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Text Identifier:"^eternal_father_strong_to_save_whose_arm$"

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Eternal Father! strong to save

Author: William Whiting Meter: 8.8.8.8.8.8 Appears in 433 hymnals First Line: Eternal Father, strong to save, Whose arm hath bound the restless wave Refrain First Line: O hear us when we cry to Thee Lyrics: 1 Eternal Father, strong to save, Whose arm does bind the restless wave, Who bids the mighty ocean deep Its own appointed limits keep; O hear us when we cry to Thee For those in peril on the sea. 2 O Savior, whose almighty word The winds and waves submissive heard, Who walked upon the foaming deep, And calm amid the rage did sleep; O hear us when we cry to Thee For those in peril on the sea. 3 O Holy Spirit, who did brood Upon the waters dark and rude, And bid their angry tumult cease, And give for wild confusion peace; O hear us when we cry to Thee For those in peril on the sea. 4 O Trinity of love and pow'r, Your children shield in danger's hour; From rock and tempest, fire, and foe, Protect them where-so-e'er they go; Thus, evermore shall rise to Thee Glad hymns of praise from land and sea. Baptist Hymnal, 1991 Topics: liturgical Prayer Songs

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MELITA

Meter: 8.8.8.8.8.8 Appears in 491 hymnals Composer and/or Arranger: John Bacchus Dykes, 1823-1876 Tune Key: C Major Incipit: 13355 66551 27554 Used With Text: Eternal Father, strong to save
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VATER UNSER

Appears in 196 hymnals Composer and/or Arranger: J. S. Bach Tune Sources: Melody from Schumann's Gesangbuch, 1539 Incipit: 55345 32155 47534 Used With Text: Eternal Father, strong to save
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[Eternal Father! strong to save]

Appears in 269 hymnals Composer and/or Arranger: Georg Neumark, 1621-1681 Incipit: 51232 12757 77651 Used With Text: Eternal Father! strong to save

Instances

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Eternal Father, strong to save, whose arm

Author: William Whiting Hymnal: Alleluia #300 (1916) Topics: God the Father; National; Navy Hymn; The Holy Trinity Languages: English Tune Title: [Eternal Father, strong to save, whose arm]

Eternal Father, strong to save, whose arm

Author: William Whiting, 1825-1878 Hymnal: Christian Youth Hymnal #303 (1948) Topics: The Holy Trinity - God the Father; Testing Times Languages: English

Eternal Father, strong to save, whose arm

Author: William Whiting, 1825-1878 Hymnal: Hymns and Prayers for the Use of the Army and Navy #d6 (1917) Languages: English

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William Whiting

1825 - 1878 Author of "Eternal Father, Strong to Save" in The Presbyterian Hymnal William Whiting was born in Kensington, November 1, 1825, and was educated at Clapham and Winchester Colleges. He was later master of Winchester College Choristers' School, where he wrote Rural Thoughts and Other Poems, 1851. He died at Winchester. --The Hymnal 1940 Companion =============== Whiting, William, was born in Kensington, London, Nov. 1, 1825, and educated at Clapham. He was for several years Master of the Winchester College Choristers' School. His Rural Thoughts and other poems were published in 1851; but contained no hymns. His reputation as a hymnwriter is almost exclusively confined to his “Eternal Father, strong to save". Other hymns by him were contributed to the following collections:— i. To the 1869 Appendix to the Society for Promoting Christian Knowledge Psalms & Hymns 1. O Lord the heaven Thy power displays. Evening. 2. Onward through life Thy children stray. Changing Scenes of Life. ii. To an Appendix to Hymns Ancient & Modern issued by the Clergy of St. Philip's, Clerkenwell, 1868. 3. Jesus, Lord, our childhood's Pattern. Jesus the Example to the Young. 4. Lord God Almighty, Everlasting Father. Holy Trinity. 5. Now the harvest toil is over. Harvest. 6. 0 Father of abounding grace. Consecration of a Church. 7. We thank Thee, Lord, for all. All Saints Day. iii. To The Hymnary, 1872. 8. Amen, the deed in faith is done. Holy Baptism. 9. Jesus Christ our Saviour. For the Young. 10. Now the billows, strong and dark. For Use at Sea. 11. 0 Father, Who the traveller's way. For Travellers by Land. 12. When Jesus Christ was crucified. Holy Baptism. Mr. Whiting's hymns, with the exception of his “Eternal Father," &c, have not a wide acceptance. He died in 1878. -- John Julian, Dictionary of Hymnology (1907)

John Bacchus Dykes

1823 - 1876 Composer of "MELITA" in The Presbyterian Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Johann Sebastian Bach

1685 - 1750 Person Name: J. S. Bach Harmonizer of "VATER UNSER" in Songs of Praise Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)
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