Search Results

Text Identifier:"^o_love_that_wilt_not_let_me_go$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
FlexScoreFlexPresent

O Love That Wilt Not Let Me Go

Author: George Matheson Meter: 8.8.8.8.6 Appears in 684 hymnals Topics: Devotional; Fellowship with God; Inner Life; Love God's Love

Tunes

tune icon
Tune authorities
FlexScoreAudio

ST. MARGARET

Appears in 434 hymnals Composer and/or Arranger: Albert L. Peace Incipit: 55556 71177 77712 Used With Text: O love that wilt not let me go
FlexScore

[O love that will not let me go]

Meter: 8.8.8.8.6 Appears in 1 hymnal Composer and/or Arranger: Christopher Miner Tune Key: C Major Used With Text: O Love That Will Not Let Me Go
FlexScoreAudio

ES IST GEWISSLICH

Meter: 8.8.8.8.6 Appears in 357 hymnals Composer and/or Arranger: Johann Sebastian Bach, 1685 - 1750 Tune Key: F Major Incipit: 11321 22313 45321 Used With Text: O Love That Wilt Not Let Me Go

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Text

O Love That Wilt Not Let Me Go

Author: Rev. Geo. Matheson Hymnal: Reformed Press Hymnal #192 (1934) Lyrics: 1 O Love that wilt not let me go, I rest my weary soul in Thee; I give Thee back the life I owe, That in Thine ocean depths its flow May richer, fuller be, May richer, fuller be. 2 O Light that follow'st all my way, I yield my flick'ring torch to Thee; My heart restores its borrowed ray, That in Thy sunshine's blaze its day May brighter, fairer be, May brighter, fairer be. 3 O Joy that seekest me thro pain, I cannot close my heart to Thee; I trace the rainbow thro' the rain, And feel the promise is not vain That morn shall tearless be, That morn shall tearless be. 4 O Cross that liftest up my head, I dare not ask to fly from Thee; I lay in dust life's glory dead, And from the ground there blossoms red Life that shall endless be, Life that shall endless be. Languages: English Tune Title: [O Love that wilt not let me go]
Page scan

O Love That Wilt Not Let Me Go

Author: George Matheson Hymnal: Life Songs #55 (1916) Topics: Adoration; Christ Love of Christ; Christ Sufficiency of Christ; Consecration; Growth Languages: English Tune Title: [O Love that wilt not let me go]
Page scan

O Love That Wilt Not Let Me Go

Author: George Matheson Hymnal: Brotherhood Hymns #61 (1911) Languages: English Tune Title: [O Love that wilt not let me go]

People

person icon
Authors, composers, editors, etc.

George Matheson

1842 - 1906 Author of "O Love That Wilt Not Let Me Go" in The Presbyterian Hymnal Matheson, George, D.D., was born at Glasgow, March 27, 1842, and although deprived of his eyesight in youth he passed a brilliant course at the University of Edinburgh, where he graduated M.A. in 1862. In 1868 he became the parish minister at Innellan; and subsequently of St. Bernard's, Edinburgh. He was the Baird Lecturer in 1881, and St. Giles Lecturer in 1882. He has published several important prose works. His poetical pieces were collected and published in 1890 as Sacred Songs, Edinburgh: W. Blackwood. In addition to his hymn "O Love that wilt not let me go" (q. v.), four others from his Sacred Songs are in Dr. A. C. Murphey's Book of Common Song, Belfast, 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ======================= Matheson, G., p. 1579, i. In addition to Dr. Matheson's hymn, "O Love, that wilt not let me go," p. 1583, i,, the following from his Sacred Songs, 1890, have come into common use since 1892:— 1. Come, let us raise a common song. Brotherhood. 2. Father divine, I come to Thee. Strength for Life. This, in Horder's Worship Song, 1905, is altered to”Saviour divine, I come to Thee." 3. Gather us in, Thou Love that fillest all. One in Christ. 4. Jesus, Fountain of my days. Christian's Polestar. 5. Lend me, O Lord, Thy softening cloud. The Fire and the Cloud. In the Sunday Magazine, 1875. 6. Lord, Thou hast all my frailty made. Strength for the Day. 7. Make me a captive, Lord. Christian Freedom. 8. There are coming changes great. The Glad New Time. 9. Three doors there are in the temple. Prayer. Dr. Matheson informed us that these hymns, together with the rest of his Sacred Songs, 1890, were written at Bow, Dumbartonshire, in 1890. The 3rd ed. of the Sacred Songs was published in 1904. He died suddenly at Avenelle, North Berwick, Aug. 28, 1906. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach, 1685 - 1750 Harmonizer of "ES IST GEWISSLICH" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

J. B. Herbert

1852 - 1927 Composer of "[O love that will not let me go] (Herbert)" in Golden Bells