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Text Identifier:"^if_human_kindness_meets_return$"

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If human kindness meets return

Author: Rev. G. T. Noel (1782-1851) Appears in 232 hymnals Used With Tune: ELIZABETHTOWN

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NOEL

Meter: 8.6.8.6 D Appears in 150 hymnals Composer and/or Arranger: Arthur Seymour Sullivan Tune Sources: Traditional air Tune Key: F Major Incipit: 12321 23432 55345 Used With Text: If Human Kindness Meets Return
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BEATITUDO

Appears in 451 hymnals Composer and/or Arranger: J. B. Dykes Tune Key: A Flat Major Incipit: 12353 14367 13222 Used With Text: "Greater love hath no man"
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DUNDEE

Appears in 842 hymnals Tune Sources: Andro Hart's Psalter Incipit: 13451 23432 11715 Used With Text: If human kindness meets return

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If human kindness meets return

Hymnal: Carmina Sacra #250 (1841) Languages: English Tune Title: [If human kindness meets return]
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If Human Kindness Meets Return

Author: Gerard T. Noel Hymnal: The Cyber Hymnal #2828 Meter: 8.6.8.6 D Lyrics: 1. If human kindness meets return, And owns the grateful tie; If tender thoughts within us burn To feel a friend is nigh; O shall not warmer accents tell The gratitude we owe To Him who died, our fears to quell, Our more than orphan’s woe! 2. While yet His anguished soul surveyed Those pangs he would not flee, What love His latest words displayed, Meet and remember Me! Remember Thee! Thy death, Thy shame Our sinful hearts to share! O memory, leave no other name But His recorded there. Languages: English Tune Title: NOEL
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If human kindness meets return

Hymnal: The Book of Worship #158 (1867) Meter: 8.6.8.6 Lyrics: 1 If human kindness meets return, And owns the grateful tie; If tender thoughts within us burn, To feel a friend is nigh,-- 2 Oh shall not warmer accents tell The gratitude we owe To Him, who died, our fears to quell-- Who bore our guilt and woe! 3 While yet in anguish He surveyed Those pangs He would not flee, What love His latest words displayed-- "Meet and remember Me!" 4 Remember Thee--Thy death, Thy shame Our sinful hearts to share! Oh memory! leave no other name But His recorded there. Topics: The Lord's Supper Languages: English

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Arthur Sullivan

1842 - 1900 Person Name: Arthur Seymour Sullivan Arranger of "NOEL" in The Cyber Hymnal Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: Dykes Composer of "ST. AGNES" in New Manual of Praise As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

William Gardiner

1770 - 1853 Person Name: W. Gardiner Composer of "DEDHAM" in Songs for the Lord's House William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman