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Search Results

Text Identifier:"^mysterious_presence_source_of_all$"

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Mysterious Presence, Source of all

Author: S. C. Beach Appears in 28 hymnals Used With Tune: DUKE STREET

Tunes

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WAREHAM

Meter: 8.8.8.8 Appears in 551 hymnals Composer and/or Arranger: William Knapp Tune Key: B Flat Major Incipit: 11765 12171 23217 Used With Text: Mysterious Presence, source of all
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DUKE STREET

Appears in 1,561 hymnals Incipit: 13456 71765 55565 Used With Text: Mysterious Presence, Source of all
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HURSLEY

Appears in 1,158 hymnals Composer and/or Arranger: W. H. Monk Incipit: 11117 12321 3333 Used With Text: Mysterious Presence, Source of all

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Mysterious Presence, Source of All

Author: Seth Curtis Beach, 1837-1932 Hymnal: Singing the Living Tradition #92 (1993) Meter: 8.8.8.8 Lyrics: 1 Mysterious Presence, source of all — the world without, the soul within — thou fount of life, O hear our call, and pour thy living waters in. 2 Thou breathest in the rushing wind, thy spirit stirs in leaf and flower; nor wilt thou from the willing mind withhold thy light and love and power. 3 Thy hand unseen to accents clear awoke the psalmist’s trembling lyre, and touched the lips of holy seer with flame from thine own altar fire. 4 That touch divine again impart, still give the prophet’s burning word; and vocal in each waiting heart let living psalms of praise be heard. Topics: Transcending Mystery and Wonder Meditation and Mystical Songs; Water Ceremony Languages: English Tune Title: WAREHAM
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Mysterious Presence, Source of All

Author: Seth C. Beach Hymnal: The Cyber Hymnal #4341 Meter: 8.8.8.8 First Line: Mysterious presence, source of all-- Lyrics: 1. Mysterious presence, source of all— The world without, the soul within, Fountain of life, O hear our call, And pour Thy living waters in! 2. Thou breathest in the rushing wind; Thy Spirit stirs in leaf and flower; Nor wilt Thou from the willing mind Withhold Thy light and love and power. 3. Thy hand unseen to accents clear Awoke the psalmist’s trembling lyre, And touched the lip of holy seer With flame from Thine own altar fire. 4. That touch divine, still, Lord, impart; Still give the prophet’s burning word; And, vocal in each waiting heart, Let living psalms of praise be heard. Languages: English Tune Title: ABENDS

Mysterious Presence, source of all

Author: Seth Curtis Beach Hymnal: The Beacon Song and Service book #31 (1935) Meter: 8.8.8.8 Topics: Worship and Praise Languages: English Tune Title: WAREHAM

People

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Authors, composers, editors, etc.

John Warrington Hatton

1710 - 1793 Person Name: John Hatton Composer of "DUKE STREET" in Jubilate Deo John Warrington Hatton (b. Warrington, England, c. 1710; d, St. Helen's, Lancaster, England, 1793) was christened in Warrington, Lancashire, England. He supposedly lived on Duke Street in Lancashire, from where his famous tune name comes. Very little is known about Hatton, but he was most likely a Presbyterian, and the story goes that he was killed in a stagecoach accident. Bert Polman

William Knapp

1698 - 1768 Person Name: William Knapp, 1698-1768 Composer of "WAREHAM" in Singing the Living Tradition Born: 1698, Ware­ham, Dor­set­shire, Eng­land. Died: Sep­tem­ber 26, 1768, Poole, Dor­set­shire, Eng­land. Buried: Poole, Dor­set­shire, Eng­land.

William Henry Monk

1823 - 1889 Person Name: W. H. Monk Arranger of "MELCOMBE" in Isles of Shoals Hymn Book and Candle Light Service William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman
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