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Search Results

Text Identifier:"^to_thee_eternal_soul_be_praise$"

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Texts

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To Thee, Eternal Soul, be praise

Author: Richard Watson Gilder Appears in 30 hymnals Used With Tune: Canonbury

Tunes

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SEASONS

Appears in 42 hymnals Composer and/or Arranger: Ignace J. Pleyel Incipit: 53211 23432 3212 Used With Text: To Thee, Eternal Soul, be praise!
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WORSHIP

Appears in 2 hymnals Composer and/or Arranger: Karl P. Harrington Incipit: 33454 33213 24355 Used With Text: To thee, eternal soul, be praise!
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WAREHAM

Appears in 524 hymnals Composer and/or Arranger: William Knapp Incipit: 11765 12171 23217 Used With Text: To Thee, Eternal Soul, be praise

Instances

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Published text-tune combinations (hymns) from specific hymnals
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To Thee, Eternal Soul, Be Praise!

Author: Ri­chard W. Gild­er Hymnal: The Cyber Hymnal #6872 Meter: 8.8.8.8 First Line: To Thee, eternal Soul, be praise Lyrics: 1. To Thee, eternal Soul, be praise! Who, from of old to our own days, Through souls of saints and prophets, Lord, Hast sent Thy light, Thy love, Thy Word. 2. We thank Thee for each mighty one Through whom Thy living light hath shone; And for each humble soul and sweet That lights to heaven our wandering feet. 3. We thank Thee for the love divine Made real in every saint of Thine; That boundless love itself that gives In service to each soul that lives. 4. We thank Thee for the Word of might Thy Spirit spake in darkest night. Spake through the trumpet voices loud Of prophets at Thy throne who bowed. 5. Eternal Soul, our souls keep pure, That like Thy saints we may endure; Forever through Thy servants, Lord, Send Thou Thy light, Thy love, Thy Word. Languages: English Tune Title: WORSHIP (Harrington)
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To Thee, eternal soul, be praise

Author: Richard Watson Gilder Hymnal: Elmhurst Hymnal #O31b (1921) Languages: English

To thee, eternal soul, be praise

Author: Richard Watson Gilder Hymnal: The Methodist Hymnal #10 (1939) Languages: English

People

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Authors, composers, editors, etc.

Louis Bourgeois

1510 - 1561 Person Name: L. Bourgeois Composer of "OLD HUNDREDTH" in Social Hymns of Brotherhood and Aspiration Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholar­ly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty­ four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciat­ed by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman

George Frideric Handel

1685 - 1759 Person Name: G. F. Handel Composer of "SAMSON" in The Hymnal of Praise George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

William Knapp

1698 - 1768 Composer of "WAREHAM" in The Chapel Hymnal Born: 1698, Ware­ham, Dor­set­shire, Eng­land. Died: Sep­tem­ber 26, 1768, Poole, Dor­set­shire, Eng­land. Buried: Poole, Dor­set­shire, Eng­land.