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ST. PHILIP

Meter: 7.7.7 Appears in 82 hymnals Composer and/or Arranger: William Henry Monk Tune Sources: Hymns Ancient and Modern, 1861 Tune Key: E Flat Major Incipit: 11234 32134 55654 Used With Text: Holy Spirit, Lord of Light
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VENI, SANCTE SPIRITUS

Meter: 7.7.7.7.7.7 Appears in 54 hymnals Composer and/or Arranger: Samuel Webbe Tune Key: F Major Incipit: 11123 21232 5545 Used With Text: Holy Spirit, Lord of Light
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VENI SANCT SPIRITUS

Appears in 19 hymnals Tune Sources: Mode I. Ancient Plain Song Incipit: 12343 12456 76561 Used With Text: Holy Spirit! Lord of light!

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Holy Spirit, Lord of Light

Author: Edward Caswall Hymnal: Common Service Book of the Lutheran Church #144 (1917) Meter: 7.7.7.7.7.7 Lyrics: 1 Holy Spirit, Lord of Light, From Thy clear celestial height, Thy pure beaming radiance give: Come, Thou Father of the poor! Come, with treasures which endure! Come, Thou Light of all that live! 2 Thou, of all consolers best, Visiting the troubled breast, Dost refreshing peace bestow; Thou in toil art comfort sweet, Pleasant coolness in the heat, Solace in the midst of woe. 3 Light immortal! Light divine! Visit Thou these hearts of Thine, And our inmost being fill; Where Thou art not, man hath naught, Nothing good in deed or thought, Nothing free from taint of ill. 4 Heal our wounds, our strength renew; On our dryness pour Thy dew; Wash the stains of guilt away; Bend the stubborn heart and will; Melt the frozen, warm the chill; Guide the steps that go astray. 5 Thou, on those who evermore Thee confess and Thee adore, In Thy sevenfold gifts, descend: Give them comfort when they die, Give them life with Thee on high, Give them joys that never end. Amen. Topics: The Church Year Whitsunday-The Holy Spirit Languages: English Tune Title: VENI, SANCTE SPIRITUS
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Holy Spirit! Lord of light!

Author: Edward Caswall Hymnal: Book of Worship with Hymns and Tunes #176 (1899) Lyrics: 1 Holy Spirit! Lord of light! From the clear celestial height Thy pure beaming radiance give: Come, Thou Father of the poor! Come, with treasures which endure! Come, Thou Light of all that live! 2 Thou, of all consolers best, Thou the soul's delightsome guest, Dost refreshing peace bestow; Thou in toil art comfort sweet; Pleasant coolness in the heat; Solace in the midst of woe. 3 Light immortal! light divine! Visit Thou these hearts of Thine, And our inmost being fill: If Thou take Thy grace away, Nothing pure in man will stay; All his good is turned to ill. 4 Thou, on those who evermore Thee confess and Thee adore, In Thy sevenfold gifts, descend: Give them comfort when they die, Give them life with Thee on high, Give them joys that never end. Amen. Topics: Holy Spirit Comforter; Holy Spirit Mocked; Holy Spirit Work of the; Holy Spirit Worshiped; Praise To the Holy Spirit; Witness of the Spirit Languages: English Tune Title: CLIFTON
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Holy Spirit, Lord of Light

Author: Innocent III, 1160-1216; Edward Caswall Hymnal: The Cyber Hymnal #2515 Meter: 7.7.7 Lyrics: 1. Holy Spirit, Lord of light, From Thy clear celestial height Thy pure beaming radiance give. 2. Come, Thou Father of the poor, Come with treasures which endure, Come, Thou Light of all that live. 3. Thou, of all consolers best, Thou, the soul’s delightsome Guest, Dost refreshing peace bestow. 4. Thou in toil art comfort sweet, Pleasant coolness in the heat, Solace in the midst of woe. 5. Light immortal, Light divine, Visit Thou these hearts of Thine, And our inmost being fill. 6. If Thou take Thy grace away, Nothing pure in man will stay; All his good is turned to ill. 7. Heal our wounds; our strength renew; On our dryness pour Thy dew; Wash the stains of guilt away. 8. Bend the stubborn heart and will; Melt the frozen, warm the chill; Guide the steps that go astray. 9. Thou, on those who evermore Thee confess and Thee adore, In Thy sevenfold gifts descend: 10. Give them comfort when they die, Give them life with Thee on high; Give them joys that never end. Languages: English Tune Title: ST. PHILIP

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Edward Caswall

1814 - 1878 Person Name: Caswall Translator of "Holy Spirit! Lord of light" in New Manual of Praise Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ===================== Caswall, Edward, M.A., son of the Rev. R. C. Caswall, sometime Vicar of Yately, Hampshire, born at Yately, July 15, 1814, and educated at Brasenose College, Oxford, graduating in honours in 1836. Taking Holy Orders in 1838, he became in 1840 Incumbent of Stratford-sub-Castle, near Salisbury, and resigned the same in 1847. In 1850 (Mrs. Caswall having died in 1849) he was received into the Roman Catholic communion, and joined Dr. Newman at the Oratory, Edgbaston. His life thenceforth, although void of stirring incidents, was marked by earnest devotion to his clerical duties and a loving interest in the poor, the sick, and in little children. His original poems and hymns were mostly written at the Oratory. He died at Edgbaston, Jan. 2, 1878, and was buried on Jan. 7 at Redwall, near Bromsgrove, by his leader and friend Cardinal Newman. Caswall's translations of Latin hymns from the Roman Breviary and other sources have a wider circulation in modern hymnals than those of any other translator, Dr. Neale alone excepted. This is owing to his general faithfulness to the originals, and the purity of his rhythm, the latter feature specially adapting his hymns to music, and for congregational purposes. His original compositions, although marked by considerable poetical ability, are not extensive in their use, their doctrinal teaching being against their general adoption outside the Roman communion. His hymns appeared in:— (1) Lyra Catholica, which contained 197 translations from the Roman Breviary, Missal, and other sources. First ed. London, James Burns, 1849. This was reprinted in New York in 1851, with several hymns from other sources added thereto. This edition is quoted in the indices to some American hymn-books as Lyra Cath., as in Beecher's Plymouth Collection, 1855, and others. (2) Masque of Mary, and Other Poems, having in addition to the opening poem and a few miscellaneous pieces, 53 translations, and 51 hymns. 1st ed. Lon., Burns and Lambert, 1858. (3) A May Pageant and Other Poems, including 10 original hymns. Lon., Burns and Lambert, 1865. (4) Hymns and Poems, being the three preceding volumes embodied in one, with many of the hymns rewritten or revised, together with elaborate indices. 1st ed. Lon., Burns, Oates & Co., 1873. Of his original hymns about 20 are given in the Roman Catholic Crown of Jesus Hymn Book, N.D; there are also several in the Hymns for the Year, N.D., and other Roman Catholic collections. --John Julian, Dictionary of Hymnology (1907) ====================== Caswall, E. , p. 214, ii. Additional original hymns by Caswall are in the Arundel Hymns, 1902, and other collections. The following are from the Masque of Mary, &c, 1858:— 1. Christian soul, dost thou desire. After Holy Communion. 2. Come, let me for a moment cast. Holy Communion. 3. O Jesu Christ [Lord], remember. Holy Communion. 4. Oft, my soul, thyself remind. Man's Chief End. 5. Sleep, Holy Babe. Christmas. Appeared in the Rambler, June 1850, p. 528. Sometimes given as "Sleep, Jesus, sleep." 6. The glory of summer. Autumn. 7. This is the image of the queen. B. V. M. His "See! amid the winter's snow,” p. 1037, i., was published in Easy Hymn Tunes, 1851, p. 36. In addition the following, mainly altered texts or centos of his translations are also in common use:— 1. A regal throne, for Christ's dear sake. From "Riches and regal throne," p. 870, ii. 2. Come, Holy Ghost, Thy grace inspire. From "Spirit of grace and union," p. 945, i. 3. Hail! ocean star, p. 99, ii,, as 1873. In the Birmingham Oratory Hymn Book, 1850, p. 158. 4. Lovely flow'rs of martyrs, hail. This is the 1849 text. His 1873 text is "Flowers of martyrdom," p. 947, i. 5. None of all the noble cities. From "Bethlehem! of noblest cities," p. 946, ii. 6. O Jesu, Saviour of the World. From “Jesu, Redeemer of the world," p. 228, ii. 7. 0 Lady, high in glory raised. From "O Lady, high in glory, Whose," p. 945, i. The Parochial Hymn Book, 1880, has also the following original hymns by Caswall. As their use is confined to this collection, we give the numbers only:— IS os. 1, 2, 3, 159 (Poems, 1873, p. 453), 209 (1873, p. 288), 299, 324 (1873, p. 323), 357, 402, 554, 555, 558, 569 (1873, p. 334). These are from his Masque of Mary 1858. Nos. 156, 207 (1873, p. 296), 208 (1873, p. 297), 518. These are from his May Pageant, 1865. As several of these hymns do not begin with the original first lines, the original texts are indicated as found in his Poems, 1873. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Anonymous

Author of "Holy Spirit, Lord of light" in The Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William Henry Monk

1823 - 1889 Person Name: William H. Monk Composer of "ST. PHILIP" in The Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman