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Text Identifier:"^come_let_us_to_the_lord_our_god$"

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Come, let us to the Lord our God

Author: John Morison Appears in 108 hymnals Lyrics: 1 Come, let us to the Lord our God With contrite hearts return; Our God is gracious, nor will leave The desolate to mourn. 2 His voice commands the tempest forth, And stills the stormy wave; His arm, though it be strong to smite, Is also strong to save. 3 Our hearts, if God we seek to know, Shall know him and rejoice; His coming like the morn shall be, Like morning songs his voice. 4 As dew upon the tender herb, Diffusing fragrance round; As showers that usher in the spring, And cheer the thirsty ground; 5 So shall his presence bless our souls, And shed a joyful light; That hallowed morn shall chase away The sorrows of the night. Topics: The Christian Unfaithfulness Lamented Used With Tune: MANOAH

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BYZANTIUM

Meter: 8.6.8.6 Appears in 87 hymnals Composer and/or Arranger: T. Jackson, 1715-81 Tune Key: D Major Incipit: 55176 54543 35176 Used With Text: Come, let us to the Lord our God
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ST. BERNARD

Meter: 8.6.8.6 Appears in 161 hymnals Composer and/or Arranger: John Richardson, 1816-1879 Tune Sources: Tochter Sion, Köln, 1741 Tune Key: E Flat Major Incipit: 51232 14325 36445 Used With Text: Come, Let Us to the Lord Our God
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FARRANT

Appears in 129 hymnals Composer and/or Arranger: Richard Farrant, 1530-85 Incipit: 11232 14223 45545 Used With Text: Come, let us to the Lord our God

Instances

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Come, let us to the Lord our God

Author: John Morison, 1750-1798 Hymnal: The Book of Praise #194 (1997) Lyrics: 1 Come, let us to the Lord our God with contrite hearts return; our God is gracious, nor will leave the desolate to mourn. 2 God's voice commands the tempest forth and stills the stormy wave; God's arm is strong and swift to strike, but also strong to save. 3 The night of sorrow long has reigned, but dawn shall bring us light: God shall appear, and we shall rise with gladness in God's sight. 4 Then let us know, let us press on to know our God the Lord, whose coming is as sure as dawn, whose name shall be adored. 5 As dew upon the tender grass diffusing fragrance round, as rain that ushers in the spring and cheers the thirsty ground, 6 so shall God's presence bless our souls and shed a joyful light, that hallowed morn shall chase away the sorrows of the night. Topics: Canticles and Scripture Paraphrases; Church Year Lent; Comfort / Consolation; Gladness / Happiness; God Presence of; God Love and Grace of; Repentance Scripture: Hosea 6:1-3 Languages: English Tune Title: KILMARNOCK
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Hosea 6:1-4: Come, let us to the Lord our God

Hymnal: Scottish Psalter and Paraphrases #R30 (1800) Meter: 8.6.8.6 First Line: Come, let us to the Lord our God Lyrics: Come, let us to the Lord our God with contrite hearts return; Our God is gracious, nor will leave the desolate to mourn. His voice commands the tempest forth, and stills the stormy wave; And though his arm be strong to smite, ’tis also strong to save. Long hath the night of sorrow reigned; the dawn shall bring us light: God shall appear, and we shall rise with gladness in his sight. Our hearts, if God we seek to know, shall know him, and rejoice; His coming like the morn shall be, like morning songs his voice. As dew upon the tender herb, diffusing fragrance round; As show’rs that usher in the spring, and cheer the thirsty ground: So shall his presence bless our souls, and shed a joyful light; That hallowed morn shall chase away the sorrows of the night. Scripture: Hosea 6:1-4 Languages: English
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Come, Let Us to the Lord Our God

Author: John Morison Hymnal: Rejoice in the Lord #37 (1985) Meter: 8.6.8.6 Topics: Who Pardons All Your Iniquities Scripture: Hosea 6:1-4 Languages: English Tune Title: KILMARNOCK

People

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Authors, composers, editors, etc.

Henry J. Gauntlett

1805 - 1876 Composer of "ST. FULBERT" in The Pilgrim Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: John Bacchus Dykes, 1823-1876 Composer of "ST AGNES, DURHAM" in The Irish Presbyterian Hymnbook As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Joseph Haydn

1732 - 1809 Person Name: Francis J. Haydn Composer of "MANOAH" in The Seventh-Day Adventist Hymn and Tune Book Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman