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Text Identifier:"^oyes_como_el_evangelio_al_cansado_ofrece$"

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¿Oyes Cómo El Evangelio?

Author: J. B. Cabrera Appears in 12 hymnals First Line: ¿Oyes cómo el Evangelio Scripture: Matthew 11:28-30 Used With Tune: [¿Oyes cómo el Evangelio]

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[¿Oyes como el Evangelio]

Appears in 504 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: E Major Incipit: 33323 45153 23465 Used With Text: ¿Oyes como el Evangelio?
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[¿Oyes, cómo el Evangelio Al cansado ofrece paz?]

Appears in 538 hymnals Tune Key: B Flat Major Incipit: 17161 53142 17117 Used With Text: ¿Oyes, cómo el Evangelio Al cansado ofrece paz?
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FREU DICH SEHR

Meter: 8.7.8.7.8.7.8.7 Appears in 310 hymnals Tune Sources: Salterio de Ginebra, 1551. Tune Key: F Major Incipit: 12321 76512 34321 Used With Text: Oyes cómo el Evangelio

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¿Oyes, cómo el Evangelio Al cansado ofrece paz?

Author: J. B. Cabrera Hymnal: Himnario Cristiano para uso de las Iglesias Evangélicas #23 (1908) Languages: Spanish Tune Title: [¿Oyes, cómo el Evangelio Al cansado ofrece paz?]
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Oyes cómo el Evangelio

Author: Juan Bautista Cabrera, 1837-1916 Hymnal: Culto Cristiano #203 (1964) Meter: 8.7.8.7.8.7.8.7 Lyrics: 1 ¿Oyes cómo el Evangelio Al cansado ofrece paz? Pues segura, ¡oh alma mía!, La promesa a ti se da. Bien alguno en mí no veo, Corrupción tan sólo hay; Yo cansado y afligido Busco alivio con afán. 2 En el arca la paloma Encontró do reposar: Para mi alma atribulada Arca Tú, Señor, serás Combatido vengo, y crece El diluvio sin cesar; Ábreme, Jesús, y en vano Rugirá la tempestad. 3 Amparada ya en tu seno, Puede el alma respirar; El reposo que prometes Siempre da segura paz. ¡Oh! ¡Cuán dulce en mis oídos Fue tu acento celestial: "Ven a Mí, ven; que el descanso Sólo en Mí podrás hallar!" Topics: La Vida Cristiana Invitación; The Christian Life Invitation Languages: Spanish Tune Title: FREU DICH SEHR

¿Oyes como el Evangelio?

Author: J. B. Cabrera Hymnal: Himnos de Gloria #19 (1949) First Line: ¿Oyes como el Evangelio Scripture: Matthew 11:28-30 Languages: Spanish Tune Title: [¿Oyes como el Evangelio]

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William B. Bradbury

1816 - 1868 Composer of "[¿Oyes como el Evangelio]" in Himnos de Gloria William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Juan Bautista Cabrera Ivars

1837 - 1916 Person Name: J. B. Cabrera Author of "¿Oyes, cómo el Evangelio Al cansado ofrece paz?" in Himnario Cristiano para uso de las Iglesias Evangélicas Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns. Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)

George F. LeJeune

1841 - 1904 Person Name: G. F. Le Jeune Composer of "AMOR DIVINO" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo George Fitz-Curwood Le Jeune, 1841-1904 Born: June 18, 1841, London, England. Died: April 11, 1904, Staten Island, New York. Buried: Moravian Cemetery, Staten Island, New York. Le Jeune studied music under Joseph Barnby and George Macfarren in London. In 1863, he moved to Montréal, Canada, where he continued his studies with George Carter. He later moved to America, playing the organ in churches in Hartford, Connecticut, and Philadelphia, Pennsylvania. He became the organist at St. John’s Chapel of Trinity Parish, New York City, in 1876, and also directed the choir there. Sources: Hughes, p. 471 --www.hymntime.com/tch