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Text Identifier:"^o_would_i_had_a_thousand_voices_to_sound$"

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O would I had a thousand tongues

Author: Johann Mentzer; Catherine Winkworth Meter: 8.8.8.8.10.10 Appears in 8 hymnals First Line: O would I had a thousand voices, To sound thy praise over land and sea

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O DASS ICH TAUSEND ZUNGEN

Appears in 151 hymnals Composer and/or Arranger: Johann Balthasar König Tune Key: G Major Incipit: 53565 43213 21234 Used With Text: O that I had a thousand voices

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Oh would I had a thousand tongues

Author: Mentzer; Catherine Winkworth Hymnal: Lyra Germanica #71 (1861) Meter: 8.8.8.8.10.10 Lyrics: Oh would I had a thousand tongues, To sound Thy praise o'er land and sea! Oh! rich and sweet should be my songs, Of all my God has done for me! With thankfulness my heart must often swell, But mortal lips Thy praises faintly tell. Oh that my voice could far resound Up to yon stars that o'er me shine! Would that my blood for joy might bound Through every vein while life is mine! Would that each pulse were gratitude, each breath A song to Him who keeps me safe from death! O all ye powers of soul and mind, Arise, keep silence thus no more; Put forth your strength, and ye shall find Your noblest work is to adore. O soul and body, make ye pure and meet, With heartfelt praise your God and Lord to greet. Ye little leaves so fresh and green, That dance for joy in summer air, Ye slender grasses, bright and keen, Ye flowers so wondrous sweet and fair; Ye only for your Maker's glory live, Help me, for all His love, meet praise to give. O all ye living things that throng With breath and motion earth and sky, Be ye companions in my song, Help me to raise His praises high; For my unaided powers are far too weak The glories of His mighty works to speak. And first, O Father, praise to Thee For all I am and all I have, It was Thy merciful decree That all those blessings richly gave, Which o'er the earth are scattered far and near, To help and gladden us who sojourn here. And, dearest Jesus, blest be Thou, Whose heart with pity overflows, Thou rich in help! who deign'dst to bow To earth, and taste her keenest woes; Thy death has burst my bonds and set me free, Has made me Thine; henceforth I cling to Thee. Nor less to Thee, O Holy Ghost, Be everlasting honours paid, For all Thy comfort, Lord, and most That I a child of life am made By Thy deep love; my good deeds are not mine, Thou workest them through me, O Light Divine. Yes, Lord, through all my changing days, With each new scene afresh I mark How wondrously Thou guid'st my ways, Where all seems troubled, wilder'd, dark; When dangers thicken fast, and hopes depart, Thy light beams comfort on my sinking heart. Shall I not then be filled with joy, Shall I not praise Thee evermore? Triumphant songs my lips employ, E'en when my cup of woe runs o'er; Nay, though the heavens should vanish as a scroll, Nothing shall shake or daunt my trusting soul. But of Thy goodness will I sing As long as I have life and breath, Offerings of thanks I'll daily bring Until my heart is still in death; And when at last my lips grow pale and cold, Yet in my sighs Thy praises shall be told. Father, do Thou in mercy deign To listen to my earthly lays; Once shall I learn a nobler strain, Where angels ever hymn Thy praise, There in the radiant choir I too shall sing Loud hallelujahs to my glorious Kings. Languages: English
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O would I had a thousand voices

Author: Catherine Winkworth, 1827-1878; Johann Mentzer Hymnal: Lyra Germanica #170 (1856) Languages: English

O that I had a thousand voices

Author: Catherine Winkworth; Johann Mentzer Hymnal: The Mennonite Hymnal #10 (1969) Topics: God Adoration and Praise Languages: English Tune Title: O DASS ICH TAUSEND ZUNGEN

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Catherine Winkworth

1827 - 1878 Translator of "O That I Had a Thousand Voices" in The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church

Johann Mentzer

1658 - 1734 Author of "O That I Had a Thousand Voices" in The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America Mentzer, Johann, was born July 27, 1658, at Jahmen, near Rothenburg, in Silesia, and became a student of theology at Wittenberg, In 1691 he was appointed pastor at Merzdorf; in 1693 at Hauswalde, near Bischofswerda; and in 1696 at Kemnitz, near Bernstadt, Saxony. He died at Kemnitz, Feb. 24, 1734 (G. F. Otto's Lexicon . . . Oberlausizischer Schriftsteller, ii., 581; ms. from Pastor Richter of Kemnitz, &c). He was a great friend of J. C. Schwedler, of Henrietta Catherine von Gersdorf, and of N. L. von Zinzendorf, all hymnwriters, and all his near neighbours. He was himself greatly tried in the furnace of affliction. He wrote a large number of hymns, over 30 of which appeared in the various hymnbooks of his time. Many of them, especially those of Praise and Thanksgiving, and those of Cross and Consolation, are of high merit, though sometimes exaggerated and not very refined in their imagery, and are full of ardent love to Christ, Scriptural, poetical, and also popular in style. The only one in English common use is:— 0 dass ich tausend Zungen hatte. Praise and Thanksgiving. His best hymn. First published as No. 496, in Freylinghausen's Gesang-Buch, 1704, in 15 st. of 6 1., and repeated in many later collections as the Unverfälschter Liedersegen, 1851, No. 719. Lauxmann, in Koch viii. 350, says this hymn was written in 1704 after his house was burned down. In reply to enquiries addressed to Kemnitz, pastor Richter informs me that the parsonage house there was built in the years 1696 and 1697, and has never been burned down. In 1697 a farmhouse near was destroyed by lightning, and possibly Mentzer may have been living there at the time; or at any rate this may have suggested the hymn and the story. Lauxmann speaks of the hymn as having been a great favourite of Caroline Perthes of Hamburg, and of J. C. Schlipalius of Dresden, and relates various incidents regarding its blessed and comforting effects. The translations in common use are:— 1. Oh that I had a thousand voices! A mouth. A full translation by Dr. H. Mills, in his Horae Germanica, 1845 (1856, p. 189); repeated, abridged, in the American Lutheran General Synod's Collection, 1850-52, the Ohio Lutheran Hymnal, 1880, &c. 2. Oh be unceasing praise ascending. A good translation of st. i., vii., viii., by A. T. Russell, as No. 203, in his Psalms & Hymns, 1851. 3. Oh would I had a thousand tongues. A good translation, omitting stanzas ix., x., xiii., by Miss Winkworth, in her Lyra Germanica, 1st Ser., 1855, p. 170; and repeated, abridged, in the Methodist New Congregational Hymn Book, 1863. 4. 0 would, my God, that I could praise Thee. A good translation, in the original metre, by Miss Winkworth, in her Chorale Book for England, 1863, No. 5, being of stanzas i., iii.—v, xiv., xv. This was repeated in the Evangelical Hymnal, N. Y., 1830. A filtered form, beginning with st. iii., "0 all ye powers that God implanted” is in Dr. Knight's Collection, Dundee, 1871 and 1874. 5. I praise Thee, 0 my God and Father. By Miss Winkworth, in her Chorale Book for England, 1863, No. 6. This is of st. vi.-viii., xi., xii., and fol¬lows the text of Bunsen's Versuch, 1833, No. 846, this stanza beginning there, "Lob sei dir, treuer Gott und Vater." Her translation is repeated in Dr. Thomas's Augustine Hymn Book, 1866. Other translations are:— (1) "0 that a thousand tongues were granted," by N. L. Frothingham, 1810, p. 155. (2) "0 that a thousand tongues were mine, And each," by Dr. Alexander Mair in the Family Treasury, 1872, p. 462. Other hymns by Mentzer, translated into English but not in common use are:— ii. Du gehest in den Garten beten. Passiontide. First published in the Löbau Gesang-Buch, 1725, as No. 370, in 12 stanzas of 6 lines, marked as by Mentzer and entitled "The true school of prayer of Jesus, praying on the Mount of Olives, Matt. xxvi. 36-46." In the Berlin Geistliche Lieder, ed. 1863, No. 223, beginning "Du gehst zum Garten urn zu beten," and wrongly ascribed to B. Schmolck. Translated as "Into the garden shade to pray," by J. Kelly, in the Family Treasury, 1868, p. 691. iii. Wer das Kleinod will erlangen. Christian Warfare. A call to spiritual energy, founded on 1 Cor. ix. 24, 25. Included as No. 783 in the Neuvermehrtes Geistreiches Gesang-Buch Berlin, 1711, in 6 stanzas of 8 lines; and previously in Schlechtiger's Gesang-Buch, Berlin, 1704. In the Berlin Geistliche Lieder, ed. 1863, No. 679. Translated as "Who would make the prize his own." By Miss Winkworth, 1858, p. 167. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Johann Balthasar König

1691 - 1758 Composer of "O DASS ICH TAUSEND ZUNGEN" in The Mennonite Hymnal Johann Balthasar König; b. 1691, Waltershausen, near Gotha; d. 1758, Frankfort Evangelical Lutheran Hymnal, 1908
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