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Search Results

Text Identifier:"^new_songs_of_celebration_render$"

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Texts

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New Songs of Celebration Render

Author: Erik Routley Meter: 9.8.9.8 D Appears in 32 hymnals

Tunes

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RENDEZ À DIEU

Meter: 9.8.9.8 D Appears in 172 hymnals Composer and/or Arranger: Louis Bourgeois Tune Key: G Major Incipit: 16511 24325 33143 Used With Text: New Songs of Celebration Render (Psalm 98)

Instances

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Published text-tune combinations (hymns) from specific hymnals
Text

New Songs of Celebration Render

Author: Erik Routley Hymnal: Ecumenical Praise #9 (1977) Lyrics: 1 New songs of celebration render to him who has great wonders done; awed by his power his foes surrender and fall before the mighty One. He has made known his great salvation which all his friends with joy confess; he has revealed to every nation his everlasting righteousness. 2 Joyfully, heartily resounding, let every instrument and voice peal out the praise of grace abounding, calling the whole world to rejoice. Trumpets and organs set in motion such sounds as make the heavens ring: all things that live in earth and ocean make music for your mighty King. 3 Rivers and seas and torrents roaring, honor the Lord with wild acclaim; mountains and stones look up adoring and find a voice to praise his name. Righteous, commanding, ever glorious, praises be his that never cease: just is our God, whose truth victorious establishes the world in peace. Topics: The Church Its Worship and Praise of God Scripture: Psalm 98 Languages: English Tune Title: RENDEZ À DIEU
Text

New Songs of Celebration Render

Author: Erik Routley (1917-1983) Hymnal: Seventh-day Adventist Hymnal #13 (1985) Meter: 9.8.9.8 D Lyrics: 1 New songs of celebration render To Him who has great wonders done. Love sits enthroned in ageless splendor: Come, and adore the mighty One. He has made known His great salvation Which all His friends with joy confess: He has revealed to every nation His everlasting righteousness. 2 Joyfully, heartily resounding, Let every instrument and voice Peal out the praise of grace abounding, Calling the whole world to rejoice. Trumpets and organs, set in motion Such sounds as make the heavens ring; All things that live in earth and ocean, Make music for your mighty King. 3 Rivers and seas and torrents roaring, Honor the Lord with wild acclaim; Mountains and stones look up adoring, And find a voice to praise His name. Righteous, commanding, ever glorious, Praises be His that never cease: Just is our God, whose truth victorious Establishes the world in peace. Topics: Worship Adoration and Praise Scripture: Psalm 98 Tune Title: RENDEZ A DIEU
Text

New Songs of Celebration Render

Author: Erik R. Routley Hymnal: Trinity Hymnal (Rev. ed.) #14 (1990) Meter: 9.8.9.8 D Lyrics: 1 New songs of celebration render to him who has great wonders done; love sits enthroned in ageless splendor; come and adore the mighty One. He has made known his great salvation, which all his friends with joy confess. He has revealed to ev'ry nation his everlasting righteousness. 2 Joyfully, heartily resounding, let ev'ry instrument and voice peal out the praise of grace abounding, calling the whole world to rejoice. Trumpets and organs, set in motion such sounds as make the heavens ring; all things that live in earth and ocean, make music for your mighty King. 3 Rivers and seas and torrents roaring, honor the Lord with wild acclaim; mountains and stones look up adoring, and find a voice to praise his name. Righteous, commanding, ever glorious, praises be his that never cease: just is our God, whose truth victorious establishes the world in peace. Topics: God His perfections; Anniversaries Scripture: Psalm 98 Languages: English Tune Title: RENDEZ A DIEU

People

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Authors, composers, editors, etc.

Louis Bourgeois

1510 - 1561 Composer of "RENDEZ A DIEU" in The Presbyterian Hymnal Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholar­ly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty­ four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciat­ed by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Harmonizer of "RENDEZ À DIEU" in Complete Anglican Hymns Old and New Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Erik Routley

1917 - 1982 Person Name: Erik R. Routley Author of "New Songs of Celebration Render" in The Presbyterian Hymnal