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Text Identifier:"^o_lord_our_god_arise$"

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O Lord, our God, arise

Author: Ralph Wardlaw Appears in 171 hymnals Lyrics: 1 O Lord, our God, arise, The cause of truth maintain, And wide o'er all the peopled world Extend its blessed reign. 2 Thou Prince of Life, arise, Nor let Thy glory cease; Far spread the conquests of Thy grace, And bless the earth with peace. 3 O Holy Spirit rise, Expand Thy heavenly wing, And o'er a dark and ruined world Let light and order spring. 4 O all ye nations rise, To God, the Savior, sing: From shore to shore, from earth to heaven, Let echoing anthems ring. Topics: The Church Year Mission; Twentieth Sunday after Trinity Used With Tune: LISBON

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LABAN

Meter: 6.6.8.6 Appears in 684 hymnals Composer and/or Arranger: Lowell Mason Tune Key: C Major Incipit: 34555 15321 76534 Used With Text: O Lord our God, arise!
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LISBON

Appears in 150 hymnals Composer and/or Arranger: Daniel Read Tune Key: B Flat Major Incipit: 16512 33214 32511 Used With Text: O Lord, our God, arise
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[O Lord our God! arise]

Appears in 95 hymnals Incipit: 55654 32132 14323 Used With Text: O Lord, Our God

Instances

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O Lord Our God, Arise

Author: Ralph Wardlaw Hymnal: The Hymnal and Order of Service #374 (1926) Meter: 6.6.8.6 Lyrics: 1 O Lord our God, arise; The cause of truth maintain; And wide o'er all the peopled world Extend her blessed reign. 2 Thou Prince of Life, arise, Nor let Thy conquests cease; Far spread the glory of Thy name, And bless the earth with peace. 3 Thou, Holy Ghost, arise, Expand Thy quickening power, And o'er a dark and ruined world Thy light and peace outpour. 4 All men on earth, arise, To God the Saviour sing; From shore to shore, from earth to heaven, Let His high praises ring. Amen. Topics: Missions Foreign; A Missionary Service; Names and Office of Christ God; Names and Office of Christ Prince of Life; Prayer of the Holy Spirit; Christ, Prince of Life; Peace On Earth Scripture: Psalm 96:12-13 Languages: English Tune Title: THATCHER
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O Lord, Our God, Arise

Author: Ralph Wardlaw Hymnal: Missionary Hymnal #9 (1915) Languages: English Tune Title: [O Lord, our God, arise]
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O Lord our God, Arise

Author: Ralph Wardlaw, 1779-1853 Hymnal: Hymnal and Order of Service #206a (1901) Meter: 6.6.8.6 Lyrics: 1 O Lord our God, arise, The cause of truth maintain; And wide o'er all the peopled world Extend her blessed reign. 2 Thou Prince of Life, arise, Nor let Thy conquests cease: Far spread the glory of Thy Name, And bless the earth with peace. 3 Thou, Holy Ghost, arise, Exert Thy quickening power, And o'er a dark and ruined world Let light and peace out pour. 4 All on the earth, arise, To God the Saviour sing: From shore to shore, from earth to heaven, Let His High anthems ring. Amen. Topics: The Church Languages: English Tune Title: ST. THOMAS

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Authors, composers, editors, etc.

George Frideric Handel

1685 - 1759 Person Name: George Frederick Handel Composer of "THATCHER" in The Hymnal and Order of Service George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Henry J. Gauntlett

1805 - 1876 Harmonizer of "DURHAM" in Common Service Book of the Lutheran Church Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

Robert Schumann

1810 - 1856 Person Name: R. Schumann (1810-1856) Composer of "[O Lord, our God, arise]" in Missionary Hymnal Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry