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The Lord's My Shepherd, I'll Not Want

Meter: 8.6.8.6 Appears in 581 hymnals Lyrics: 1 The Lord’s my shepherd, I’ll not want. He makes me down to lie in pastures green; he leadeth me the quiet waters by. 2 My soul he doth restore again, and me to walk doth make within the paths of righteousness, e'en for his own name’s sake. 3 Yea, though I walk in death’s dark vale, yet will I fear no ill; for thou art with me, and thy rod and staff me comfort still. 4 My table thou hast furnished in presence of my foes; my head thou dost with oil anoint, and my cup overflows. 5 Goodness and mercy all my life shall surely follow me; and in God’s house forevermore my dwelling place shall be. Topics: The Glory of the Triune God Providence; Adoration and Praise; Assurance; Comfort; Eternal Life; Funerals and Memorial Services; Presence (Holy Spirit); Providence Scripture: Psalm 23 Used With Tune: CRIMOND Text Sources: Scottish Psalter, 1650

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CRIMOND

Meter: 8.6.8.6 Appears in 157 hymnals Composer and/or Arranger: Jesse Seymour Irvine; T. C. L. Pritchard Tune Key: F Major Incipit: 53425 42171 33224 Used With Text: The Lord's My Shepherd, I'll Not Want
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[The Lord's my Shepherd, I'll not want]

Appears in 8 hymnals Composer and/or Arranger: Robt. H. Wilson Incipit: 13322 16555 56132 Used With Text: He Leadeth Me
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BELMONT

Meter: 8.6.8.6 Appears in 553 hymnals Composer and/or Arranger: William Gardiner, 1770-1853 Tune Sources: The Lutheran Hymnal, 1941 (Setting) Tune Key: G Major Incipit: 53217 76155 54332 Used With Text: The Lord's My Shepherd, I'll Not Want

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The Lord's my shepherd, I'll not want

Author: Francis Rous Hymnal: The Concord Hymnal #65 (1923) Languages: English Tune Title: [The Lord's my shepherd, I'll not want]
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The Lord's My Shepherd

Author: Francis Rous Hymnal: Assembly Songs #108 (1910) First Line: The Lord's my Shepherd, I'll not want Refrain First Line: He leadeth me, He leadeth me Lyrics: 1 The Lord’s my Shepherd, I’ll not want: He makes me down to lie In pastures green; He leadeth me The quiet waters by. Refrain: He leadeth me, He leadeth me, In pastures green He leadeth me; He leadeth me He leadeth me, By His own hand He leadeth me. 2 My soul He doth restore again; And me to walk doth make Within the paths of righteousness, Even for His own Name’s sake. [Refrain] 3 Yea, tho’ I walk in death’s dark vale, Yet will I fear no ill; For Thou art with me; and Thy rod And staff me comfort still. [Refrain] 4 A table Thou hast furnished me In presence of my foes; My head Thou dost with oil anoint, And my cup overflows. [Refrain] 5 Goodness and mercy all my life Shall surely follow me; And in God’s house forevermore My dwelling place shall be. [Refrain] Languages: English Tune Title: [The Lord's my Shepherd, I'll not want] (Excell)
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The Lord's My Shepherd, I'll Not Want

Author: Francis Rous; William Mure Hymnal: Trinity Hymnal (Rev. ed.) #85 (1990) Meter: 8.6.8.6 Lyrics: 1 The Lord's my Shepherd, I'll not want; he makes me down to lie in pastures green; he leadeth me the quiet waters by. 2 My soul he doth restore again; and me to walk doth make within the paths of righteousness, e'en for his own name's sake. 3 Yea, though I walk in death's dark vale, yet will I fear none ill, for thou art with me; and thy rod and staff me comfort still. 4 My table thou hast furnished in presence of my foes; my head thou dost with oil anoint, and my cup overflows. 5 Goodness and mercy all my life shall surely follow me: and in God's house forevermore my dwelling place shall be. Topics: Funerals; God His Faithfulness; Family Worship; God Love and Grace of; Life Everlasting ; Post-Communion Scripture: Psalm 23 Languages: English Tune Title: EVAN

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Hugh Wilson

1766 - 1824 Person Name: Hugh Wilson, 1766 - 1824 Composer of "MARTYRDOM" in The Hymnary of the United Church of Canada Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) learned the shoemaker trade from his father. He also studied music and mathematics and became proficient enough in various subjects to become a part-­time teacher to the villagers. Around 1800, he moved to Pollokshaws to work in the cotton mills and later moved to Duntocher, where he became a draftsman in the local mill. He also made sundials and composed hymn tunes as a hobby. Wilson was a member of the Secession Church, which had separated from the Church of Scotland. He served as a manager and precentor in the church in Duntocher and helped found its first Sunday school. It is thought that he composed and adapted a number of psalm tunes, but only two have survived because he gave instructions shortly before his death that all his music manuscripts were to be destroyed. Bert Polman

James McGranahan

1840 - 1907 Person Name: James McGranahan, 1840-1907 Composer of "O HOW LOVE I THE LORD" in The Christian Hymnary. Bks. 1-4 James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

W. H. Havergal

1793 - 1870 Person Name: William H. Havergal Composer of "EVAN" in Trinity Hymnal (Rev. ed.) Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:— 1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883. 2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c. 3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund. 4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory, 5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c. 8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c. 9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c. 11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883. 12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer." 13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883. 15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. 16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872. 17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872. 18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child. 19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869. --John Julian, Dictionary of Hymnology (1907) ===================== Havergal, W. H., p. 498, i. Other hymns are: — 1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c. 2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.) It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)