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Author: Eric Routley, 1917-1982; Joan Goodwin, 1926- Meter: 8.8.8.8 Appears in 2 hymnals First Line: Surprised by joy no song can tell Lyrics: 1 Surprised by joy no song can tell, no thought can compass, here we stand to celebrate eternal love, to reach for one another's hand. 2 Beyond all other gifts is this, best gift, alone to mortals given; the love of parent, lover, friend attunes our hearts to bliss of heaven. 3 Faith, hope, and love here come alive; life's deepest treasure is made known when in forgiving, giving all, insep'rably, two are as one. Topics: Service Music Weddings and Services of Union; Love Used With Tune: O WALY, WALY

Tunes

Tune authorities

O WALY, WALY

Meter: 8.8.8.8 Appears in 209 hymnals Composer and/or Arranger: John Weaver, 1937- Tune Sources: English folk melody Tune Key: G Major or modal Incipit: 51232 16551 71234 Used With Text: Surprised by Joy

MELCOMBE (O SALUTARIS)

Meter: 8.8.8.8 Appears in 393 hymnals Composer and/or Arranger: Samuel Webbe Tune Key: D Major Incipit: 55432 16551 76554 Used With Text: Surprised by Joy

Instances

Published text-tune combinations (hymns) from specific hymnals

Surprised by Joy

Author: Eric Routley, 1917-1982; Joan Goodwin, 1926- Hymnal: Singing the Living Tradition #410 (1993) Meter: 8.8.8.8 First Line: Surprised by joy no song can tell Lyrics: 1 Surprised by joy no song can tell, no thought can compass, here we stand to celebrate eternal love, to reach for one another's hand. 2 Beyond all other gifts is this, best gift, alone to mortals given; the love of parent, lover, friend attunes our hearts to bliss of heaven. 3 Faith, hope, and love here come alive; life's deepest treasure is made known when in forgiving, giving all, insep'rably, two are as one. Topics: Service Music Weddings and Services of Union; Love Languages: English Tune Title: O WALY, WALY

Surprised by Joy

Author: Erik Routley Hymnal: Rejoice in the Lord #519 (1985) Meter: 8.8.8.8 First Line: Surprised by joy no song can tell Lyrics: 1 Surprised by joy no song can tell, no thought can compass, here we stand to celebrate eternal Love, to reach for God's almighty Hand. 2 Beyond an angel's mind is this, best gift, alone to mortals giv'n; the love of parent, lover, friend brings straight to earth the bliss of heaven. 3 Faith, hope and love here come alive; God's very being is made known when, giving and forgiving all, two are inseparably one. 4 For all this splendour, all this joy is ours because a Father's care-- large, gen'rous, patient, strong as death-- showed us in Christ what love can dare. 5 Your banner over us be love, your grace refresh our trav'ling days; your power sustain, your beauty cheer; our words, our home, our lives be praise! Topics: Marriage Scripture: Song of Solomon 2:4 Languages: English Tune Title: MELCOMBE (O SALUTARIS)

People

Authors, composers, editors, etc.

Erik Routley

1917 - 1982 Author of "Surprised by Joy" in Rejoice in the Lord

Samuel Webbe

1740 - 1816 Composer of "MELCOMBE (O SALUTARIS)" in Rejoice in the Lord Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman

John Weaver

b. 1937 Person Name: John Weaver, 1937- Harmonizer of "O WALY, WALY" in Singing the Living Tradition Dr. John Weaver Organist/Music Director, Emeritus John Weaver retired at the end of May 2005, after 35 years of ministry as Director of Music and Organist at Madison Avenue Presbyterian Church in New York City. During his tenure here, he also served as Head of the Organ Department at the Curtis Institute of Music in Philadelphia from 1972 to 2003 and Chair of the Organ Department at the Juilliard School from 1987 to 2004. The American Organist named him among the 101 most notable organists of the 20th century. Weaver traces his love for the "King of Instruments" back to his childhood. Born in the Eastern Pennsylvania town of Mauch Chunk (now called Jim Thorpe), his first introduction to music was through the organ at the First Presbyterian Church where his father was the pastor. His formal musical studies began at the age of six in Baltimore's Peabody Conservatory when it was discovered that he had perfect pitch. Shortly thereafter he acquired an old harmonium that stimulated his desire to learn to play the organ. At the age of fourteen he began organ study with Richard Ross and George Markey, and the same year he also became organist of a Baltimore church and played his first organ recital. In 1989 John Weaver was honored by The Peabody Conservatory when he was presented with Peabody's Distinguished Alumni Award. He has received honorary Doctor of Music degrees from Westminster College, New Wilmington PA, and The Curtis Institute of Music. He was also elected a member of the North American Academy of Liturgy. John Weaver's undergraduate study was at The Curtis Institute from which he graduated in 1959 as a student of Alexander McCurdy. That year he was appointed Director of Music at Holy Trinity Lutheran Church in New York City, a post he held for eleven years. During this time he spent two years in the Army as organist/choir-director of the Post Chapel at the United States Military Academy at West Point, and earned a Master of Sacred Music degree from Union Theological Seminary, studying with Robert Baker. In 1968 he founded a highly successful Bach Cantata Series at Holy Trinity, conducting his choir and orchestra in two seasons of these works. At these services he also played most of the major organ works of Bach and numerous chorale-preludes. At the Madison Avenue Presbyterian Church he annually conducts a large concert choir, The St. Andrew Chorale, in several major works with orchestra. In addition to his teaching at The Curtis Institute and The Juilliard School, he has served Westminster Choir College, Union Theological seminary and the Manhattan School of Music. He has written numerous articles for organ and church music magazines and has served as President of the Presbyterian Association of Musicians. Dr. Weaver has been active as a concert organist since coming under management in 1959. He has played throughout the USA, Canada, Western Europe, the United Kingdom, and Brazil. Each year finds him in many different parts of the country playing recital programs drawn from his large repertoire of memorized works from every important era and national school of organ literature. His wife, Marianne, an excellent flutist whose teachers include Kincaid and Rampal, frequently adds an extra and very special stop to the organ by appearing on these programs. John Weaver has performed on national television and radio network programs in the US and Germany. He has made recordings for Aeolian-Skinner, The Wicks Organ Company, the Klais Orgelbau of Germany, a CD on Gothic Records for the Schantz Organ Company, and a recent recording on the Pro Organo label on the new Reuter organ at University Presbyterian Church in Seattle. His published compositions for organ, chorus/organ and flute/organ are widely performed. Weaver has made several concerto appearances with the Portland, Maine Symphony, the Musica Sacra Orchestra and the Harrisburg Symphony. He has played solo recitals at numerous regional and national conventions of the American Guild of Organists as well as the 1987 Internationalhttp://www.mapc.com Congress of Organists in Cambridge, England. He has been guest artist with the Chamber Music Society of Lincoln Center at Alice Tully Hall and Washington's Kennedy Center, and has played solo recitals at Boston Symphony Hall, Alice Tully Hall, Philadelphia's Academy of Music, Chicago's Orchestra Hall, Cleveland's Orchestra Hall, as well as colleges, cathedrals and churches throughout the US. -- http://www.mapc.com