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Text Identifier:"^how_lovely_is_thy_dwellingplace_scottish$"

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Texts

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How Lovely Is Thy Dwelling Place

Meter: 8.6.8.6 Appears in 53 hymnals First Line: How lovely is Thy dwelling place, O Lord of hosts, to me (Scottish Psalter, 1650) Used With Tune: [How lovely is Thy dwelling-place] (Scottish) Text Sources: Scottish Psalter, 1650

Tunes

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Tune authorities

[How lovely is Thy dwelling-place] (Scottish)

Meter: 8.6.8.6 Appears in 1 hymnal Composer and/or Arranger: Jonathan Asprey Tune Sources: Scottish traditional folk melody Tune Key: F Major or modal Incipit: 33534 32123 16556 Used With Text: How Lovely Is Thy Dwelling Place
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HARINGTON (RETIREMENT)

Meter: 8.6.8.6 Appears in 30 hymnals Composer and/or Arranger: Henry Harington (1727-1816) Tune Key: E Flat Major Incipit: 51765 43456 65554 Used With Text: Psalm 84
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BROTHER JAMES' AIR

Meter: 8.6.8.6.8.6 Appears in 65 hymnals Composer and/or Arranger: James Leith Macbeth Bain, 1840?-1925; Gordon Jacob, 1895-1984 Tune Key: D Major Incipit: 13515 61543 11711 Used With Text: How Lovely Is Thy Dwelling Place

Instances

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Published text-tune combinations (hymns) from specific hymnals
Text

Psalm 84: How lovely is thy dwelling-place

Hymnal: Scottish Psalter and Paraphrases #P90 (1800) Meter: 8.6.8.6 First Line: How lovely is thy dwelling-place Lyrics: 1How lovely is thy dwelling-place, O Lord of hosts, to me! The tabernacles of thy grace how pleasant, Lord, they be! 2My thirsty soul longs veh’mently, yea faints, thy courts to see: My very heart and flesh cry out, O living God, for thee. 3Behold, the sparrow findeth out an house wherein to rest; The swallow also for herself hath purchased a nest; Ev’n thine own altars,* where she safe her young ones forth may bring, O thou almighty Lord of hosts, who art my God and King. 4Bless’d are they in thy house that dwell, they ever give thee praise. 5Bless’d is the man whose strength thou art, in whose heart are thy ways: 6Who passing thorough Baca’s vale, therein do dig up wells; Also the rain that falleth down the pools with water fills. 7So they from strength unwearied go still forward unto strength, Until in Sion they appear before the Lord at length. 8Lord God of hosts, my prayer hear; O Jacob’s God, give ear. 9See God our shield, look on the face of thine anointed dear. 10For in thy courts one day excels a thousand; rather in My God’s house will I keep a door, than dwell in tents of sin. 11For God the Lord’s a sun and shield: he’ll grace and glory give; And will withhold no good from them that uprightly do live. 12O thou that art the Lord of hosts, that man is truly blest, Who by assured confidence on thee alone doth rest. Scripture: Psalm 84 Languages: English

How lovely is Thy dwelling-place

Hymnal: The Book of Praise #32 (1972) Meter: 8.6.8.6 Topics: God Abiding Presence of; The Church of Christ Love for Languages: English Tune Title: HARINGTON

How lovely is Thy dwelling-place

Hymnal: The Hymnary of the United Church of Canada #659 (1930) Meter: 8.6.8.6 Topics: The Church of God The Communion of Saints Scripture: Psalm 84 Languages: English Tune Title: HARINGTON

People

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Authors, composers, editors, etc.

Anonymous

Author of "How Lovely Is Thy Dwelling Place" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Michael Haydn

1737 - 1806 Person Name: Johann M. Haydn, 1737-1806 Adapted from of "SALSBURG" in The Hymnal Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry

Carl P. Daw Jr.

b. 1944 Person Name: Carl P. Daw, Jr. Author (sts. 2-3) of "How Lovely Is Thy Dwelling Place" in Baptist Hymnal 1991 Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. He wrote Glory to God: A Companion (2016) for the 2013 hymnal of the Presbyterian Church (U.S.A.). Emily Brink