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Text Identifier:"^lord_jesus_for_my_sake_you_come$"

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DANIEL

Appears in 10 hymnals Composer and/or Arranger: M. E. F. Shaw (1875-1958) Tune Sources: Irish traditional melody Incipit: 12343 21156 71765 Used With Text: Lord Jesus, for my sake you come
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HERONGATE

Appears in 44 hymnals Composer and/or Arranger: R. Vaughan Williams (1872-1958) Tune Key: D Major Incipit: 55165 53215 11356 Used With Text: Lord Jesus, for my sake you come
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ST. LAURENCE

Appears in 23 hymnals Composer and/or Arranger: L. G. Hayne (1836-1883) Tune Key: A Flat Major Incipit: 33217 76555 54321 Used With Text: Lord Jesus, for my sake you come

Instances

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Published text-tune combinations (hymns) from specific hymnals

Lord Jesus, for my sake you come

Author: Michael Perry (born 1942) Hymnal: Hymns for Today's Church (2nd ed.) #133b (1987) Topics: God, Saviour Suffering and Dying; Palm Sunday The Way of the Cross; Pentecost 10 The Mind of Christ; Pentecost 13 The Suffering Community; Pentecost 18 The Offering of Life Languages: English Tune Title: ST. LAURENCE

Lord Jesus, for my sake you come

Author: Michael Perry (born 1942) Hymnal: Hymns for Today's Church (2nd ed.) #133c (1987) Topics: God, Saviour Suffering and Dying; Palm Sunday The Way of the Cross; Pentecost 10 The Mind of Christ; Pentecost 13 The Suffering Community; Pentecost 18 The Offering of Life Languages: English Tune Title: HERONGATE

Lord Jesus, for my sake you come

Author: Michael Perry (born 1942) Hymnal: Hymns for Today's Church (2nd ed.) #133a (1987) Topics: God, Saviour Suffering and Dying; Palm Sunday The Way of the Cross; Pentecost 10 The Mind of Christ; Pentecost 13 The Suffering Community; Pentecost 18 The Offering of Life Languages: English Tune Title: DANIEL

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Authors, composers, editors, etc.

Michael Perry

1942 - 1996 Person Name: Michael Perry (born 1942) Author of "Lord Jesus, for my sake you come" in Hymns for Today's Church (2nd ed.) Initially studying mathematics and physics at Dulwich College, Michael A. Perry (b. Beckenham, Kent, England, 1942; d. England, 1996) was headed for a career in the sciences. However, after one year of study in physics at the University of London, he transferred to Oak Hill College to study theology. He also studied at Ridley Hall, Cambridge, and received a M.Phil. from the University of Southhampton in 1973. Ordained a priest in the Church of England in 1966, Perry served the parish of St. Helen's in Liverpool as a youth worker and evangelist. From 1972 to 1981 he was the vicar of Bitterne in Southhampton and from 1981 to 1989, rector of Eversley in Hampshire and chaplain at the Police Staff College. He then became vicar of Tonbridge in Kent, where he remained until his death from a brain tumor in 1996. Perry published widely in the areas of Bible study and worship. He edited Jubilate publications such as Hymns far Today's Church (1982), Carols far Today (1986), Come Rejoice! (1989), and Psalms for Today (1990). Composer of the musical drama Coming Home (1987), he also wrote more than two hundred hymns and Bible versifications. Bert Polman

Ralph Vaughan Williams

1872 - 1958 Person Name: R. Vaughan Williams (1872-1958) Arranger of "HERONGATE" in Hymns for Today's Church (2nd ed.) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangeĀ­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Martin Shaw

1875 - 1958 Person Name: M. E. F. Shaw (1875-1958) Arranger of "DANIEL" in Hymns for Today's Church (2nd ed.) Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music. Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915). Bert Polman