry

Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart, 1812-1879 Composer of "LANCASHIRE" in Hymnal and Order of Service Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman