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Text Identifier:"^o_quien_pudiera_andar_con_dios_su_dulce$"

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¡Oh Quién Pudiera Andar Con Dios!

Appears in 7 hymnals First Line: ¡Oh! quién pudiera andar con Dios Used With Tune: [¡Oh! quién pudiera andar con Dios]

Tunes

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MARTYRDOM (AVON)

Meter: 8.6.8.6 Appears in 960 hymnals Composer and/or Arranger: Hugh Wilson, 1764-1824 Tune Key: G Major Incipit: 51651 23213 53213 Used With Text: Oh, quién pudiera andar con Dios
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DALEHURST

Appears in 198 hymnals Composer and/or Arranger: Arthur Cottman Tune Key: F Major or modal Incipit: 32143 32112 34442 Used With Text: ¡Oh Quién Pudiera Andar con Dios!
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[¡Oh! quién pudiera andar con Dios]

Appears in 651 hymnals Composer and/or Arranger: F. J. Hayden Tune Key: A Flat Major Incipit: 12321 77662 34321 Used With Text: ¡Oh Quién Pudiera Andar Con Dios!

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Oh, quién pudiera andar con Dios

Author: Thomas M. Westrup, 1837-1909; William Cowper, 1731-1800 Hymnal: Culto Cristiano #168 (1964) Meter: 8.6.8.6 Lyrics: 1 ¡Oh, quién pudiera andar con Dios, Su dulce paz gozar, Volviendo a ver de nuevo el sol De amor y santidad! 2 ¡Oh, tiempo aquel en que lo vi, Beatífica visión, Pudiendo entonces discernir Su acento fiel de amor! 3 Aquellas horas de solaz ¡Cuán gratas aún me son! Del mundo halagos no podrán Suplir su falta, ¡no! 4 Paloma santa, vuelve a mí; Gran Paracleto, ven; Pues odio ya el pecado vil Con que te contrarié. Topics: La Vida Cristiana La Vida Christiana en General; Septuagésima a Cuaresma; Confirmación; Principio y Fin del Año; Confirmation; The Christian Life The Christian Life in General; Beginning and End of the Year Languages: Spanish Tune Title: MARTYRDOM (AVON)
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¡Oh Quién Pudiera Andar Con Dios!

Hymnal: El Nuevo Himnario Popular (Edicion Revisada y Corregida) #213 (1955) First Line: ¡Oh! quién pudiera andar con Dios Languages: Spanish Tune Title: [¡Oh! quién pudiera andar con Dios]
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¡Oh! quién pudiera andar con Dios

Hymnal: Himnario Adventista #409 (1962) Languages: Spanish Tune Title: [¡Oh! quién pudiera andar con Dios]

People

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Authors, composers, editors, etc.

Hugh Wilson

1766 - 1824 Person Name: Hugh Wilson, 1764-1824 Composer of "MARTYRDOM (AVON)" in Culto Cristiano Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) learned the shoemaker trade from his father. He also studied music and mathematics and became proficient enough in various subjects to become a part-­time teacher to the villagers. Around 1800, he moved to Pollokshaws to work in the cotton mills and later moved to Duntocher, where he became a draftsman in the local mill. He also made sundials and composed hymn tunes as a hobby. Wilson was a member of the Secession Church, which had separated from the Church of Scotland. He served as a manager and precentor in the church in Duntocher and helped found its first Sunday school. It is thought that he composed and adapted a number of psalm tunes, but only two have survived because he gave instructions shortly before his death that all his music manuscripts were to be destroyed. Bert Polman

Anonymous

Person Name: Anónimo Vers. esp. of "¡Oh!, quién pudiera andar con Dios" in Himnario Adventista del Séptimo Día In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Joseph Haydn

1732 - 1809 Person Name: F. J. Haydn Composer of "[¡Oh! quién pudiera andar con Dios]" in Himnario Adventista Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman