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Text Identifier:"^o_the_bitter_shame_and_sorrow$"

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None of Self and All of Thee

Author: Theodore Monod Meter: 8.7.8.8.7 Appears in 213 hymnals First Line: O the bitter shame and sorrow Topics: liturgical Confession Songs

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ALL OF THEE

Appears in 24 hymnals Incipit: 11117 12213 33323 Used With Text: O the bitter shame and sorrow
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[Oh, the bitter pain and sorrow]

Appears in 21 hymnals Composer and/or Arranger: James McGranahan Incipit: 13565 32135 11156 Used With Text: None of self and all of Thee
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DEVOTION

Appears in 6 hymnals Composer and/or Arranger: William Henry Monk, 1823-1889 Incipit: 32216 55476 65533 Used With Text: O the bitter pain and sorrow

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O the Bitter Shame and Sorrow

Author: Rev. Theo. Monod Hymnal: The Bright Array #188 (1889) First Line: O the bitter shame and sorrow Lyrics: 1 O the bitter shame and sorrow, That a time could ever be, When I let the Saviour’s pity Plead in vain, and proudly answered, “All of self, and none of Thee, All of self, and none of Thee.” 2 Yet He found me; I beheld Him Bleeding on the cursed tree, Heard Him pray, “Forgive them, Father;” And my wistful heart said faintly— “Some of self, and some of Thee, Some of self, and some of Thee.” 3 Day by day His tender mercy, Healing, helping, full and free, Sweet and strong, and ah! so patient, Brought me lower, while I whispered,— “Less of self, and more of Thee, Less of self, and more of Thee.” 4 Higher than the highest heavens, Deeper than the deepest sea, Lord, Thy love at last hath conquered; Grant me now my spirit’s longing,— “None of self, and all of Thee, None of self, and all of Thee.” Scripture: Matthew 17:8 Tune Title: [O the bitter shame and sorrow]
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O, the Bitter Shame and Sorrow

Author: Rev. Theo. Monod Hymnal: Select Songs No. 2 #108 (1893) Languages: English Tune Title: [O, the bitter shame and sorrow]
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O the Bitter Shame and Sorrow

Author: Theodore Monad Hymnal: Victorious Service Songs #117 (1925) Languages: English Tune Title: [O the bitter shame and sorrow]

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James McGranahan

1840 - 1907 Arranger of "NONE OF SELF" in Great Songs of the Church James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

Joseph Barnby

1838 - 1896 Composer of "GUNTHER" in Hymni Ecclesiae Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

F. E. Belden

1858 - 1945 Composer of "[O the bitter pain and sorrow]" in Zion's Praises (1st ed.) Belden was born in Battle Creek, Michigan in 1858. He began writing music in his late teenage years after moving to California with his family. For health reasons he later moved to Colorado. He returned to Battle Creek with his wife in the early 1880s, and there he became involved in Adventist Church publishing. F. E. Belden wrote many hymn tunes, gospel songs, and related texts in the early years of the Seventh-day Adventist Church. Belden was able to rapidly write both music and poetry together which enabled him to write a song to fit a sermon while it was still being delivered. He also wrote songs for evang­el­ist Bil­ly Sun­day. Though Belden’s later years were marred by misunderstandings with the church leadership over his royalties, he did donate his papers and manuscripts to the church’s seminary at his death. He died on December 2, 1945 in Battle Creek, Michigan. N.N., Hymnary. Source: http://www.hymntime.com/tch/bio/b/e/l/belden_fe.htm