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Today We All Are Called to Be Disciples
Author: H. Kenn Carmichael Meter: 8.6.8.6 D Appears in 4 hymnals Hymnal Title: Calvin Hymnary Project First Line: Today we all are called to be Disciples of the Lord
Today We All Are Called to Be Disciples
KINGSFOLD
Meter: 8.6.8.6 D Appears in 272 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958; Ralph Vaughan Williams, 1872-1958 Hymnal Title: Moravian Book of Worship Tune Sources: English; From the English Hymnal (1906) Tune Key: e minor Incipit: 32111 73343 45543 Used With Text: Today We All Are Called to Be Disciples
KINGSFOLD
Today We All Are Called to Be Disciples
Author: H. Kenn Carmichael Hymnal: Glory to God #757 (2013) Meter: 8.6.8.6 D Hymnal Title: Glory to God Topics: Discipleship; Hunger; Justice and Reconciliation; World Peace; Stewardship Scripture: Genesis 1:1 Languages: English Tune Title: KINGSFOLD
Today We All Are Called to Be Disciples
Today We All Are Called to Be Disciples
Author: H. Kenn Carmichael Hymnal: Moravian Book of Worship #696 (1995) Meter: 8.6.8.6 D Hymnal Title: Moravian Book of Worship First Line: Today we all are called Topics: Peace and Justice; Discipleship; Justice; Social ministry; Stewardship Scripture: Isaiah 58 Languages: English Tune Title: KINGSFOLD
Today We All Are Called to Be Disciples
Today We All Are Called to Be Disciples
Author: H. Kenn Carmichael Hymnal: The Presbyterian Hymnal #434 (1990) Meter: 8.6.8.6 D Hymnal Title: The Presbyterian Hymnal First Line: Today we all are called to be Disciples of the Lord Scripture: Genesis 2:15 Languages: English Tune Title: KINGSFOLD
Today We All Are Called to Be Disciples
H. Kenn Carmichael
1908 - 1996 Hymnal Title: The Presbyterian Hymnal Author of "Today We All Are Called to Be Disciples" in The Presbyterian Hymnal H. Kenn Carmichael was born in Martins Ferry, 1908 and graduated from Muskingum College (B.A. 1938), the University of Wisconsin (M.A. in Speech, 1930), and the University of Minnesota (Ph.D. in Theater, 1941). He was head of the theatre department at Purdue University (1931-1943). From 1943 to 1946, Carmichael served in the U.S. Navy, where he made training films. After his enlistment ended, Carmichael taught at City College, Los Angeles (1947-1954), and then joined Film Production International producing films for denominational stewardship campaigns.
In 1962, Carmichael and his wife were commissioned by the Commission on Ecumenical Mission and Relations (COEMAR) of the United Presbyterian Church U.S.A. as consultants in communications to the Middle East and Africa. After ten years they returned to the United States, where Kenn became associate pastor at Central Church (1972-1979). Since 1979 the Carmichaels have lived at Westminster Gardens, Los Angeles.
Carmichael was Moderator of the Synod of Southern California and Hawaii in 1987. He was also honored as a distinguished alumnus by Muskingum College.
--The Presbyterian Hymnal Companion, 1993
H. Kenn Carmichael
Ralph Vaughan Williams
1872 - 1958 Hymnal Title: The Presbyterian Hymnal Arranger and Harmonizer of "KINGSFOLD" in The Presbyterian Hymnal Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Arthur Sullivan
1842 - 1900 Person Name: Arthur Seymour Sullivan Hymnal Title: Voices United Arranger of "NOËL" in Voices United Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
