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Text Identifier:"^well_wife_ive_found_the_model_church$"

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Model Church

Author: John Henry Yates Appears in 30 hymnals First Line: Well wife, I've found the model church

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[Well, wife, I've found the model chruch]

Appears in 10 hymnals Composer and/or Arranger: Ira D. Sankey Tune Key: G Major Incipit: 53217 61556 17215 Used With Text: The Model Church (The Old Man's Story)
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[Well, wife, I've found the model church]

Appears in 7 hymnals Composer and/or Arranger: E. O. Excell Incipit: 51231 61556 17125 Used With Text: The Model Church
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[Well, wife, I've found the model church]

Appears in 1 hymnal Composer and/or Arranger: J. V. Coombs Incipit: 51132 16111 65125 Used With Text: The Model Church

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The Model Church

Author: John H. Yates Hymnal: The Cyber Hymnal #4295 First Line: Well, wife, I've found the model church Lyrics: 1. Well, wife, I’ve found the model church, And worshipped there today; It made me think of good old times, Before my hair was gray; The meeting house was finer built Than they were years ago, But then I found when I went in, It was not built for show. 2. The sexton did not set me down Away back by the door; He knew that I was old and deaf, And saw that I was poor; He must have been a Christian man, He led me boldly through The crowded aisle of that grand church, To find a pleasant pew. 3. I wish you’d heard the singing, wife, It had the old-time ring; The preacher said with trumpet voice, Let all the people sing: Old Coronation was the tune; The music upward rolled Until I tho’t the angel choir Struck all their harps of gold. 4. My deafness seemed to melt away, My spirit caught the fire; I joined my feeble, trembling voice With that melodious choir; And sang as in my youthful days, Let angels prostrate fall. Bring forth the royal diadem And crown Him Lord of all. 5. I tell you, wife, it did me good To sing that hymn once more; I felt like some wrecked mariner Who gets a glimpse of shore; I almost want to lay aside This weather beaten form, And anchor in the blessèd port, Forever from the storm. 6. ’Twas not a flowery sermon, wife, But simple gospel truth; It fitted humble men like me; It suited hopeful youth; To win immortal souls to Christ, The earnest preacher tried; He talked not of himself, or creed, But Jesus crucified. 7. Dear wife, the toil will soon be o’er, The vict’ry soon be won; The shining land is just ahead, Our race is nearly run; We’re nearing Canaan’s happy shore, Our home so bright and fair; Thank God, we’ll never sin again, There’ll be no sorrow there. Languages: English Tune Title: [Well, wife, I've found the model church]
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The Model Church

Author: John Yates Hymnal: Radio Beams #29 (1944) First Line: Well, wife, I've found the model church Languages: English Tune Title: [Well, wife, I've found the model church]
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The Model Church

Author: John Yates Hymnal: Calvary Songs #85 (1944) First Line: Well, wife, I've found the model church Languages: English Tune Title: [Well, wife, I've found the model church]

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E. O. Excell

1851 - 1921 Composer of "[Well wife, I've found the model church]" in Triumphant Songs No.1 Edwin Othello Excel USA 1851-1921. Born at Uniontown, OH, he started working as a bricklayer and plasterer. He loved music and went to Chicago to study it under George Root. He married Eliza Jane “Jennie” Bell in 1871. They had a son, William, in 1874. A member of the Methodist Episcopal Church, he became a prominent publisher, composer, song leader, and singer of music for church, Sunday school, and evangelistic meetings. He founded singing schools at various locations in the country and worked with evangelist, Sam Jones, as his song leader for two decades. He established a music publishing house in Chicago and authored or composed over 2,000 gospel songs. While assisting Gypsy Smith in an evangelistic campaign in Louisville, KY, he became ill, and died in Chicago, IL. He published 15 gospel music books between 1882-1925. He left an estate valued at $300,000. John Perry

John Henry Yates

1837 - 1900 Person Name: John H. Yates Author of "The Model Church" in The Cyber Hymnal Rev. John H. Yates, was born in Batavia, N. Y., November 31, 1837. He was educated at the Batavia Union School, but at the age of eighteen was forced to engage in business as a clerk to help maintain his aged parents. For several years he was with his brother, Thomas Yates, in the shoe business; afterwards, for seven years, salesman in G. B. Worthington's hardware store. In 1871 he took charge of the fancy goods department in E. L. & G. D. Kenyon's double store and remained there fifteen years. In 1886 he was called to be local editor of the Progressive Batavian, and filled the position nearly ten years. When twenty-one years of age Mr. Yates was licensed to preach in the Methodist church, but was not ordained until 1897. For nearly seven years now he has been pastor of the Free Will Baptist church at West Bethany. At about the age of twenty, Mr. Yates began writing poetry at the solicitation of his mother, and very soon his ballads and hymns were printed and sung all over the land. In 1891, Ira D. Sankey, the famous singer, engaged Mr. Yates to write gospel hymns for him, solely; he was led to do this because of the wonderful success of Mr. Yates's old man ballad, the "Model Church," which has been sung all over the world. After the contract with Mr. Sankey. the following hymns soon appeared from the pen of Mr. Yates: "Harbor Bell," "Faith is the Victory," "Beautiful Hills," "Our Name's in Heaven," and about twenty others. In December, 1897, Mr. Yates issued a volume of ballads and poems, a book of 117 poems and 226 pages, which are now nearly all sold. On the occasion of the dedication of the old land office in 1894, Mr. Yates wrote the dedicatory poem, "Our Ancient Landmark," a production of unusual merit. From Our County and it's people: descriptive work on Genesee County, New York, edited by: F. W. Beers (J.W. Vose & Co., Publishers, Syracuse, N. Y. 1890)

Ira David Sankey

1840 - 1908 Arranger of "[Well, wife, I've found the model church]" in The Cyber Hymnal Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known. Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages. --John Julian, Dictionary of Hymnology (1907) Pseudonymns: Harry S. Low­er Rian A. Dykes ==================== Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:— 1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:— "I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full." The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus. 2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:— "During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888. From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns. From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:— In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns. In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888. --John Julian, Dictionary of Hymnology, New Supplement (1907)