Search Results

Text Identifier:"^forward_be_our_watchword_hearts_and_vo$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scans

'Forward!' be our watchword

Author: Henry Alford Meter: 6.5.6.5.6.5 D Appears in 343 hymnals Topics: The Christian Life Holiness and Aspiration Scripture: Isaiah 54:3 Used With Tune: ROSMORE

Tunes

tune icon
Tune authorities
Page scansAudio

FORWARD

Meter: 6.5.6.5.6.5.6.5.6.5.6.5 Appears in 98 hymnals Composer and/or Arranger: Henry Smart Tune Key: G Major Incipit: 55321 51125 35532 Used With Text: Forward! Be our watchword
Page scansAudio

ST. BONIFACE

Meter: 6.5.6.5.6.5.6.5.6.5.6.5 Appears in 24 hymnals Composer and/or Arranger: Henry Gadsby Tune Key: G Major Incipit: 51355 43117 16714 Used With Text: Forward! be our watchword
Page scansAudio

ST. ALBAN

Appears in 255 hymnals Composer and/or Arranger: F. J. Haydn Tune Key: G Major Incipit: 33221 55566 24433 Used With Text: Forward! Our Watchword

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scan

Forward! be our watchword

Hymnal: Voices of Praise #326 (1883) Lyrics: 1 Forward! be our watchword, Step and voices joined, Seek the things before us, Not a look behind; Burns the fiery pillar At our army's head; Who shall dream of shrinking, By our Captain led? Forward thro' the desert, Thro' the toil and fight, Jordan flows before us, Sion beams with light. 2 Forward when in childhood Buds the infant mind; All through youth and manhood, Not a thought behind: Speed through realms of nature, Climb the steps of grace; Faint not, till in glory Gleams our Father's face. Forward, all the life-time Climb from height to height: Till the head be hoary, Till the eve be light! 3 Forward, flock of Jesus, Salt of all the earth, Till each yearning purpose Spring to glorious birth; Sick, they ask for healing, Blind, they grope for day; Pour upon the nations Wisdom's loving ray. Forward, out of error, Leave behind the night; Forward through the darkness, Forward into light. 4 Glories upon glories, Hath our God prepared, By the souls that love Him One day to be shared; Eye hath not beheld them, Ear hath never heard; Nor of these hath uttered Thought or speech or word. Forward, marching eastward Where the heaven is bright, Till the veil be lifted, Till our faith be sight! Amen. Topics: Festivals Languages: English Tune Title: S. BOTOLPH
Page scan

Forward! Be Our Watchword

Author: H. Alford Hymnal: The Voice of Praise No. 2 #3 (1908) Refrain First Line: Forward, ever forward Languages: English Tune Title: [Forward! Be our watchword]
Page scan

Forward BE Our Watchword

Author: Dean Alford Hymnal: The Century Gospel Songs #12 (1901) Refrain First Line: Forward, forward till our faith be sight Languages: English Tune Title: [Forward be our watchword]

People

person icon
Authors, composers, editors, etc.

Henry Alford

1810 - 1871 Author of "Forward! Be our watchword" in The Hymnal Alford, Henry, D.D., son of  the Rev. Henry Alford, Rector of Aston Sandford, b. at 25 Alfred Place, Bedford Row, London, Oct. 7, 1810, and educated at Trinity College, Cambridge, graduating in honours, in 1832. In 1833 he was ordained to the Curacy of Ampton. Subsequently he held the Vicarage of Wymeswold, 1835-1853,--the Incumbency of Quebec Chapel, London, 1853-1857; and the Deanery of Canterbury, 1857 to his death, which took. place  at  Canterbury, Jan. 12, 1871.  In addition he held several important appointments, including that of a Fellow of Trinity, and the Hulsean Lectureship, 1841-2. His literary labours extended to every department of literature, but his noblest undertaking was his edition of the Greek Testament, the result of 20 years' labour.    His hymnological and poetical works, given below, were numerous, and included the compiling of collections, the composition of original hymns, and translations from other languages.    As a hymn-writer he added little to his literary reputation. The rhythm of his hymns is musical, but the poetry is neither striking, nor the thought original.   They are evangelical in their teaching,   but somewhat cold  and  conventional. They vary greatly in merit, the most popular being "Come, ye thankful  people, come," "In token that thou  shalt  not fear," and "Forward be our watchword." His collections, the Psalms and Hymns of 1844, and the Year of Praise, 1867, have not achieved a marked success.  His poetical and hymnological works include— (1) Hymns in the Christian Observer and the Christian Guardian, 1830. (2) Poems and Poetical Fragments (no name), Cambridge, J.   J.  Deighton, 1833.  (3) The School of the Heart, and other Poems, Cambridge, Pitt Press, 1835. (4) Hymns for the Sundays and Festivals throughout the Year, &c.,Lond., Longman ft Co., 1836. (5) Psalms and Hymns, adapted for the Sundays and Holidays throughout the year, &c, Lond., Rivington, 1844. (6) Poetical Works, 2 vols., Lond., Rivington, 1845. (7) Select Poetical Works, London, Rivington, 1851. (8) An American ed. of his Poems, Boston, Ticknor, Reed & Field, 1853(9) Passing away, and Life's Answer, poems in Macmillan's Magazine, 1863. (10) Evening Hexameters, in Good Words, 1864. (11) On Church Hymn Books, in the Contemporary Review, 1866. (12) Year of Praise, London, A. Strahan, 1867. (13) Poetical Works, 1868. (14) The Lord's Prayer, 1869. (15) Prose Hymns, 1844. (16) Abbot of Muchelnaye, 1841. (17) Hymns in British Magazine, 1832.   (18) A translation of Cantemus cuncti, q.v. -- John Julian, Dictionary of Hymnology (1907) ================== Alford, Henry, p. 39, ii. The following additional hymns by Dean Alford are in common use:— 1. Herald in the wilderness. St. John Baptist. (1867.) 2. Let the Church of God rejoice. SS. Simon and Jude. (1844, but not in his Psalms & Hymns of that year.) 3. Not in anything we do. Sexagesima. (1867.) 4. O Thou at Whose divine command. Sexagesima. (1844.) 5. 0 why on death so bent? Lent. (1867.) 6. Of all the honours man may wear. St. Andrew's Day. (1867.) 7. Our year of grace is wearing to a close. Close of the Year. (1867.) 8. Saviour, Thy Father's promise send. Whit-sunday. (1844.) 9. Since we kept the Saviour's birth. 1st Sunday after Trinity. (1867.) 10. Thou that art the Father's Word. Epiphany. (1844.) 11. Thou who on that wondrous journey. Quinquagesima. (1867.) 12. Through Israel's coasts in times of old. 2nd Sunday after Epiphany. (1867.) 13. Thy blood, O Christ, hath made our peace. Circumcision . (1814.) 14. When in the Lord Jehovah's name. For Sunday Schools. (1844.) All these hymns are in Dean Alford's Year of Praise, 1867, and the dates are those of their earliest publication, so far as we have been able to trace the same. --Excerpts from John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Joseph Haydn

1732 - 1809 Person Name: Franz Joseph Haydn From of "ST. ALBAN" in The Book of Common Praise Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman

John Goss

1800 - 1880 Person Name: John Goss, 1800 - 1880 Adapter of "ARMAGEDDON" in The Book of Praise John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman