Search Results

Text Identifier:"^lo_he_comes_with_clouds_descending_once$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
TextPage scansFlexScoreFlexPresent

Lo! he comes, with clouds descending

Author: Charles Wesley, 1707-1788 Meter: 8.7.8.7.8.7 Appears in 770 hymnals Lyrics: 1 Lo! he comes with clouds descending, once for our salvation slain; thousand, thousand saints attending swell the triumph of his train: Alleluia! Alleluia! Christ the Lord returns to reign. 2 Every eye shall now behold him, robed in dreadful majesty; those who set at nought and sold him, pierced, and nailed him to the tree, deeply wailing, deeply wailing, shall the true Messiah see. 3 Those dear tokens of his passion still his dazzling body bears, cause of endless exultation to his ransomed worshipers; with what rapture, with what rapture, gaze we on those glorious scars! 4 Yea, amen! let all adore thee, high on thine eternal throne; Savior, take the power and glory; claim the kingdom for thine own: Alleluia! Alleluia! Thou shalt reign, and thou alone. Used With Tune: ST. THOMAS (Wade)

Tunes

tune icon
Tune authorities
Page scansFlexScoreAudio

HELMSLEY

Meter: 8.7.8.7.12.7 Appears in 88 hymnals Composer and/or Arranger: Augustine Arne , 1710-1778 Tune Key: G Major Incipit: 13517 65671 65435 Used With Text: Lo! he comes, with clouds descending
FlexScoreAudio

PICARDY

Meter: 8.7.8.7.8.7 Appears in 241 hymnals Tune Sources: French folk tune, 17th cent. Tune Key: d minor Incipit: 12345 54555 567 Used With Text: Lo, He Comes with Clouds Descending
FlexScoreAudio

[Lo, He comes with clouds descending]

Appears in 895 hymnals Composer and/or Arranger: Henry Smart Incipit: 53153 21566 51432 Used With Text: Lo, He Comes with Clouds Descending

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextAudio

Lo, He Comes with Clouds Descending

Author: John Cennick; Charles Wesley; Martin Madan Hymnal: The Cyber Hymnal #3717 Meter: 8.7.8.7.8.7 First Line: Lo! He comes with clouds descending Lyrics: 1. Lo! He comes with clouds descending, Once for favored sinners slain; Thousand thousand saints attending, Swell the triumph of His train: Hallelujah! Hallelujah! Hallelujah! God appears on earth to reign. 2. Every eye shall now behold Him Robed in dreadful majesty; Those who set at naught and sold Him, Pierced and nailed Him to the tree, Deeply wailing, deeply wailing, deeply wailing, Shall the true Messiah see. 3. Every island, sea, and mountain, Heav’n and earth, shall flee away; All who hate Him must, confounded, Hear the trump proclaim the day: Come to judgment! Come to judgment! Come to judgment! Come to judgment! Come away! 4. Now redemption, long expected, See in solemn pomp appear; All His saints, by man rejected, Now shall meet Him in the air: Hallelujah! Hallelujah! Hallelujah! See the day of God appear! 5. Answer Thine own bride and Spirit, Hasten, Lord, the general doom! The new Heav’n and earth t’inherit, Take Thy pining exiles home: All creation, all creation, all creation, Travails! groans! and bids Thee come! 6. The dear tokens of His passion Still His dazzling body bears; Cause of endless exultation To His ransomed worshippers; With what rapture, with what rapture, with what rapture Gaze we on those glorious scars! 7. Yea, Amen! let all adore Thee, High on Thine eternal throne; Savior, take the power and glory, Claim the kingdom for Thine own; O come quickly! O come quickly! O come quickly! Everlasting God, come down! This is believed to be the original version of Cennick’s text: 1. Lo! He cometh, countless Trumpets, Blow before his bloody Sign! ’Midst ten Thousand Saints and Angels, See the Crucified shine, Allelujah! Welcome, welcome bleeding Lamb! 2. Now his Merits by the Harpers, Thro’ the eternal Deeps resounds! resplendent shine his Nail Prints, Ev’ry Eye shall see his Wounds! They who pierc’d Him, shall at his appearing wail. 3. Ev’ry Island, Sea, and Mountain, Heav’n and Earth shall flee away! All who hate him must ashamed, Hear the Trump proclaim the Day: Come to Judgment! Stand before the Son of Man! 4. All who love him view his Glory Shining in his bruised Face: His dear Person on the Rainbow, Now his Peoples Heads shall raise: Happy Mourners! Now on Clouds he comes! He comes! 5. Now Redemption long expected, See, in solemn Pomp appear; All his People, once despised, Now shall meet him in the Air: Allelujah! Now the promis’d Kingdom’s come! 6. View him smiling, now determin’d, Ev’ry Evil to destroy! All the nations now shall sing him, Songs of everlasting Joy! O come quickly! Allelujah! Come Lord, come! Languages: English Tune Title: HELMSLEY
TextPage scan

Lo, He comes with clouds descending

Author: Madan; J. Cennick; C. Wesley Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #39a (1894) Meter: 8.7.8.7.4.7 Lyrics: 1 Lo, He comes with clouds descending, Once for our salvation slain; Thousand angel-hosts attending, Swell the triumph of His train: Alleluia! Alleluia! Christ, the Lord, returns to reign. 2 Every eye shall now behold Him, Robed in dreadful majesty; Those who set at naught and sold Him, Pierced, and nailed Him to the tree, Deeply wailing, deeply wailing, Shall the true Messiah see. 3 Now redemption, long expected, See in solemn pomp appear: All His saints, by men rejected, Now shall meet Him in the air: Alleluia! Alleluia! See the day of God appear. 4 Yea, Amen; let all adore Thee, High on Thy eternal throne; Saviour, take the power and glory; Claim the kingdoms for Thine own: Alleluia! Alleluia! Thou shalt reign, and Thou alone. Amen. Topics: Triumph of Christ Languages: English Tune Title: [Lo, He comes with clouds descending]
TextPage scan

Lo, He comes with clouds descending

Author: Madan; J. Cennick; C. Wesley Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #39b (1894) Meter: 8.7.8.7.4.7 Lyrics: 1 Lo, He comes with clouds descending, Once for our salvation slain; Thousand angel-hosts attending, Swell the triumph of His train: Alleluia! Alleluia! Christ, the Lord, returns to reign. 2 Every eye shall now behold Him, Robed in dreadful majesty; Those who set at naught and sold Him, Pierced, and nailed Him to the tree, Deeply wailing, deeply wailing, Shall the true Messiah see. 3 Now redemption, long expected, See in solemn pomp appear: All His saints, by men rejected, Now shall meet Him in the air: Alleluia! Alleluia! See the day of God appear. 4 Yea, Amen; let all adore Thee, High on Thy eternal throne; Saviour, take the power and glory; Claim the kingdoms for Thine own: Alleluia! Alleluia! Thou shalt reign, and Thou alone. Amen. Topics: Triumph of Christ Languages: English Tune Title: [Lo, He comes with clouds descending]

People

person icon
Authors, composers, editors, etc.

William Owen

1813 - 1893 Composer of "BRYN CALFARIA" in The Worshiping Church Owen, William (‘William Owen of Prysgol,’ 1813-1893), musician; b. 12? Dec. 1813 [in Lônpopty], Bangor, the son of William and Ellen Owen. The father was a quarryman at Cae Braich-y-cafn quarry, Bethesda, and the son began to work in the same quarry when he was ten years old. He learnt music at classes held by Robert Williams (Cae Aseth), at Carneddi, and from William Roberts, Tyn-y-maes, the composer of the hymn-tune ‘Andalusia.’ He wrote his first hymn-tune when he was 18 — it was published in Y Drysorfa for June 1841. After the family had [removed] to [Caesguborwen], Bangor, [sometimes called Cilmelyn] — they had spent some years [at Tŷhen] near the quarry — William Owen formed a temperance choir which sang ‘Cwymp Babilon,’ the work of the conductor, at the Caernarvon temperance festival, 1849. In 1852, with the help of some friends at Bethesda, he published Y Perl Cerddorol yn cynnwys tonau ac anthemau, cysegredig a moesol; of this 3,000 copies were sold, A solfa edition appeared in 1886 of which 4,000 copies were sold. He composed several temperance pieces, some of which were sung in the Eryri temperance festivals held at Caernarvon castle. His anthem, ‘Ffynnon Ddisglair,’ and the hymn-tunes ALMA and DEEMSTER became popular, but it was the hymn-tune called BRYN CALFARIA which made the composer famous; this continues to have a considerable vogue in Wales and in England. He married the daughter of the house called Prysgol and went there to live; he also became precentor at Caeathro C.M. chapel. He died 20 July 1893, and was buried in Caeathro chapel burial ground. --wbo.llgc.org.uk/en/

Thomas Olivers

1725 - 1799 Composer of "HELMSLEY" in The Presbyterian Hymnal Thomas Olivers was born in Tregonan, Montgomeryshire, in 1725. His youth was one of profligacy, but under the ministry of Whitefield, he was led to a change of life. He was for a time apprenticed to a shoemaker, and followed his trade in several places. In 1763, John Wesley engaged him as an assistant; and for twenty-five years he performed the duties of an itinerant ministry. During the latter portion of his life he was dependent on a pension granted him by the Wesleyan Conference. He died in 1799. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================== Olivers, Thomas, was born at Tregynon, near Newtown, Montgomeryshire, in 1725. His father's death, when the son was only four years of age, followed by that of the mother shortly afterwards, caused him to be passed on to the care of one relative after another, by whom he was brought up in a somewhat careless manner, and with little education. He was apprenticed to a shoemaker. His youth was one of great ungodliness, through which at the age of 18 he was compelled to leave his native place. He journeyed to Shrewsbury, Wrexham, and Bristol, miserably poor and very wretched. At Bristol he heard G. Whitefield preach from the text "Is not this a brand plucked out of the fire?" That sermon turned the whole current of his life, and he became a decided Christian. His intention at the first was to join the followers of Whitefield, but being discouraged from doing so by one of Whitefield's preachers, he subsequently joined the Methodist Society at Bradford-on-Avon. At that town, where he purposed carrying on his business of shoemaking, he met John Wesley, who, recognising in him both ability and zeal, engaged him as one of his preachers. Olivers joined Wesley at once, and proceeded as an evangelist to Cornwall. This was on Oct. 1, 1753. He continued his work till his death, which took place suddenly in London, in March 1799. He was buried in Wesley's tomb in the City Road Chapel burying ground, London. Olivers was for some time co-editor with J. Wesley of the Arminian Magazine, but his lack of education unfitted him for the work. As the author of the tune Helmsley, and of the hymn “The God of Abraham praise," he is widely known. He also wrote “Come Immortal King of glory;" and "O Thou God of my salvation," whilst residing at Chester; and an Elegy on the death of John Wesley. His hymns and the Elegy were reprinted (with a Memoir by the Rev. J. Kirk) by D. Sedgwick, in 1868. --John Julian, Dictionary of Hymnology (1907)

Martin Madan

1726 - 1790 Alterer of "Lo! He Comes with Clouds Descending" in Trinity Hymnal (Rev. ed.) Madan, Martin, son of Colonel Martin Madan, and brother of Dr. Spencer Madan, sometime Bishop of Peterborough, was born in 1726. He was to have qualified for the Bar, but through a sermon by J. Wesley on the words "Prepare to meet thy God," the whole current of his life was changed. After some difficulty he received Holy Orders, and subsequently founded and became chaplain of the Lock Hospital, Hyde Park Corner. He was popular as a preacher, and had no inconsiderable reputation as a musical composer. He ceased preaching on the publication of his work Thelyphthora, in which he advocated the practice of polygamy. He died in 1790. He published A Commentary on the Articles of the Church of England; A Treatise on the Christian Faith, &c, and:- A Collection of Psalms and Hymns Extracted from Various Authors, and published by the Reverend Mr. Madan. London, 1760. This Collection contained 170 hymns thrown together without order or system of any kind. In 1763 he added an Appendix of 24 hymns. This Collection, referred to as Madam’s Psalms & Hymns, had for many years a most powerful influence on the hymnody of the Church of England. Nearly the whole of its contents, together with its extensively altered texts, were reprinted in numerous hymnbooks for nearly one hundred years. At the present time many of the great hymns of the last century are in use as altered by him in 1760 and 1763. Although several hymns have been attributed to him, we have no evidence that he ever wrote one. His hymnological labours were employed in altering, piecing, and expanding the work of others. And in this he was most successful. -- John Julian, Dictionary of Hymnology (1907) ============================