My Starred Hymns
My FlexScores
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Person Results
William Croft
1678 - 1727 Person Name: William Croft (1678-1727) Composer of "CROFT'S 136TH" in Church Hymnary (4th ed.) William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript.
Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844
William Croft
James McGranahan
1840 - 1907 Composer of "PRAISE GOD, FOR HE IS KING" in Bible Songs James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior.
John Perry
James McGranahan
T. Martin Towne
1835 - 1912 Composer of "FIRM AND SURE, ETERNALLY" in Bible Songs Towne, T. Martin. (Coleraine, Franklin County, Massachusetts, May 31 [sic], 1835-- ). Methodist. Attended Williston's Seminary, East Hampton, Mass. 1855 to Hudson, New York, then Albany. Taught in Ypsilanti, Michigan, then Detroit. Settled in Janesville, Wisconsin. Served in the Civil War. Settled in Chicago; married Belle Kellogg.
Keith C. Clark, DNAH Archives
T. Martin Towne
John Darwall
1732 - 1789 Person Name: John Darwall, 1731-1789 Composer of "DARWALL'S 148TH" in The Irish Presbyterian Hymnbook John Darwall (b. Haughton, Staffordshire, England, 1731; d. Walsall, Staffordshire, England, 1789) The son of a pastor, he attended Manchester Grammar School and Brasenose College, Oxford, England (1752-1756). He became the curate and later the vicar of St. Matthew's Parish Church in Walsall, where he remained until his death. Darwall was a poet and amateur musician. He composed a soprano tune and bass line for each of the 150 psalm versifications in the Tate and Brady New Version of the Psalms of David (l696). In an organ dedication speech in 1773 Darwall advocated singing the "Psalm tunes in quicker time than common [in order that] six verses might be sung in the same space of time that four generally are."
Bert Polman
John Darwall
John Goss
1800 - 1880 Person Name: John Goss, 1800-1880 Composer of "BEVAN" in The Irish Presbyterian Hymnbook John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854).
Bert Polman
John Goss
Anonymous
Person Name: Unknown Author of "Praise God for He Is Kind" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Thomas Clark
1775 - 1859 Person Name: Thomas Clark, 1775-1859 Composer of "BURNHAM" in The Cyber Hymnal
Baptized: February 5, 1775, Canterbury, Kent, England.
Died: May 30, 1859, at his home in St. George’s Street, Canterbury, Kent, England.
A cobbler and choir trainer, Clark led the singing of the Psalms at the Wesleyan Chapel, Canterbury, and later at the Unitarian Church in Canterbury. It has been claimed he never actually joined the Unitarians, though he sympathized with them, and he resigned from the Methodists. Clark wrote a number of anthems, including "Awake Up, My Glory", "Daughter of Zion" and "Since I Have Placed My Trust." His other works include:
First Sett of Psalm and Hymn Tunes, 1805
Second Sett of Psalm and Hymn Tunes, circa 1810
Congregational Harmonist, 4 volumes (1828 to circa 1835)
The Sacred Gleaner, 1830
The Union Tune-Book, 1837 (co-editor)
Union Harmonist, 1841
Harmonized the second edition of the Union Tune Book for the Sunday School Union, 1842
The Juvenile Harmonist, 1842
David’s Harp—A Series of Original Tunes Composed Expressly to the Psalter, 1843
The Seraphim or Sacred Harmonist, 1843
British Psalmody, with Alexander Hume (Edinburgh, Scotland: 1844)
--www.hymntime.com/tch/
Thomas Clark
