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Text Identifier:"^jesus_my_strength_my_hope$"

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Jesus, my strength, my hope

Author: Charles Wesley Appears in 386 hymnals Lyrics: 1 Jesus, my strength, my hope, On thee I cast my care, With humble confidence look up, And know thou hear'st my prayer. 2 I want a sober mind, A self-renouncing will, That tramples down and casts behind The baits of pleasing ill; 3 A soul inured to pain, To hardship, grief, and loss; Bold to take up, firm to sustain The consecrated cross. 4 I want a godly fear, A quick, discerning eye, That looks to thee when sin is near, And sees the tempter fly; 5 A spirit still prepared, And armed with jealous care, Forever standing on its guard, And watching unto prayer. Topics: The Christian Godly Life Used With Tune: GREENWOOD

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[Jesus, my strength, my hope]

Appears in 716 hymnals Composer and/or Arranger: Sir G. J. Elvey, Mus. Doc. Tune Key: E Major Incipit: 11133 66514 32235 Used With Text: Jesus, my strength, my hope
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CHALVEY

Appears in 80 hymnals Composer and/or Arranger: L. G. Hayne Tune Key: F Major Incipit: 56552 43322 67254 Used With Text: Jesus, my strength, my hope
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SWABIA

Meter: 6.6.8.6 Appears in 169 hymnals Composer and/or Arranger: W. H. Havergal, 1793 - 1870 Tune Sources: Cruger's Praxis, 1690. Tune Key: D Major Incipit: 53422 12345 54556 Used With Text: Jesus, my strength, my hope

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Jesus, my strength, my hope

Author: Rev. Chas. Wesley Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #650 (1894) Lyrics: 1 Jesus, my strength, my hope, On Thee I cast my care, With humble confidence look up, And know Thou hear’st my prayer. Give me on Thee to wait, Till I can all things do; On Thee, almighty to create, Almighty to renew. 2 Give me a true regard, A single, steady aim, Unmoved by threatening or reward, To Thee and Thy great Name; A jealous, just concern For Thine immortal praise; A pure desire that all may learn And glorify Thy grace. 3 I rest upon Thy word; The promise is for me; My succor and salvation, Lord, Shall surely come from Thee; But let me still abide, Nor from my hope remove, Till Thou my patient spirit guide Into Thy perfect love. Amen. Topics: Home and Personal Use Languages: English Tune Title: [Jesus, my strength, my hope]
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Jesus, my Strength, my Hope!

Hymnal: Living Hymns #418 (1890) Lyrics: 1 Jesus, my strength, my hope! On thee I cast my care; With humble confidence look up, And know thou hear'st my prayer: Give me on thee to wait, Till I can all things do; On thee,--almighty to create, Almighty to renew. 2 I rest upon thy word; The promise is for me; My succor and salvation, Lord, Shall surely come from thee; But let me still abide, Nor from my hope remove, Till thou my patient spirit guide Into thy perfect love. 3 I want a sober mind, A self-renouncing will, That tramples down and casts behind, The baits of pleasing ill; A soul inured to pain, To hardship, grief, and loss; Bold to take up, firm to sustain, The consecrated cross. 4 I want a godly fear, A quick discerning eye, That looks to thee when sin is near, And sees the tempter fly; A spirit still prepared, And armed with jealous care; Forever standing on its guard, And watching unto prayer. Languages: English
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Jesus, my strength, my hope

Author: C. Wesley Hymnal: The Lutheran Hymnary #487 (1913) Meter: 6.6.8.6 D Lyrics: 1 Jesus, my strength, my hope, On Thee I cast my care; With humble confidence look up, And know Thou hear’st my prayer. Give me on Thee to wait, Till I can all things do; On Thee, almighty to create, Almighty to renew. 2 Give me a true regard, A single, steady aim, Unmoved by threatening or reward, To Thee and Thy great name; A jealous, just concern For Thine immortal praise; A pure desire that all may learn And glorify Thy grace. 3 I rest upon Thy word; The promise is for me; My succor and salvation, Lord, Shall surely come from Thee; But let me still abide, Nor from my hope remove, Till Thou my patient spirit guide Into Thy perfect love. Topics: The Church Year Twenty-first Sunday after Trinity; The Church Year Twenty-first Sunday after Trinity; Hope; Patience; Perseverance and Faithfulness Tune Title: [Jesus, my strength, my hope]

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Authors, composers, editors, etc.

William Henry Monk

1823 - 1889 Person Name: William Henry Monk (1823- ) Composer of "JESUS SALVATOR" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

George J. Elvey

1816 - 1893 Person Name: Sir G. J. Elvey, Mus. Doc. Composer of "[Jesus, my strength, my hope]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach, 1685-1750 Composer of "POTSDAM" in The Hymnary of the United Church of Canada Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)