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Brilla en el sitio
Author: Ina Duley Ogdon; Vicente Mendoza Appears in 12 hymnals First Line: Nunca esperes el momento de una grande acción Refrain First Line: Brilla en el sitio donde estés
Brilla en el sitio
[Nunca esperes el momento de una grande acción]
Appears in 81 hymnals Composer and/or Arranger: Chas H. Gabriel Tune Key: E Flat Major Incipit: 34554 51153 54445 Used With Text: Brilla En El Sitio Donde Estés
[Nunca esperes el momento de una grande acción]
Nunca Esperes el Momento
Author: Anónimo; Vicente Mendoza, 1875-1955 Hymnal: Himnario Metodista #174 (1973) First Line: Nunca esperes el momento de una grande acción Refrain First Line: Brilla en el sitio donde estés Languages: Spanish Tune Title: BRILLA
Nunca Esperes el Momento
Brilla En El Sitio Donde Estes
Author: V. Mendoza Hymnal: Himnos Selectos #180 (1952) First Line: Nunca esperes el momento de una grande acción Refrain First Line: Brilla en el sitio donde estés Languages: Spanish Tune Title: [Nunca esperes el momento de una grande acción]
Brilla En El Sitio Donde Estes
Brilla En El Sitio Donde Estés
Author: Ina Duley Ogdon; Vicente Mendoza Hymnal: El Nuevo Himnario Popular (Edicion Revisada y Corregida) #313 (1955) First Line: Nunca esperes el momento de una grande acción Languages: Spanish Tune Title: [Nunca esperes el momento de una grande acción]
Brilla En El Sitio Donde Estés
Vicente P. Mendoza
1875 - 1955 Person Name: V. Mendoza Author of "Brilla En Tu Lugar" in Himnos de Gloria Vicente Mendoza Born: December 24, 1875, Guadalajara, Mexico. Died: 1955, Mexico City, Mexico. Mendoza studied initially under Don Aurelio Ortega. At age of 11 he went to work in a Protestant print shop in Mexico City and helped produce El Evangelista Mexicano (The Mexican Evangelist) for the Methodist Church of the South; he rose to become its director for 17 years. Looking to improve himself, Mendoza entered a night school for workers, but later feeling the call to preach the Gospel, he entered the Presbyterian Seminary in Mexico City. When the seminary closed temporarily, Mendoza entered the Methodist Institute of Puebla, where he finished the course in theology. In 1898 he became a member of the Annual Conference of the Mexican Methodist Church. From 1915 to 1917, he belonged to the Southern Methodist Conference of California. Mendoza worked on several periodicals, including El Mundo Cristiano (The Christian World), El Abogado Cristiano (The Christian Advocate), and El Evangelista Cristiano (The Christian Evangelist).
© The Cyber Hymnal™ (hymntime.com/tch)
Vicente P. Mendoza
Ina Duley Ogdon
1872 - 1964 Author of "Brilla En El Sitio Donde Estés" in El Nuevo Himnario Popular (Edicion Revisada y Corregida) Ogdon, Ina Duley. (Rossville, Illinois, 1872--May 18, 1964, Toledo, Ohio). Disciples of Christ. Granddaughter of a Methodist minister, she was the daughter of Mr. and Mrs. William W. Duley. Married James Ogdon. She wrote: "My father went with my mother to her church after his marriage to her, so I was brought up in the church of the Disciples of Christ." She wrote over three thousand hymns, anthems, cantatas, and miscellaneous verse. Her hymns include "Brighten the corner where you are," 1912; "Carry your cross with a smile," 1916; "My Lord abides;" "When you know Jesus too;" "Tell Jesus;" "Lighten the burden for someone;" "I have been saved," Her first hymn was "Open wide the window." Composer Charles Gabriel wrote, "Loved by thousands who have sung her hymns, she shrinks from celebrity in the knowledge that her songs are God-given and that without Him she could do nothing."
See:
Beattie, David J. (1931). The Romance of Sacred Song. London: Marshall, Morgan and Scott, Ltd.
The Presbyterian Survey November 1952.
The Toledo Blade, 19 May 1964.
--Ernest K. Emurian, DNAH Archives
Photo from Joseph Gardner collection from website "Ina Duly Ogdon Home" by Melissa Archibald (http://www.freewebs.com/marchi/inaphotosarticles.htm)
Ina Duley Ogdon
Anonymous
Person Name: Anónimo Author of "Nunca Esperes el Momento" in Himnario Metodista In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
