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O glad the wilderness for me

Author: C. P. C.; Frances Bevan Appears in 3 hymnals

SATISFACTION

Appears in 302 hymnals Composer and/or Arranger: J. B. Dykes Incipit: 33215 12351 35432 Used With Text: O Glad the Wilderness for Me

Instances

Published text-tune combinations (hymns) from specific hymnals

O Glad the Wilderness for Me

Hymnal: Hymns of Grace and Truth #137 (1903) Topics: Christian Experience The Wilderness-Path Languages: English Tune Title: SATISFACTION

O glad the wilderness for me, and glad the solitary

Hymnal: Hymns of Grace and Truth. 2nd ed. #d239 (1904) Languages: English

Author: C. P. C. Hymnal: Hymns of Ter Steegen and Others (Second Series) #11 (1899) First Line: O glad the wilderness for me Lyrics: O glad the wilderness for me, And glad the solitary place, Since Thou hast made mine eyes to see, To see Thy Face. Not heavenly fields, but desert sands Rejoice and blossom as the rose; For through the dry and thirsty lands Thy River flows. O Way beside that living tide. The Way, the Truth, the Life art Thou; I drink, and I am satisfied, Now, even now. Eternal joy already won, Eternal songs already given; For long ago the work was done That opened Heaven. Languages: English

People

Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "SATISFACTION" in Hymns of Grace and Truth As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Frances Bevan

1827 - 1909 Translator of "O glad the wilderness for me" Bevan, Emma Frances, née Shuttleworth, daughter of the Rev. Philip Nicholas Shuttleworth, Warden of New Coll., Oxford, afterwards Bishop of Chichester, was born at Oxford, Sept. 25, 1827, and was married to Mr. R. C. L. Bevan, of the Lombard Street banking firm, in 1856. Mrs. Bevan published in 1858 a series of translations from the German as Songs of Eternal Life (Lond., Hamilton, Adams, & Co.), in a volume which, from its unusual size and comparative costliness, has received less attention than it deserves, for the trs. are decidedly above the average in merit. A number have come into common use, but almost always without her name, the best known being those noted under “O Gott, O Geist, O Licht dea Lebens," and "Jedes Herz will etwas li ben." Most of these are annotated throughout this Dictionary under their authors' names, or German first lines. That at p. 630, "O past are the fast-days,—the Feast-day, the Feast-day is come," is a translation through the German from the Persian of Dschellaleddin Rumi 1207-1273. Mrs. Bevan also published Songs of Praise for Christian Pilgrims (London, Hamilton, Adams, 1859), the translations in which are also annotated throughout this Dictionary as far as possible. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)