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Text Identifier:"^tis_done_that_new_and_heavenly$"

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'Tis Done! That New and Heavenly Birth

Author: Henry W. Baker Meter: 8.8.8.8 Appears in 4 hymnals Lyrics: 1. ’Tis done! that new and heavenly birth, Which re-creates the sons of earth, Has cleansed from guilt of Adam’s sin A soul which Jesus died to win. 2. ’Tis done! the cross upon the brow Is marked for weal or sorrow now, To shine with heavenly luster bright, Or burn in everlasting night. 3. O ye who came that babe to lay Within a Savior’s arms today, Watch well and guard with careful eye The heir of immortality. 4. Teach him to know a Father’s love, And seek for happiness above, To Christ his heart and treasures give And in the Spirit ever live. 5. That so before the judgment seat In joy and triumph ye may meet; The battle fought, the struggle o’er, The kingdom yours forevermore. 6. Praise God, from whom all blessings flow, Praise Him, all creatures here below, Praise Him above, angelic host, Praise Father, Son, and Holy Ghost. Used With Tune: WINCHESTER NEW Text Sources: Hymns Ancient and Modern, 1861

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WINCHESTER NEW

Meter: 8.8.8.8 Appears in 394 hymnals Composer and/or Arranger: Will­iam H. Monk Tune Sources: Mu­sik­al­isch­es Hand­buch (Ham­burg, Ger­ma­ny: 1690) Tune Key: B Flat Major Incipit: 51566 54334 32554 Used With Text: 'Tis Done! That New and Heavenly Birth

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'Tis Done! That New and Heavenly Birth

Author: Henry W. Baker Hymnal: The Cyber Hymnal #6519 Meter: 8.8.8.8 Lyrics: 1. ’Tis done! that new and heavenly birth, Which re-creates the sons of earth, Has cleansed from guilt of Adam’s sin A soul which Jesus died to win. 2. ’Tis done! the cross upon the brow Is marked for weal or sorrow now, To shine with heavenly luster bright, Or burn in everlasting night. 3. O ye who came that babe to lay Within a Savior’s arms today, Watch well and guard with careful eye The heir of immortality. 4. Teach him to know a Father’s love, And seek for happiness above, To Christ his heart and treasures give And in the Spirit ever live. 5. That so before the judgment seat In joy and triumph ye may meet; The battle fought, the struggle o’er, The kingdom yours forevermore. 6. Praise God, from whom all blessings flow, Praise Him, all creatures here below, Praise Him above, angelic host, Praise Father, Son, and Holy Ghost. Languages: English Tune Title: WINCHESTER NEW

Tis done! that new and heavenly birth

Hymnal: Hymns Ancient and Modern #209 (1874) Meter: 8.8.8.8 Languages: English
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Tis done! that new and heavenly birth

Author: Rev. Sir H. W. Baker Hymnal: The Book of Common Praise #267 (1909) Languages: English

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H. W. Baker

1821 - 1877 Person Name: Henry W. Baker Author of "'Tis Done! That New and Heavenly Birth" in The Cyber Hymnal Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

William Henry Monk

1823 - 1889 Person Name: Will­iam H. Monk Harmonizer of "WINCHESTER NEW" in The Cyber Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman