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O Sons and Daughters, Let Us Sing!
Author: Jean Tisserand; J. M. Neale Meter: 8.8.8 with alleluias Appears in 192 hymnals First Line: O sons and daughters, let us sing Refrain First Line: Alleluia! Alleluia! Alleuia! Lyrics: Alleluia, alleluia,
alleluia, alleluia!
1 O sons and daughters of the King,
whom heavenly hosts in glory sing,
today the grave has lost its sting.
Alleluia!
2 That Easter morn at break of day,
the faithful women went their way
to seek the tomb where Jesus lay.
Alleluia!
3 An angel clad in white they see,
who sat and spoke unto the three,
"Your Lord has gone to Galilee."
Alleluia!
4 When Thomas first the tidings heard
that some had seen the risen Lord,
he doubted the disciples' word.
Lord, have mercy!
5 At night the apostles met in fear;
among them came their Master dear
and said, "My peace be with you here."
Alleluia!
6 "My pierced side, O Thomas, see,
and look upon my hands, my feet;
not faithless but believing be."
Alleluia!
7 No longer Thomas then denied;
he saw the feet, the hands, the side.
"You are my Lord and God!" he cried.
Alleluia!
8 How blest are they who have not seen
and yet whose faith has constant been,
for they eternal life shall win.
Alleluia!
Final Ending:
Alleluia, alleluia, alleluia, alleluia!
Psalter Hymnal, 1987 Topics: liturgical Scripture Songs Text Sources: Latin Hymn, 13th cent.
O Sons and Daughters, Let Us Sing!
O FILII ET FILIAE
Appears in 154 hymnals Composer and/or Arranger: Richard Proulx, 1937-2010 Tune Sources: Mode II, French carol, 15th C. Tune Key: f minor Incipit: 13453 43211 13453 Used With Text: O Sons and Daughters
O FILII ET FILIAE
GELOBT SIE GOTT
Meter: 8.8.8 with alleluias Appears in 142 hymnals Composer and/or Arranger: M. Vulpius, c.1570-1615 Tune Key: C Major Incipit: 17655 67111 25176 Used With Text: Ye Sons and Daughters of the King
GELOBT SIE GOTT
O Sons and Daughters, Let Us Sing
Author: Rev. J. M. Neale Hymnal: The New Hosanna #51 (1902) First Line: O sons and daughters, let us sing! Topics: Easter Languages: English Tune Title: [O sons and daughters, let us sing!]
O Sons and Daughters, Let Us Sing
O Sons and Daughters, Let Us Sing
Author: John M. Neale, 1818-1866; Jean Tisserand, d. 1494 Hymnal: Hymns for Youth #89 (1966) Meter: 8.8.8 with alleluias Lyrics: Alleluia! Alleluia! Alleluia!
1. O sons and daughters, let us sing!
The king of heaven, the glorious king,
O'er death today rose triumphing.
Alleluia!
2. That Easter morn at break of day,
The faithful women went their way
To seek the tomb where Jesus lay.
Alleluia!
3. An angel white-robed they did see,
Who sat and spake unto the three,
"Your Lord doth go to Galilee."
Alleluia!
4. How blest are they who have not seen,
And yet whose faith hath constant been;
For they eternal life shall win.
Alleluia!
5. On this most holy day of days,
Our hearts and voices, Lord, we raise
To thee, in jubilee and praise.
Alleluia! Languages: English Tune Title: O FILII ET FILIAE
O Sons and Daughters, Let Us Sing
O Sons and Daughters, Let Us Sing!
Author: Jean Tisserand; John Mason Neale Hymnal: The Presbyterian Hymnal #116 (1990) Meter: 8.8.8 with alleluia First Line: O sons and daughters, let us sing Lyrics:
Refrain:
Alleluia! Alleluia! Alleluia! Alleluia!
1 O sons and daughters, let us sing!
The King of heaven, the glorious King,
O'er death and hell rose triumphing.
Alleluia! Alleluia!
2 That Easter morn, at break of day,
The faithful women went their way
To seek the tomb where Jesus lay.
Alleluia! Alleluia!
3 An angel clad in white they see,
Who sat, and spake unto the three,
“Your Lord goes on to Galilee.”
Alleluia! Alleluia!
4 That night the apostles met in fear;
Among them came their Lord most dear,
And said, “My peace be with you here.”
Alleluia! Alleluia!
5 On this most holy day of days,
To God your hearts and voices raise,
In laud and jubilee and praise.
Alleluia! Alleluia!
Topics: Jesus Christ Kingship Scripture: Matthew 28:1-7 Languages: English Tune Title: O FILII ET FILIAE
O Sons and Daughters, Let Us Sing!
William Henry Monk
1823 - 1889 Person Name: William Henry Monk, 1823-1889 Adapter of "VICTORY" in The Hymnary of the United Church of Canada William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Richard Proulx
1937 - 2010 Person Name: Richard Proulx, b. 1937 Arranger of "O FILII ET FILIAE" in Gather Comprehensive Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works.
Bert Polman
Richard Proulx
Anonymous
Person Name: Unknown Author Author of "O sons and daughters, let us sing!" in The Evangelical Hymnal with Tunes In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
