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Text Identifier:"^the_highest_and_the_holiest_place$"

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The highest and the holiest place

Author: H. Alford, 1810-71 Appears in 8 hymnals Used With Tune: ST. JAMES

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ST. JAMES

Appears in 105 hymnals Composer and/or Arranger: R. Courteville, d. 1735? Incipit: 51231 24336 71652 Used With Text: The highest and the holiest place
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JACKSON

Meter: 8.6.8.6 Appears in 87 hymnals Composer and/or Arranger: Thomas Jackson Tune Key: D Major Incipit: 55176 54543 35176 Used With Text: The highest and the holiest place

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The Highest and the Holiest Place

Author: Henry Alford Hymnal: The Cyber Hymnal #2416 Meter: 8.6.8.6 Lyrics: 1. The highest and the holiest place Guards not the heart from sin; The Church that safest seems without May harbor foes within. 2. Thus in the small and chosen band, Beloved above the rest, One fell from his apostleship, A traitor-soul unblest. 3. But not the great designs of God Man’s sins shall over throw; Another witness to the truth Forth to the lands shall go. 4. The soul that sinneth, it shall die; Thy purpose shall not fail; The word of grace no less shall sound, The truth no less prevail. 5. Righteous, O Lord, are all Thy ways; Long as the worlds endure, From foes without and foes within, Thy Church shall stand secure. Languages: English Tune Title: ST. JAMES
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The highest and the holiest place

Author: Henry Alford, 1810-71 Hymnal: The New English Hymnal #165 (1986) Meter: 8.6.8.6 Lyrics: 1 The highest and the holiest place Guards not the heart from sin; The Church that safest seems without May harbor foes within. 2 Within that small and chosen band, Beloved above the rest, One fell from his apostleship, A traitor soul unblest. 3 But ne'er the great designs of God Man’s sins shall overthrow; A better witness to the truth Forth to the lands shall go. 4 Matthias was the chosen one-- God's purpose cannot fail-- The word of grace no less shall sound, The truth no less prevail. 5 Righteous, O Lord, are all thy ways: Long as the worlds endure, From foes without and foes within Preserve thy Church secure. Topics: St. Matthias May 14th; The Christian Year Festivals and Other Holy Days: Proper Languages: English Tune Title: JACKSON

The highest and the holiest place

Hymnal: Church Hymnal, Fourth Edition #170 (1960) Meter: 8.6.8.6 Languages: English

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Henry Alford

1810 - 1871 Person Name: Dean Henry Alford Author of "The highest and the holiest place" in The Book of Common Praise Alford, Henry, D.D., son of  the Rev. Henry Alford, Rector of Aston Sandford, b. at 25 Alfred Place, Bedford Row, London, Oct. 7, 1810, and educated at Trinity College, Cambridge, graduating in honours, in 1832. In 1833 he was ordained to the Curacy of Ampton. Subsequently he held the Vicarage of Wymeswold, 1835-1853,--the Incumbency of Quebec Chapel, London, 1853-1857; and the Deanery of Canterbury, 1857 to his death, which took. place  at  Canterbury, Jan. 12, 1871.  In addition he held several important appointments, including that of a Fellow of Trinity, and the Hulsean Lectureship, 1841-2. His literary labours extended to every department of literature, but his noblest undertaking was his edition of the Greek Testament, the result of 20 years' labour.    His hymnological and poetical works, given below, were numerous, and included the compiling of collections, the composition of original hymns, and translations from other languages.    As a hymn-writer he added little to his literary reputation. The rhythm of his hymns is musical, but the poetry is neither striking, nor the thought original.   They are evangelical in their teaching,   but somewhat cold  and  conventional. They vary greatly in merit, the most popular being "Come, ye thankful  people, come," "In token that thou  shalt  not fear," and "Forward be our watchword." His collections, the Psalms and Hymns of 1844, and the Year of Praise, 1867, have not achieved a marked success.  His poetical and hymnological works include— (1) Hymns in the Christian Observer and the Christian Guardian, 1830. (2) Poems and Poetical Fragments (no name), Cambridge, J.   J.  Deighton, 1833.  (3) The School of the Heart, and other Poems, Cambridge, Pitt Press, 1835. (4) Hymns for the Sundays and Festivals throughout the Year, &c.,Lond., Longman ft Co., 1836. (5) Psalms and Hymns, adapted for the Sundays and Holidays throughout the year, &c, Lond., Rivington, 1844. (6) Poetical Works, 2 vols., Lond., Rivington, 1845. (7) Select Poetical Works, London, Rivington, 1851. (8) An American ed. of his Poems, Boston, Ticknor, Reed & Field, 1853(9) Passing away, and Life's Answer, poems in Macmillan's Magazine, 1863. (10) Evening Hexameters, in Good Words, 1864. (11) On Church Hymn Books, in the Contemporary Review, 1866. (12) Year of Praise, London, A. Strahan, 1867. (13) Poetical Works, 1868. (14) The Lord's Prayer, 1869. (15) Prose Hymns, 1844. (16) Abbot of Muchelnaye, 1841. (17) Hymns in British Magazine, 1832.   (18) A translation of Cantemus cuncti, q.v. -- John Julian, Dictionary of Hymnology (1907) ================== Alford, Henry, p. 39, ii. The following additional hymns by Dean Alford are in common use:— 1. Herald in the wilderness. St. John Baptist. (1867.) 2. Let the Church of God rejoice. SS. Simon and Jude. (1844, but not in his Psalms & Hymns of that year.) 3. Not in anything we do. Sexagesima. (1867.) 4. O Thou at Whose divine command. Sexagesima. (1844.) 5. 0 why on death so bent? Lent. (1867.) 6. Of all the honours man may wear. St. Andrew's Day. (1867.) 7. Our year of grace is wearing to a close. Close of the Year. (1867.) 8. Saviour, Thy Father's promise send. Whit-sunday. (1844.) 9. Since we kept the Saviour's birth. 1st Sunday after Trinity. (1867.) 10. Thou that art the Father's Word. Epiphany. (1844.) 11. Thou who on that wondrous journey. Quinquagesima. (1867.) 12. Through Israel's coasts in times of old. 2nd Sunday after Epiphany. (1867.) 13. Thy blood, O Christ, hath made our peace. Circumcision . (1814.) 14. When in the Lord Jehovah's name. For Sunday Schools. (1844.) All these hymns are in Dean Alford's Year of Praise, 1867, and the dates are those of their earliest publication, so far as we have been able to trace the same. --Excerpts from John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Raphael Courteville

? - 1772 Person Name: R. Courteville Composer of "ST. JAMES" in The Book of Common Praise Courteville, Raphael or Ralph (d. 1772), organist and political writer, was the son or grandson of one of the gentlemen of the Chapel Royal who bore the same name, and who died on 28 Dec. 1675. The organ from the Chapel Royal was presented by Queen Mary in 1691 to the church of St. James's, Westminster, and on 7 Sept. in the same year a Ralph Courtaville, who had been strongly recommended by the Earl of Burlington, and who had previously been a chorister in the Chapel Royal, was appointed the first organist, with a salary of 20l. per annum for himself and 4l. for a blower. This Courteville, Courtaville, or Courtivill, was no doubt the composer of six ‘Sonatas composed and purposley (sic) contriv'd for two flutes,’ published by Walsh about 1690; of a song introduced in Wright's ‘Female Virtuosoes,’ and supposed to have been written by Ann, countess of Winchilsea; of a very graceful song, ‘To Convent Streams,’ in ‘Duke and no Duke,’ and of songs in ‘Oroonoko.’ He was one of the composers who furnished the music for part iii. of D'Urfey's ‘Don Quixote’ in 1695. The well-known hymn tune, ‘St. James's,’ is also by him. It has been supposed that this Courteville died about 1735, and was succeeded by his son of the same name; but as the vestry minutes of the parish, in which all appointments, &c. are carefully recorded, contain no mention of such a change of organists, while no record of the father's death can be found, we are compelled to believe that the existence of the son is a mere assumption, made in order to account for the long tenure of the post by a person or persons of the name of Courteville. This conclusion is strengthened by various entries in the vestry minutes; in January 1752–3, and again in June 1754, letters are written to him warning him that unless he attends personally to the duties of the post he will be dismissed. Whether he endeavoured to perform the duties himself after this we do not know, but he was certainly not dismissed, and shortly afterwards an assistant, ‘Mr. Richardson,’ was appointed. On 12 June 1771 it was reported to the vestry that Courteville gave this assistant only one quarter of his salary for doing the whole work, and he was thereupon ordered to share the payment equally with Richardson. Seven years before this, in 1764, the assistant, with two others, was consulted as to the state of the organ and the undertaking of repairs to its structure. Neither at this time, nor when the improved instrument, repaired by Byfield, was tried, was Courteville's advice asked in the matter, from which we may conclude that he was long past all work, although he was allowed to keep the post. This Raphael Courteville, whether or not he be identical with the first organist of the church, took a somewhat active part in politics towards the end of Sir Robert Walpole's administration. He is stated to have married, on 14 Sept. 1735, a lady named Miss Lucy Green, with a fortune of 25,000l. In 1738 he published ‘Memoirs of the Life and Administration of William Cecil, Baron Burleigh, &c., including a parallel between the State of Government then and now,’ with preface and appendix of original papers, dedicated to the Right Hon. Edward Walpole, secretary to the Duke of Devonshire. It is signed only ‘R. C.,’ and was printed for the author in London. He was the reputed author of ‘The Gazetteer,’ a paper written in defence of the government, and it was probably in consequence of this production that he acquired the nickname of ‘Court-evil.’ He also wrote a pamphlet published in 1761, entitled ‘Arguments respecting Insolvency.’ On 4 Dec. 1742 a letter appeared in No. 50 of the ‘Westminster Journal’ bearing his signature, to which were appended the words, ‘Organ-blower, Essayist, and Historiographer.’ The letter was undoubtedly written as a joke, probably upon his own genuine productions; it is of course not by himself, and the point of the joke is impossible now to discover, but the appearance of his name in this connection proves that he was more or less a well-known character. He died early in June 1772, as on the 10th of the month he was buried, and his place was declared vacant at the vestry meeting of that date. [Grove's Dict. of Music; Hawkins's Hist. of Music; Notes and Queries, 2nd ser. x. 496; Registers and Vestry Minutes of St. James's, Westminster; Cheque-books of the Chapel Royal; Westminster Journal, quoted above; Brit. Mus. Cat.] --en.wikisource.org/wiki/

Thomas Jackson

1715 - 1781 Composer of "JACKSON" in The New English Hymnal Jackson played the organ at Newark, England (1768-81). His works include: Twelve Psalm Tunes and Eighteen…Chants, circa 1780 --www.hymntime.com/tch