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Text Identifier:"^walking_with_thee_my_god$"

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Walking With God

Author: George Rawson Appears in 14 hymnals First Line: Walking with Thee, my God Used With Tune: [Walking with Thee, my God]

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[Walking with Thee, my God]

Appears in 61 hymnals Composer and/or Arranger: J. B. Dykes Incipit: 12354 33234 33665 Used With Text: Walking With Thee, My God
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PROPIOR DEO

Appears in 65 hymnals Composer and/or Arranger: Sir A. Sullivan, Mus. Doc. Incipit: 32315 65723 32315 Used With Text: Walking with Thee, my God
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MISTLEY

Appears in 4 hymnals Composer and/or Arranger: Rev. Dr. L. G. Hayne Incipit: 54516 52343 43651 Used With Text: Walking with Thee

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Walking With Thee, My God

Author: Geo. Rawson Hymnal: Gospel Melodies and Evangelistic Hymns #57 (1944) Lyrics: 1 Walking with Thee, my God, Saviour benign, Daily confer on me Converse divine; Jesus in Thee restored, Brother and blessed Lord, Let it be mine. 2 Walking with Thee, my God, Like as a child Leans on his father’s strength, Crossing the wild; And by the way is taught Lessons of holy thought, Faith undefiled. 3 Walking with Thee, my God, Humbly with Thee, Yet from all abject fear Lovingly free; E’en as a friend with friend, Cheered to the journey’s end, Walking with Thee. Topics: Song of Experience Languages: English Tune Title: [Walking with Thee, my God]
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Walking With Thee

Author: Geo. Rawson Hymnal: Christ in Song #296 (1908) First Line: Walking with thee, my God Lyrics: 1 Walking with thee, my God, Saviour benign, Daily confer on me Converse divine; Jesus, in thee restores, Brother, and blessed Lord, Let it be mine, Let it be mine. 2 Walking with thee, my God, Like as a child Leans on his father's strength, Crossing the wild. And by the way is taught Lessons of holy tho't, Faith undefiled, Faith undefiled. 3 Walking with thee, my God, Humbly with thee; Yet from all care and fear Lovingly free. E'en as a friend with friend, Chee'rd to the journey's end, Walking with thee, Walking with thee. Topics: Christ Christ With Us; Special Selections Male Voices; Christ Christ With Us; Special Selections Male Voices Languages: English Tune Title: [Walking with thee, my God]
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Walking With God

Author: George Rawson Hymnal: Towner's Male Choir Nos. 1, 2, 3, 4 Combined #27 (1894) First Line: Walking with Thee, my God Languages: English Tune Title: [Walking with Thee, my God]

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "[Walking with Thee, my God]" in Gospel Melodies and Evangelistic Hymns As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Arthur Sullivan

1842 - 1900 Person Name: Sir A. Sullivan, Mus. Doc. Composer of "PROPIOR DEO" in Worship Song Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

William Henry Monk

1823 - 1889 Person Name: W. H. Monk (1823-1890) Composer of "LINCLUDEN" in Plymouth Sunday-School Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman
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