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Text Identifier:"^o_master_when_thou_callest$"

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O Master! when Thou callest

Author: Sarah G. Stock Appears in 36 hymnals Used With Tune: LANCASHIRE

Tunes

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AURELIA

Appears in 1,127 hymnals Composer and/or Arranger: S. S. Wesley Incipit: 33343 32116 54345 Used With Text: O Master, when Thou callest
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LANCASHIRE

Appears in 684 hymnals Composer and/or Arranger: H. Smart Incipit: 55346 53114 56255 Used With Text: O Master, when Thou callest
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ST. HILDA

Appears in 504 hymnals Composer and/or Arranger: Justin H. Knecht Incipit: 11712 22133 23427 Used With Text: O master, when Thou callest

Instances

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O Master, When Thou Callest

Author: Sarah G. Stock Hymnal: The Cyber Hymnal #5190 Meter: 7.6.7.6 D Lyrics: 1. O Master, when Thou callest, No voice may say Thee nay, For blest are they that follow Where Thou dost lead the way; In freshest prime of morning, Or fullest glow of noon, The note of heavenly warning Can never come too soon. 2. O Master, when Thou callest, No heart may dare refuse; ’Tis honor, highest honor, When Thou dost deign to use; Our brightest and our fairest, Our dearest—all are thine; Thou who for each one carest, We hail Thy love’s design. Languages: English Tune Title: ST. EDITH
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O Master, when Thou callest

Author: Miss Sarah G. Stock, 1838-1898 Hymnal: Methodist Hymn and Tune Book #284 (1917) Lyrics: 1 O Master, when Thou callest, No voice may say Thee nay; For blest are they that follow Where Thou dost lead the way; Om freshest prime of morning, Or fullest glow of noon, The note of heavenly warning Can never come too soon. 2 O Master, where Thou callest, No foot may shrink in fear; For they who trust Thee wholly Shall find Thee ever near And chamber still and lonely, Or busy harvest-field, Where Thou, Lord, rulest only, Shall precious produce yield. 3 O Master, when Thou callest, No heart may dare refuse; 'Tis honour, highest honour, When Thou dost deign to use Our brightest and our fairest, Our dearest--all are Thine; Thou who for each one carest, We hail Thy love's design. 4 They who go forth to serve Thee, We too who serve at home, May watch and pray together Until Thy kingdom come; In Thee for aye united, Our song of hope we raise, Till that blest shore is sighted Where all shall turn to praise. Topics: Call Of Jesus; Christ Call of; The Church and the Kingdom of God Missions; Consecration Of Youth; Consecration To Christ; Decision Call to ; Youthful Consecration Languages: English Tune Title: DIES DOMINICA
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O Master! when Thou callest

Author: S. G. Stock Hymnal: Hymns of Consecration and Faith #90 (1902) First Line: O Master, when Thou callest Languages: English Tune Title: CHEBAR

People

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Authors, composers, editors, etc.

Samuel Sebastian Wesley

1810 - 1876 Person Name: S. S. Wesley Composer of "AURELIA" in Church Hymns and Tunes Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Henry Thomas Smart

1813 - 1879 Person Name: H. Smart Composer of "LANCASHIRE" in The Song Companion to the Scriptures Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Justin Heinrich Knecht

1752 - 1817 Person Name: Justin H. Knecht Composer of "ST. EDITH" in The Cyber Hymnal Justin Heinrich Knecht Germany 1752-1817. Born at Biberach Baden-Wurttemberg, Germany, he attended a Lutheran college in Esslingen am Neckar from 1768-1771. Having learned the organ, keyboard, violin and oratory, he became a Lutheran preceptor (professor of literature) and music director in Biberach. It was a free imperial city until 1803 and had a rich cultural life. He became organist of St. Martin’s Church in 1792, used by both Lutherans and Catholics, and was there for many years. He led an energetic, busy musical life, composing for both the theatre and church, organizing subscription concerts, teaching music theory, acoustics, aesthetics, composition, and instruments at the Gymnasium, affiliated to the Musikschule in 1806. He went to Stuttgart in 1806 in hopes of a post there as Kapellmeister, serving two years as Konzertmeister, but he was appointed Direktor Beim Orchester by the King of Wurttemberg in 1807. However, he returned to his former life in 1808 and remained there the rest of his life. He died at Biberach. He wrote 10 vocals, 11 opera and stage works, one symphony, 3 chamber music instrumentals, 7 organ works, 4 piano works, and 6 music theories. He was an author composer, editor, contributor, musician, compiler, and lyricist. John Perry
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