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Text Identifier:"^hail_to_the_lords_anointed$"

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Hail to the Lord's Anointed

Author: J. Montgomery Appears in 843 hymnals Used With Tune: [Hail to the Lord's anointed]

Tunes

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ELLACOMBE

Meter: 7.6.7.6 D Appears in 602 hymnals Composer and/or Arranger: W. H. Monk Tune Sources: Gesangbuch der H. W.k. Hofkapelle, 1784 Tune Key: A Major Incipit: 51765 13455 67122 Used With Text: Hail to the Lord's Anointed
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ES FLOG EIN KLEINS WALDVÖGELEIN

Meter: 7.6.7.6 D Appears in 41 hymnals Composer and/or Arranger: Henry Walford Davies, 1869-1941 Tune Sources: A Student's Hymnal, 1923 (adapt. and harm. after Henry Walford Davies) Tune Key: G Major Incipit: 11531 71256 11711 Used With Text: Hail to the Lord's Anointed
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CRÜGER

Meter: 7.6.7.6.7.6.7.6 Appears in 68 hymnals Composer and/or Arranger: Johann Crüger (1598-1662); William Henry Monk (1823-1889) Incipit: 56543 23311 25356 Used With Text: Hail to the Lord's anointed

Instances

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Hail to the Lord's Anointed

Author: James Montgomery Hymnal: Popular Hymns Number 2 #97 (1901) Languages: English Tune Title: [Hail to the Lord's anointed]
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Hail to the Lord's Anointed

Author: James Montgomery Hymnal: Life and Service Hymns #114 (1917) Topics: Christ, The Coming of; Worship Languages: English Tune Title: [Hail to the Lord's Anointed]
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Hail To The Lord's Anointed

Author: J. Montgomery Hymnal: Hymnal for Church and Home #75 (1927) Lyrics: 1 Hail to the Lord's Anointed, Great David's greater Son! Hail, In the time appointed, His reign on earth begun! He comes to break oppression, To set the captive free, To take away transgression And rule in equity. 2 He comes with succor speedy To those who suffer wrong; To help the poor and needy, And bid the weak be strong; To give them songs for sighing; Their darkness turn to light, Whose souls, condemn'd and dying, Were precious in His sight. 3 Kings shall fall down before Him, And gold and incense bring; All nations shall adore Him, His praise all people sing; Foe He shall have dominion O'er river, sea and shore, Far as the eagle's pinion Or dove's light wing can soar. 4 He shall come down like showers Upon the fruitful earth; And love and joy like flowers, Spring in His path to birth. Before Him, on the mountains, Shall peace, the herald, go: And righteousness, in fountains, From hill to valley flow. 5 For Him shall prayer unceasing And daily vows ascend; His kingdom still increasing, A kingdom without end. The mountain dews shall nourish A seed in weakness sown, Whose fruit shall spread and flourish And shake like Lebanon. 6 O'er every foe victorious He on His throne shall rest, From age to age more glorious, All-blessing and all-blest. The tide of time shall never His covenant remove; His name shall stand for ever; That name to us is love! Topics: Advent Languages: English Tune Title: [Hail to the Lord's Anointed]

People

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Authors, composers, editors, etc.

George J. Elvey

1816 - 1893 Composer of "WEBB" in Luther League Hymnal George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Felix Mendelssohn-Bartholdy 1809-47 Composer (melody) of "MUNICH" in The Australian Hymn Book with Catholic Supplement Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman

Henry Thomas Smart

1813 - 1879 Person Name: H. Smart Composer of "[Hail to the Lord's anointed]" in Westminster Sabbath School Hymnal, a collection of hymns and tunes for use in sabbath-schools and social meetings Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman